{"as_of":"2026-08-08T01:29:00Z","caps":{"database_statements":6,"inbound":100,"outbound":100},"context_digest":"sha256:8460c365626481be4f795e9e49b167214eea05177173f18fe22f70845085223d","coverage":[{"denominator":0,"lane":"reference_resolution","note":"Typed states for the displayed outbound observations.","records_observed":0,"source":"paper_references, paper_reference_links","source_observed_at":null,"state":"measured"},{"denominator":8,"lane":"standing_notices","note":"One-hop event checks from named stored sources.","records_observed":8,"source":"scholarly_work_events, retraction_status_cache","source_observed_at":"2026-08-07T06:34:17.273281+00:00","state":"measured"},{"denominator":8,"lane":"inbound_itemization","note":"Pith citing papers itemized under the disclosed page cap.","records_observed":8,"source":"paper_references, paper_reference_links","source_observed_at":"2026-08-07T11:28:55.314305Z","state":"measured"},{"denominator":1,"lane":"external_citation_measurements","note":"A source-named dated measurement, never combined with another source.","records_observed":0,"source":"arxiv_reference","source_observed_at":"2026-06-30T19:05:01.080814Z","state":"measured"}],"external_citation_measurements":[],"inbound":[{"citation":{"cited_paper":{"arxiv_id":"2408.14080","last_updated":"2025-02-25T03:22:49Z","snapshot_observed_at":"2026-08-03T14:19:01.294128Z","submitted_at":"2024-08-26T08:02:57Z","title":"SONICS: Synthetic Or Not -- Identifying Counterfeit Songs","version":4},"cited_work":{"arxiv_id":"2408.14080","doi":null,"metadata_source":"arxiv_reference","pith_arxiv_id":"2408.14080","snapshot_observed_at":"2026-06-30T19:05:01.080814Z","title":"Sonics: Synthetic or not– identifying counterfeit songs","venue":null,"work_id":"5c474225-62e5-42e7-a63a-a00231d3a5a6","year":2024},"citing_paper":{"arxiv_id":"2412.13421","last_updated":"2026-04-29T12:09:57Z","snapshot_observed_at":"2026-07-06T02:11:23.670680Z","submitted_at":"2024-12-18T01:36:34Z","title":"Explainable Detection of Machine Generated Music and Early Systematic Evaluation","version":2},"reference_index":7,"source":"pdf_text","source_observed_at":"2026-05-23T07:37:15.391712Z"},"links":{"cited_paper":"/paper/2408.14080","citing_paper":"/paper/2412.13421"},"observation_digest":"sha256:12baf258fa5ab7cd4465c5d35176a05400a798168371a9e1f91eac4794984463","observation_id":"bbd925d5-0ea2-4fc1-9419-8745b14848ab","resolution":{"observed_at":"2026-05-23T07:37:42.191913Z","resolver_source":"arxiv_id","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2408.14080","last_updated":"2025-02-25T03:22:49Z","snapshot_observed_at":"2026-08-03T14:19:01.294128Z","submitted_at":"2024-08-26T08:02:57Z","title":"SONICS: Synthetic Or Not -- Identifying Counterfeit Songs","version":4},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2408.14080","snapshot_observed_at":"2026-08-07T11:28:55.314305Z","title":"Sonics: Synthetic or not–identifying counterfeit songs","venue":null,"work_id":null,"year":2024},"citing_paper":{"arxiv_id":"2506.02443","last_updated":"2025-06-03T05:02:14Z","snapshot_observed_at":"2026-08-07T11:21:26.522442Z","submitted_at":"2025-06-03T05:02:14Z","title":"Breaking the Barriers of Text-Hungry and Audio-Deficient AI","version":1},"reference_index":104,"source":"pdf_text","source_observed_at":"2026-08-07T11:28:55.314305Z"},"links":{"cited_paper":"/paper/2408.14080","citing_paper":"/paper/2506.02443"},"observation_digest":"sha256:ff3dbae0841d1ebd686d8ddef926539f3a493861833d4dcc240688ab066196c1","observation_id":"b75751a2-0ad2-463e-84ea-49b68098c00a","resolution":{"observed_at":"2026-08-07T11:28:55.314305Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":{"arxiv_id":"2408.14080","last_updated":"2025-02-25T03:22:49Z","snapshot_observed_at":"2026-08-03T14:19:01.294128Z","submitted_at":"2024-08-26T08:02:57Z","title":"SONICS: Synthetic Or Not -- Identifying Counterfeit Songs","version":4},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2408.14080","snapshot_observed_at":"2026-08-07T11:17:59.598034Z","title":"Sonics: Synthetic or not–identifying counterfeit songs","venue":null,"work_id":null,"year":2024},"citing_paper":{"arxiv_id":"2506.02856","last_updated":"2025-06-03T13:23:40Z","snapshot_observed_at":"2026-08-07T11:11:41.109720Z","submitted_at":"2025-06-03T13:23:40Z","title":"Exploring listeners' perceptions of AI-generated and human-composed music for functional emotional applications","version":1},"reference_index":23,"source":"pdf_text","source_observed_at":"2026-08-07T11:17:59.598034Z"},"links":{"cited_paper":"/paper/2408.14080","citing_paper":"/paper/2506.02856"},"observation_digest":"sha256:6399378477a33b4029910be5af4b8bfea307f5b33f1f1293d9074838a94f53aa","observation_id":"35bbcb87-0bb0-4827-8915-f3763edffe97","resolution":{"observed_at":"2026-08-07T11:17:59.598034Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":{"arxiv_id":"2408.14080","last_updated":"2025-02-25T03:22:49Z","snapshot_observed_at":"2026-08-03T14:19:01.294128Z","submitted_at":"2024-08-26T08:02:57Z","title":"SONICS: Synthetic Or Not -- Identifying Counterfeit Songs","version":4},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2408.14080","snapshot_observed_at":"2026-08-06T23:48:39.379967Z","title":null,"venue":null,"work_id":null,"year":2024},"citing_paper":{"arxiv_id":"2506.15981","last_updated":"2025-06-28T05:47:16Z","snapshot_observed_at":"2026-08-06T23:42:06.328792Z","submitted_at":"2025-06-19T02:56:49Z","title":"Double Entendre: Robust Audio-Based AI-Generated Lyrics Detection via Multi-View Fusion","version":2},"reference_index":30,"source":"arxiv_source","source_observed_at":"2026-08-06T23:48:39.379967Z"},"links":{"cited_paper":"/paper/2408.14080","citing_paper":"/paper/2506.15981"},"observation_digest":"sha256:8126170203f82cdd08bb245cfffefa05cfc294b50daecab7ac1ce3e559d38b17","observation_id":"c2ab498a-0f5e-453c-a359-2d78a75241c7","resolution":{"observed_at":"2026-08-06T23:48:39.379967Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":{"arxiv_id":"2408.14080","last_updated":"2025-02-25T03:22:49Z","snapshot_observed_at":"2026-08-03T14:19:01.294128Z","submitted_at":"2024-08-26T08:02:57Z","title":"SONICS: Synthetic Or Not -- Identifying Counterfeit Songs","version":4},"cited_work":{"arxiv_id":"2408.14080","doi":null,"metadata_source":"arxiv_reference","pith_arxiv_id":"2408.14080","snapshot_observed_at":"2026-06-30T19:05:01.080814Z","title":"Sonics: Synthetic or not– identifying counterfeit songs","venue":null,"work_id":"5c474225-62e5-42e7-a63a-a00231d3a5a6","year":2024},"citing_paper":{"arxiv_id":"2507.08128","last_updated":"2025-07-28T22:53:43Z","snapshot_observed_at":"2026-07-06T02:11:23.670680Z","submitted_at":"2025-07-10T19:40:21Z","title":"Audio Flamingo 3: Advancing Audio Intelligence with Fully Open Large Audio Language Models","version":2},"reference_index":98,"source":"pdf_text","source_observed_at":"2026-05-15T03:42:44.523919Z"},"links":{"cited_paper":"/paper/2408.14080","citing_paper":"/paper/2507.08128"},"observation_digest":"sha256:211e2f2be74fbbf9cdbdf60739d8fdf85eb52ed15a97c5ee2bfaf41524c2a0b1","observation_id":"5a009189-2e2c-41f5-8ceb-3f4239c5be32","resolution":{"observed_at":"2026-05-15T03:42:45.175374Z","resolver_source":"arxiv_id","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2408.14080","last_updated":"2025-02-25T03:22:49Z","snapshot_observed_at":"2026-08-03T14:19:01.294128Z","submitted_at":"2024-08-26T08:02:57Z","title":"SONICS: Synthetic Or Not -- Identifying Counterfeit Songs","version":4},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2408.14080","snapshot_observed_at":"2026-08-06T19:33:13.678263Z","title":"Sonics: Synthetic or not – identifying counterfeit songs,","venue":null,"work_id":null,"year":2025},"citing_paper":{"arxiv_id":"2507.10447","last_updated":"2025-07-07T16:15:02Z","snapshot_observed_at":"2026-08-06T19:28:19.405486Z","submitted_at":"2025-07-07T16:15:02Z","title":"Evaluating Fake Music Detection Performance Under Audio Augmentations","version":1},"reference_index":7,"source":"pdf_text","source_observed_at":"2026-08-06T19:33:13.678263Z"},"links":{"cited_paper":"/paper/2408.14080","citing_paper":"/paper/2507.10447"},"observation_digest":"sha256:555685108f11ace531b68698a4a5d3bc572fc1af39b3b806e6930440992cb6d3","observation_id":"9c016a5c-f3fb-4596-a558-127145117e8f","resolution":{"observed_at":"2026-08-06T19:33:13.678263Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":{"arxiv_id":"2408.14080","last_updated":"2025-02-25T03:22:49Z","snapshot_observed_at":"2026-08-03T14:19:01.294128Z","submitted_at":"2024-08-26T08:02:57Z","title":"SONICS: Synthetic Or Not -- Identifying Counterfeit Songs","version":4},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2408.14080","snapshot_observed_at":"2026-08-04T20:54:12.790871Z","title":"Sonics: Synthetic or not–identifying counterfeit songs,","venue":null,"work_id":null,"year":2024},"citing_paper":{"arxiv_id":"2509.08283","last_updated":"2025-09-10T04:56:40Z","snapshot_observed_at":"2026-08-07T16:55:15.330984Z","submitted_at":"2025-09-10T04:56:40Z","title":"Segment Transformer: AI-Generated Music Detection via Music Structural Analysis","version":1},"reference_index":13,"source":"pdf_text","source_observed_at":"2026-08-04T20:54:12.790871Z"},"links":{"cited_paper":"/paper/2408.14080","citing_paper":"/paper/2509.08283"},"observation_digest":"sha256:1161ab39df656c5974d18b2ecb6c31ae5ac37f617d0e382c98d270f5531dfdaa","observation_id":"ac4a16e0-ff30-4fdc-94ab-7ce5d257783b","resolution":{"observed_at":"2026-08-04T20:54:12.790871Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":{"arxiv_id":"2408.14080","last_updated":"2025-02-25T03:22:49Z","snapshot_observed_at":"2026-08-03T14:19:01.294128Z","submitted_at":"2024-08-26T08:02:57Z","title":"SONICS: Synthetic Or Not -- Identifying Counterfeit Songs","version":4},"cited_work":{"arxiv_id":"2408.14080","doi":null,"metadata_source":"arxiv_reference","pith_arxiv_id":"2408.14080","snapshot_observed_at":"2026-06-30T19:05:01.080814Z","title":"Sonics: Synthetic or not– identifying counterfeit songs","venue":null,"work_id":"5c474225-62e5-42e7-a63a-a00231d3a5a6","year":2024},"citing_paper":{"arxiv_id":"2605.30366","last_updated":"2026-05-18T03:43:41Z","snapshot_observed_at":"2026-08-04T20:00:25.137382Z","submitted_at":"2026-05-18T03:43:41Z","title":"Escaping the Linearity Trap: Manifold Detours for Black-Box Adversarial Attacks on Singing Audio Deepfake Detection","version":1},"reference_index":54,"source":"pdf_text","source_observed_at":"2026-06-30T18:58:31.318883Z"},"links":{"cited_paper":"/paper/2408.14080","citing_paper":"/paper/2605.30366"},"observation_digest":"sha256:d28d2a2c05412ae54814e31319e8582700cee944cc38067175f8e96838f82017","observation_id":"e83d1f62-2760-4a43-bcd5-e9d5ce7838fe","resolution":{"observed_at":"2026-06-30T19:05:01.082725Z","resolver_source":"arxiv_id","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}}],"links":{"evidence":"/evidence","html":"/paper/2408.14080/citation-record","integrity":"/paper/2408.14080/integrity","json":"/paper/2408.14080/citation-record.json","paper":"/paper/2408.14080"},"outbound":[],"paper":{"arxiv_id":"2408.14080","last_updated":"2025-02-25T03:22:49Z","latest_version":4,"primary_category":"cs.SD","snapshot_observed_at":"2026-08-03T14:19:01.294128Z","submitted_at":"2024-08-26T08:02:57Z","title":"SONICS: Synthetic Or Not -- Identifying Counterfeit Songs"},"reference_resolution":{"displayed":0,"state_counts":{"malformed_identifier":0,"metadata_mismatch":0,"parse_uncertain":0,"unresolved":0,"verified_exact":0,"verified_fuzzy":0},"total_outbound_references":0},"refusal":"A citation records a reference. It does not transfer a finding from one paper to another.","schema":"pith.paper-citation-record.v1","standing_sources":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"thesis":"As of 8 August 2026, this Paper Citation Record lists 0 of 0 outbound references and 8 inbound Pith citation observations for arXiv:2408.14080."}