{"paper":{"title":"Who clicks there!: Anonymizing the photographer in a camera saturated society","license":"http://arxiv.org/licenses/nonexclusive-distrib/1.0/","headline":"","cross_cats":["cs.CV"],"primary_cat":"cs.CR","authors_text":"Djamila Aouada, Peter Schaffer, Shishir Nagaraja","submitted_at":"2011-06-14T12:49:48Z","abstract_excerpt":"In recent years, social media has played an increasingly important role in reporting world events. The publication of crowd-sourced photographs and videos in near real-time is one of the reasons behind the high impact. However, the use of a camera can draw the photographer into a situation of conflict. Examples include the use of cameras by regulators collecting evidence of Mafia operations; citizens collecting evidence of corruption at a public service outlet; and political dissidents protesting at public rallies. In all these cases, the published images contain fairly unambiguous clues about"},"claims":{"count":0,"items":[],"snapshot_sha256":"258153158e38e3291e3d48162225fcdb2d5a3ed65a07baac614ab91432fd4f57"},"source":{"id":"1106.2696","kind":"arxiv","version":1},"verdict":{"id":null,"model_set":{},"created_at":null,"strongest_claim":"","one_line_summary":"","pipeline_version":null,"weakest_assumption":"","pith_extraction_headline":""},"references":{"count":0,"sample":[],"resolved_work":0,"snapshot_sha256":"258153158e38e3291e3d48162225fcdb2d5a3ed65a07baac614ab91432fd4f57","internal_anchors":0},"formal_canon":{"evidence_count":0,"snapshot_sha256":"258153158e38e3291e3d48162225fcdb2d5a3ed65a07baac614ab91432fd4f57"},"author_claims":{"count":0,"strong_count":0,"snapshot_sha256":"258153158e38e3291e3d48162225fcdb2d5a3ed65a07baac614ab91432fd4f57"},"builder_version":"pith-number-builder-2026-05-17-v1"}