{"as_of":"2026-08-19T17:32:00Z","caps":{"database_statements":6,"inbound":100,"outbound":100},"context_digest":"sha256:f7fc2cde268f90e286c0ee5fa981cd5e10c375debd16f9966ab014e72ed43b4a","coverage":[{"denominator":27,"lane":"reference_resolution","note":"Typed states for the displayed outbound observations.","records_observed":27,"source":"paper_references, paper_reference_links","source_observed_at":"2026-08-16T05:14:15.445873Z","state":"measured"},{"denominator":27,"lane":"standing_notices","note":"One-hop event checks from named stored sources.","records_observed":27,"source":"scholarly_work_events, retraction_status_cache","source_observed_at":"2026-08-19T06:32:44.657259+00:00","state":"measured"},{"denominator":0,"lane":"inbound_itemization","note":"Pith citing papers itemized under the disclosed page cap.","records_observed":0,"source":"paper_references, paper_reference_links","source_observed_at":null,"state":"measured"},{"denominator":1,"lane":"external_citation_measurements","note":"A source-named dated measurement, never combined with another source.","records_observed":0,"source":"cited_works","source_observed_at":null,"state":"measured"}],"external_citation_measurements":[],"inbound":[],"links":{"evidence":"/evidence","html":"/paper/2504.21154/citation-record","integrity":"/paper/2504.21154/integrity","json":"/paper/2504.21154/citation-record.json","paper":"/paper/2504.21154"},"outbound":[{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.700793Z","title":"Multimedia Tools and Applications 78, 16575–16600 (2019)","venue":null,"work_id":"9dc236d6-905c-49f6-a6fb-9bc719f56cd5","year":2019},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":1,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.356297Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:8f257c7fbfbbcd5fd8cf1a6bf73a5f052fd9caee6f7d1ecd5c13caed0e0762e0","observation_id":"ece36a0a-240c-499e-a9b3-3e5a83a13993","resolution":{"observed_at":"2026-08-16T05:14:15.703912Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.691325Z","title":"Knowledge and Information Systems62(8), 2937–2987 (2020)","venue":null,"work_id":"10317fc6-4b56-4e18-8c35-2d0431b856ed","year":2020},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":2,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.360521Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:b65a3db85a75ebf172a7d4a76e732ae4ce610deb4bb87c4eb94283e66a3a3a29","observation_id":"51bfe64c-5a04-4fd1-aab5-c266a95cc6f4","resolution":{"observed_at":"2026-08-16T05:14:15.694579Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.681695Z","title":"In: Computer Graphics Forum","venue":null,"work_id":"cf76c10d-a71d-4bea-85f0-d352c136f3b9","year":2015},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":3,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.364487Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:f415737b511f4fa7335d1a93af0d7462460ff5c85749c5acc82937b2ac2cf388","observation_id":"c649676d-cfc3-4095-ab86-8b3756f014cf","resolution":{"observed_at":"2026-08-16T05:14:15.685207Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.672334Z","title":"In: 2014 International Conference on Computer Graph- ics Theory and Applications (GRAPP)","venue":null,"work_id":"786f418f-93eb-4890-92b7-c8328285aac0","year":2014},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":4,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.368384Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:89f6f18cbb9f9f1602ee86458d8b0db8efbd03fb969a9b38a8807c685b9d6a8c","observation_id":"b2fbb5f2-9d81-4242-b483-bf2f0afcf8e7","resolution":{"observed_at":"2026-08-16T05:14:15.675822Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.371802Z","title":null,"venue":null,"work_id":null,"year":2019},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":5,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.371802Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:2effd6192525461254a37f201e8be1f37f7726bc362d4e7efda43d5cbf2bcf7b","observation_id":"b21a9616-e398-4f9c-a05d-3704b7cae694","resolution":{"observed_at":"2026-08-16T05:14:15.371802Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.662827Z","title":"Journal on Computing and Cultural Heritage (JOCCH)8(4), 1–19 (2015)","venue":null,"work_id":"59ac5643-fb32-4fe3-8098-8e4e8f18f473","year":2015},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":6,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.375719Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:2d93f3b1aa517854e8eeb90b6a043b0467a6e48a53e6ffd1aa1b401ae17dbd56","observation_id":"d21d6a35-a81f-4c55-a9a8-46f795701673","resolution":{"observed_at":"2026-08-16T05:14:15.666098Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.653750Z","title":"Computer Animation and Virtual Worlds32(6), e1996 (2021)","venue":null,"work_id":"8cb2e7b3-40e4-475a-a031-0044fbd831d5","year":2021},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":7,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.379449Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:8d518deef76ee2370d31c76c10470fa5b18bdf30e0887e6451247039b85f508a","observation_id":"012018d9-3dab-42b4-93a0-7e6572331576","resolution":{"observed_at":"2026-08-16T05:14:15.656999Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.382651Z","title":"The journal of machine learning research13(1), 281–305 (2012)","venue":null,"work_id":null,"year":2012},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":8,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.382651Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:d534ce0b6bdd563adcbf799c60ffcdbed40f94b916fcfc572380fe6d87d5bd13","observation_id":"c2155fb3-b22d-4d26-93b7-e477ee831ee4","resolution":{"observed_at":"2026-08-16T05:14:15.382651Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.638631Z","title":"In: The human- computer interaction handbook, pp","venue":null,"work_id":"13c5f16a-d352-40d6-8d3f-b300ff4ff393","year":2007},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":9,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.385891Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:391a38d90daebbdfd15a22adb03e8b9ce9dd0f19ecf9198dc30834dd0d2906cb","observation_id":"08c01701-029e-4387-9f7f-dcda4751dff1","resolution":{"observed_at":"2026-08-16T05:14:15.641793Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.629551Z","title":"Machine learning45, 5–32 (2001) Emotion Recognition in Contemporary Dance Performances using LMA 11","venue":null,"work_id":"6f1fe479-a3b1-4799-915a-28810d3ef181","year":2001},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":10,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.389328Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:3c9d0ca522a3a4c457154ed46f5c92e95154907f8367126d771ffa86af5af6c6","observation_id":"1e34fa4b-2e91-416e-adac-a878a0adfbbd","resolution":{"observed_at":"2026-08-16T05:14:15.632786Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.620703Z","title":"Information Sciences582, 593–617 (2022)","venue":null,"work_id":"ce32fb71-fe79-448f-a9d7-5bc1b0bb3e0d","year":2022},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":11,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.392382Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:ceea8e5fdeb4fe065e4f0f6e0325b414f4ecf9f1ca4880fc955b9fce37563aa4","observation_id":"f9e09fa5-90ef-4d9e-b831-f7e21b70853d","resolution":{"observed_at":"2026-08-16T05:14:15.623811Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.611300Z","title":"IEEE transactions on pattern analysis and machine intelligence43(1), 172–186 (2019)","venue":null,"work_id":"2a8441cc-b660-46c3-909e-2edb09cde813","year":2019},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":12,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.395477Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:5ec3eda077ea361928663477d3c8073741f0e93ccd33141324b6df1eb1a88bdc","observation_id":"2c43e0f2-4cc5-46e6-b254-750bc1cd45d3","resolution":{"observed_at":"2026-08-16T05:14:15.614942Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.601252Z","title":"https: //github.com/open-mmlab/mmpose (2020)","venue":null,"work_id":"d1fbbc93-632e-463b-a0c0-6c81e583ce46","year":2020},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":13,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.398273Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:a245add3cdfe4bb211fab17e456a5be63fbe283087b47e9ae032cae0b33aa3db","observation_id":"68ab1b33-9b1a-48b4-bcb8-cf7f1e0ccd2a","resolution":{"observed_at":"2026-08-16T05:14:15.605481Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.402185Z","title":"Machine learning20, 273–297 (1995)","venue":null,"work_id":null,"year":1995},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":14,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.402185Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:96cec14759aedb1ea7b6688f46c725ab89653308c6bc29f6139739734effc327","observation_id":"6b3f67a2-d33e-4d80-bac9-1880565d0ba6","resolution":{"observed_at":"2026-08-16T05:14:15.402185Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.405335Z","title":"Electronic Notes in Theoretical Computer Science343, 35–55 (2019)","venue":null,"work_id":null,"year":2019},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":15,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.405335Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:f6a23af5e9bc4033b97bfb62345021b248c986637aab0b349d2d342c34c994c3","observation_id":"3c4a2162-e7fb-458b-bca2-bdd61a4302ea","resolution":{"observed_at":"2026-08-16T05:14:15.405335Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.581130Z","title":"IEEE access 7, 117327–117345 (2019)","venue":null,"work_id":"9af24bd8-c6f9-4333-a85b-8339ad7a75fc","year":2019},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":16,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.408397Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:e89fc29b56e7feb0e7a9a541d0161665fcf444fe7f6f57d4137f82d3047f9b33","observation_id":"efc115aa-c7bb-4ea5-9e98-30096e9939a7","resolution":{"observed_at":"2026-08-16T05:14:15.584411Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.572163Z","title":"MacDonald & Evans (1950)","venue":null,"work_id":"e2a91a35-65ac-4eb0-8f5a-d4e119d5332c","year":1950},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":17,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.411209Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:fbc290ed9d7c09fb90ab97e4c6029194720e00836df41cd3c2c2468a0ef260a5","observation_id":"72583936-5aef-41bd-a636-50da8cfcff1c","resolution":{"observed_at":"2026-08-16T05:14:15.575342Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.562390Z","title":"In: Proceedings of the 2nd International Workshop on Movement and Computing","venue":null,"work_id":"edcf2a86-168f-4204-aa9c-3878c94a5d9c","year":2015},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":18,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.413924Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:4e61125981dad0b56ebd829f1c927ab6e15aefd51fd8d3cfb4cbd4bd140e0d9b","observation_id":"a1908cc0-333b-432d-bb6e-690be39e745b","resolution":{"observed_at":"2026-08-16T05:14:15.565944Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"1906.08172","last_updated":"2019-06-14T05:49:22Z","snapshot_observed_at":"2026-08-18T14:57:44.459315Z","submitted_at":"2019-06-14T05:49:22Z","title":"MediaPipe: A Framework for Building Perception Pipelines","version":1},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"1906.08172","snapshot_observed_at":"2026-08-16T05:14:15.418186Z","title":"arXiv preprint arXiv:1906.08172 (2019)","venue":null,"work_id":null,"year":2019},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":19,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.418186Z"},"links":{"cited_paper":"/paper/1906.08172","citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:1137dc76ac5d51c8e1e88242f36f67b52e0ba25192fc47fafb5edbf54dc0a15f","observation_id":"85f58f4e-af47-4e1f-a305-a94a8b8f9e58","resolution":{"observed_at":"2026-08-16T05:14:15.418186Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.421765Z","title":"Nature Machine Intelligence2(1), 2522–5839 (2020)","venue":null,"work_id":null,"year":2020},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":20,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.421765Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:f4deafd1416c6c9512dedf63503862a9aeed3c8754beb361221cced379342d16","observation_id":"e2bdd1ec-7408-4886-baec-c231035ddb02","resolution":{"observed_at":"2026-08-16T05:14:15.421765Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.545266Z","title":"In: Guyon, I., Luxburg, U.V., Bengio, S., Wallach, H., Fergus, R., Vishwanathan, S., Garnett, R","venue":null,"work_id":"0d74bc31-f67e-4a23-bcff-e17d9dff11d3","year":2017},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":21,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.425951Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:9f4497949777f504b3463aaec1a1d04a742c936f6fc595f87b9239cc6722ac5c","observation_id":"1a2f927e-4bc2-4790-9ce9-f88c249f8992","resolution":{"observed_at":"2026-08-16T05:14:15.550035Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.535432Z","title":"Procedia Computer Science 176, 390–399 (2020)","venue":null,"work_id":"65ae063b-02c0-43bd-8ab0-551b95a3b9f1","year":2020},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":22,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.429157Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:49b7e2ba5e7306e09f17baa11fb61f39ee7946bd7773030f6b85e5abef80cc8f","observation_id":"c4a5daac-1577-44a2-a04c-517b087ff630","resolution":{"observed_at":"2026-08-16T05:14:15.538771Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2407.07532","last_updated":"2024-12-10T17:47:33Z","snapshot_observed_at":"2026-08-16T13:35:29.547370Z","submitted_at":"2024-07-10T10:44:18Z","title":"Neural Localizer Fields for Continuous 3D Human Pose and Shape Estimation","version":2},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2407.07532","snapshot_observed_at":"2026-08-16T05:14:15.432345Z","title":"arXiv preprint arXiv:2407.07532 (2024)","venue":null,"work_id":null,"year":2024},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":23,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.432345Z"},"links":{"cited_paper":"/paper/2407.07532","citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:3323f5c4c7b46be3908faf836eb96ac1866b106e0a6aabda410828cd54785241","observation_id":"942bd159-bb83-4d36-8293-a9c6f2bc37c1","resolution":{"observed_at":"2026-08-16T05:14:15.432345Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.525610Z","title":"PeerJ Computer Science9, e1441 (2023)","venue":null,"work_id":"f078cdd7-0881-4ad5-ab41-5cfd532ab141","year":2023},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":24,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.436201Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:fa2d3d4bfbca4c5cc6b14aeb001182681721f8874efea98553158b2d52421042","observation_id":"eb87e5f1-e68a-4ac1-8e0d-ef0d5f6cc3a2","resolution":{"observed_at":"2026-08-16T05:14:15.528962Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.515642Z","title":null,"venue":null,"work_id":"79c0660b-8f42-4a42-934e-8ce6969e828b","year":2025},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":25,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.439491Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:e6030195f7bf2888d16ae4a586cb0cc9ac48673b1b8622ebd48542a5fd8b5743","observation_id":"7d043c39-a361-4422-ac0c-4f7295194200","resolution":{"observed_at":"2026-08-16T05:14:15.519460Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.505169Z","title":"Nature methods17(3), 261–272 (2020)","venue":null,"work_id":"2cafc90f-f5d3-4bad-9425-32130c5a6eae","year":2020},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":26,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.442506Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:8a6a3cc10896c57e4e3ba0321f6ab370f4b1ed51702ccd4f947280784ea6e9dd","observation_id":"f363028d-1d22-43af-9d2d-70ad3e110831","resolution":{"observed_at":"2026-08-16T05:14:15.509151Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-16T05:14:15.494461Z","title":"IEEE Access8, 124928–124938 (2020)","venue":null,"work_id":"6c1302ff-2294-4694-804f-051e4e101244","year":2020},"citing_paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis","version":1},"reference_index":27,"source":"pdf_text","source_observed_at":"2026-08-16T05:14:15.445873Z"},"links":{"citing_paper":"/paper/2504.21154"},"observation_digest":"sha256:1fb55777bfde8cabde027bf4599a2e4dacc068307e5c4c0355eaa0853fdf449f","observation_id":"284a4795-98af-44fa-ac10-ef09518cab6c","resolution":{"observed_at":"2026-08-16T05:14:15.498794Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-19T06:32:44.657259+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"state":"measured"}}],"paper":{"arxiv_id":"2504.21154","last_updated":"2025-04-29T20:17:27Z","latest_version":1,"primary_category":"cs.CV","snapshot_observed_at":"2026-08-16T06:21:58.956761Z","submitted_at":"2025-04-29T20:17:27Z","title":"Emotion Recognition in Contemporary Dance Performances Using Laban Movement Analysis"},"reference_resolution":{"displayed":27,"state_counts":{"malformed_identifier":0,"metadata_mismatch":0,"parse_uncertain":0,"unresolved":8,"verified_exact":0,"verified_fuzzy":19},"total_outbound_references":27},"refusal":"A citation records a reference. It does not transfer a finding from one paper to another.","schema":"pith.paper-citation-record.v1","standing_sources":[{"observed_at":"2026-08-19T06:32:44.657259+00:00","source":"crossref"},{"observed_at":"2026-08-19T06:32:39.956319+00:00","source":"retraction_watch"}],"thesis":"As of 19 August 2026, this Paper Citation Record lists 27 of 27 outbound references and 0 inbound Pith citation observations for arXiv:2504.21154."}