{"as_of":"2026-08-08T02:31:00Z","caps":{"database_statements":6,"inbound":100,"outbound":100},"context_digest":"sha256:d23f9a5d2886055b2d7791462a16688bd9fd44dba35f4676ca8bbbbfc6408721","coverage":[{"denominator":77,"lane":"reference_resolution","note":"Typed states for the displayed outbound observations.","records_observed":77,"source":"paper_references, paper_reference_links","source_observed_at":"2026-08-07T00:23:48.988327Z","state":"measured"},{"denominator":77,"lane":"standing_notices","note":"One-hop event checks from named stored sources.","records_observed":77,"source":"scholarly_work_events, retraction_status_cache","source_observed_at":"2026-08-07T06:34:17.273281+00:00","state":"measured"},{"denominator":0,"lane":"inbound_itemization","note":"Pith citing papers itemized under the disclosed page cap.","records_observed":0,"source":"paper_references, paper_reference_links","source_observed_at":null,"state":"measured"},{"denominator":1,"lane":"external_citation_measurements","note":"A source-named dated measurement, never combined with another source.","records_observed":0,"source":"cited_works","source_observed_at":null,"state":"measured"}],"external_citation_measurements":[],"inbound":[],"links":{"evidence":"/evidence","html":"/paper/2506.14504/citation-record","integrity":"/paper/2506.14504/integrity","json":"/paper/2506.14504/citation-record.json","paper":"/paper/2506.14504"},"outbound":[{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.282491Z","title":null,"venue":null,"work_id":"de83eae9-f045-475c-ad9e-55d20039205f","year":2024},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":1,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:37.049568Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:e4df91ddcb01cf773bc43bf9d28cf9389d185a7394b8088e18cfb8c9419e2d78","observation_id":"512500c5-5c2c-4782-a7ca-23e0203ff211","resolution":{"observed_at":"2026-08-07T00:24:13.286650Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.270470Z","title":null,"venue":null,"work_id":"977e33b9-7a7b-41fe-af1e-bb8b362e504d","year":2015},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":2,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:37.213110Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:f97fccac00695af22a63e05a205e373ea1ae31df43b714892d7bb4c74c0a3283","observation_id":"618f506c-533a-4f66-917c-eab78808c8ee","resolution":{"observed_at":"2026-08-07T00:24:13.274951Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"stable/2078892","doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:12.856006Z","title":null,"venue":null,"work_id":"3209fc40-e1fd-4256-ac06-2f0029301dd8","year":2009},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":3,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:37.464881Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:1e808416aa5c3cfbf8c791b9f4c2dcb3624741d8d6d2535b64df4817f0d42e65","observation_id":"660047d0-726b-4f1c-a63e-add3192d7b47","resolution":{"observed_at":"2026-08-07T00:24:12.867381Z","resolver_source":"raw_fallback","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.257949Z","title":null,"venue":null,"work_id":"940bdf75-0f93-4d43-a5f1-410e405c2b02","year":null},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":4,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:37.622552Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:40c4c7a34b54e48dc2789d245bc3d5ad86498d892ff184208311024697a4b45f","observation_id":"a2573f75-2601-45c0-ab68-a50c4ce242bd","resolution":{"observed_at":"2026-08-07T00:24:13.262233Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.245257Z","title":"M., Salamon, J., Bosch, J","venue":null,"work_id":"11e2e71b-b014-4712-9a18-944880bcb383","year":2017},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":5,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:37.712294Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:9710bb0b3f39f7085159b4f7ad79d762f6501818eb51745000119beb6aa86c47","observation_id":"15382c94-3834-486c-ad75-9ba45463f7db","resolution":{"observed_at":"2026-08-07T00:24:13.249492Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:37.873716Z","title":null,"venue":null,"work_id":null,"year":1994},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":6,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:37.873716Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:7e8f4426f10a92cd4d6edb00acda5c9305eb47ac8d9a08e0a3a57af3828fbbbf","observation_id":"5ce9d08f-d81b-41d0-9938-ced0cabb5488","resolution":{"observed_at":"2026-08-07T00:23:37.873716Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.233965Z","title":null,"venue":null,"work_id":"3843695d-16ec-48b9-9aa4-71636f2aaafb","year":null},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":7,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:38.038827Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:573abd3c9b21246af3f6cf56c44a17bb16152d8026194eb58eb7dc020b770c23","observation_id":"a33d7a4a-49d9-476a-ab7f-e53dff9e8bea","resolution":{"observed_at":"2026-08-07T00:24:13.237827Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.223152Z","title":null,"venue":null,"work_id":"a77303aa-4584-4ab9-9586-6fc37eda31be","year":null},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":8,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:38.251516Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:bcb1b1d3738e897454848feed5cbbd3d8155535f37741f1ab1bf0bbac64560a5","observation_id":"8809d958-e2e8-41bf-b580-f7ce66eaf0a4","resolution":{"observed_at":"2026-08-07T00:24:13.227387Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.212605Z","title":null,"venue":null,"work_id":"81181898-11ac-4da1-b8da-c28f7ec33dc6","year":1998},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":9,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:38.401241Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:512e6edfffc7c942682cc37747d278511246b8c55333f1e9e2dfd5ab7c017c49","observation_id":"a5036525-3cfd-4714-977a-ff2d339d702d","resolution":{"observed_at":"2026-08-07T00:24:13.216982Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.202036Z","title":null,"venue":null,"work_id":"be42a0fb-7580-47e2-bf81-e92c706ac9d2","year":1990},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":10,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:38.563435Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:f300b3a6097959d3e92c6b75faa200c8ef69a42ced4f2beb46a325b95a724c10","observation_id":"f4129521-a361-4647-aa1c-323de5057165","resolution":{"observed_at":"2026-08-07T00:24:13.205737Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.190335Z","title":null,"venue":null,"work_id":"9a9dee14-8cf9-4017-a31c-d0fc4511f9a4","year":1905},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":11,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:38.729329Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:bdce373be1d925424db4c9efbdd97bb1eb97b15492b27f321c372d47dc92fb67","observation_id":"0ea707b6-108a-4601-96d7-cc6b2625e4f7","resolution":{"observed_at":"2026-08-07T00:24:13.194760Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2506.07473","last_updated":"2026-07-14T14:48:02Z","snapshot_observed_at":"2026-08-07T05:30:32.366338Z","submitted_at":"2025-06-09T06:47:26Z","title":"An introduction to pitch strength in contemporary popular music analysis and production","version":5},"cited_work":{"arxiv_id":"2506.07473","doi":null,"metadata_source":"pith","pith_arxiv_id":"2506.07473","snapshot_observed_at":"2026-08-07T00:24:12.662146Z","title":"An introduction to pitch strength in contemporary popular music analysis and production","venue":"cs.SD","work_id":"9c7d2c54-9bcf-4111-81ed-12bdf21207d4","year":2025},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":12,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:38.901343Z"},"links":{"cited_paper":"/paper/2506.07473","citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:f1bf88625872ed495befc8ac6f9f0f975253f3a5c36c4e52b03bce7c522fab7a","observation_id":"1d36d995-2f4b-473f-92e3-2dd1700633ab","resolution":{"observed_at":"2026-08-07T00:24:12.667248Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:39.107109Z","title":null,"venue":null,"work_id":null,"year":2025},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":13,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:39.107109Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:aef3a9bc3d34a6e4b4e2244e66a50f3d2dd7a980226267cb920549d5fa289152","observation_id":"8c7d76e9-4ccc-4530-939b-a636d11a0bf5","resolution":{"observed_at":"2026-08-07T00:23:39.107109Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":{"arxiv_id":"2506.07207","last_updated":"2026-07-22T19:02:53Z","snapshot_observed_at":"2026-08-07T05:37:04.250736Z","submitted_at":"2025-06-08T16:14:28Z","title":"Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance","version":2},"cited_work":{"arxiv_id":"2506.07207","doi":null,"metadata_source":"pith","pith_arxiv_id":"2506.07207","snapshot_observed_at":"2026-08-07T00:24:12.504642Z","title":"Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance","venue":"cs.SD","work_id":"e6c8bfc6-6f23-430b-b30a-28a735579270","year":2025},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":14,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:39.254741Z"},"links":{"cited_paper":"/paper/2506.07207","citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:0f4ab6410811a29e879fd2a309d55c6b8239da08fa23337df22d4c785054e94f","observation_id":"8281e946-8d32-48d1-ac33-8b677eb2c135","resolution":{"observed_at":"2026-08-07T00:24:12.514740Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.5334/tismir.100","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:55.903319Z","title":null,"venue":null,"work_id":"974df4fa-a0f6-4267-bf9a-99c795a3df9e","year":2022},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":15,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:39.364382Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:edc86469d8523cfab623f8da0d5c13c9399b86ef6d0e25a27bbe0c1c5e828ce2","observation_id":"c33aab26-dbc9-4b0c-b89b-6663ed058ec5","resolution":{"observed_at":"2026-08-07T00:23:55.992909Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2506.12405","last_updated":"2026-07-14T13:23:15Z","snapshot_observed_at":"2026-08-07T00:48:36.075604Z","submitted_at":"2025-06-14T08:51:10Z","title":"Methods for pitch analysis in contemporary popular music: multiple pitches from harmonic tones in Vitalic's music","version":2},"cited_work":{"arxiv_id":"2506.12405","doi":null,"metadata_source":"pith","pith_arxiv_id":"2506.12405","snapshot_observed_at":"2026-08-07T00:24:12.478608Z","title":"Methods for pitch analysis in contemporary popular music: multiple pitches from harmonic tones in Vitalic's music","venue":"cs.SD","work_id":"f0f6b5c9-e9cb-468c-bbf4-8dec6315cee5","year":2025},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":16,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:39.476868Z"},"links":{"cited_paper":"/paper/2506.12405","citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:8106fab50982a572ff88ae86d478a088a773b29e551a6b7211e21ff656fd6d50","observation_id":"4c93928d-395e-4edd-9092-304dd473b2bb","resolution":{"observed_at":"2026-08-07T00:24:12.485242Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2502.08131","last_updated":"2026-07-30T13:33:51Z","snapshot_observed_at":"2026-08-06T15:55:26.726396Z","submitted_at":"2025-02-12T05:25:11Z","title":"Methods for pitch analysis in contemporary popular music: phenomenological analysis of Primaal's commercial works","version":4},"cited_work":{"arxiv_id":"2502.08131","doi":null,"metadata_source":"pith","pith_arxiv_id":"2502.08131","snapshot_observed_at":"2026-08-07T00:24:12.452683Z","title":"Methods for pitch analysis in contemporary popular music: phenomenological analysis of Primaal's commercial works","venue":"cs.SD","work_id":"cd8d76e6-ccb7-44b1-a823-e0f6a07b40e1","year":2025},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":17,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:39.591112Z"},"links":{"cited_paper":"/paper/2502.08131","citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:f59e83bc8a086fa4c6a69308e3a26637b2142dff68f4541796a8a5c0705760b5","observation_id":"fa80524f-1542-4db7-a4aa-03e62c74cc18","resolution":{"observed_at":"2026-08-07T00:24:12.461490Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.178920Z","title":null,"venue":null,"work_id":"65c7b985-3aaf-4a4c-813b-5e997871206b","year":2011},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":18,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:39.676549Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:96e2ac12f4b4b4efa89e4b98ad3561e3e3eb26b35217e783d36127ca1fae3eda","observation_id":"4a4c58a7-96ec-4b07-8227-4447efc8355a","resolution":{"observed_at":"2026-08-07T00:24:13.183011Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.2307/40285517","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:55.755960Z","title":null,"venue":null,"work_id":"5dfa6262-267b-46dd-9416-bd455b9d6cb6","year":1991},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":19,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:39.788320Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:fde07d18452b06ad6ffd669c6a13c783a1bb15b9a2e3ea308ada6293e90d43ba","observation_id":"8b7cf270-6d72-4659-9d8c-f8e9a2ae5bac","resolution":{"observed_at":"2026-08-07T00:23:55.809050Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.3758/bf03208216","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:55.631796Z","title":null,"venue":null,"work_id":"43429f12-5989-45eb-9f73-6ee9615c1e06","year":1987},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":20,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:39.883541Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:d2d8d17169d1d4aefdd32713048c547feb459d88d4697e4db9a90b7ae2e52fd6","observation_id":"3b09531d-b089-4d30-9d40-74a868c304ba","resolution":{"observed_at":"2026-08-07T00:23:55.687486Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"2018.28741","doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:12.189687Z","title":null,"venue":null,"work_id":"69b9f518-fe71-459b-adc5-45a52603557a","year":2018},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":22,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:40.118337Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:4b0574c2687e02a4404069a209d8b81f7eaadde9cca51e557cc5ac5d810a3599","observation_id":"574a32d4-39a0-4b41-a3f0-0e3327225a0f","resolution":{"observed_at":"2026-08-07T00:24:12.243069Z","resolver_source":"raw_fallback","status":"metadata_mismatch"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"2013.22960","doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:11.867342Z","title":null,"venue":null,"work_id":"60e7944f-784c-4516-99a9-634864dcf4d8","year":2014},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":23,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:40.208554Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:f95f373715df99dec9a8f26635ab40e1f2212cc7d83f7888b74c0ba9766892f3","observation_id":"6b1c67d3-1a18-4e27-8be5-719bda38a2fb","resolution":{"observed_at":"2026-08-07T00:24:12.033334Z","resolver_source":"raw_fallback","status":"metadata_mismatch"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1017/s0040298219000974","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:55.354406Z","title":null,"venue":null,"work_id":"eb60dbf3-a509-4626-b246-e69f0ea2b29d","year":2019},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":24,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:40.325225Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:8c70a28d063401bdb8fb610b81062a5c57620a3d4429426515359c0f49ec6d81","observation_id":"7b96777e-2c59-498c-a6b4-38299a1b1ae4","resolution":{"observed_at":"2026-08-07T00:23:55.535581Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.166251Z","title":null,"venue":null,"work_id":"95c55f09-d98f-4efe-8416-9c14752495f6","year":1993},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":25,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:40.448003Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:2ce1382dbd94dc64596acd5a321aab1c1aac7b0a6be0d9a4191046541432b21f","observation_id":"9fa7e5b9-1137-4881-95f9-7d8d340c7862","resolution":{"observed_at":"2026-08-07T00:24:13.171103Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1017/s0040298219000949","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:55.140889Z","title":"and Fallowfield, E","venue":null,"work_id":"207cffc3-d110-4830-bf64-508ce21a2202","year":2020},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":26,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:40.644572Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:488cd29863e26084e70fbfc1d8a1f88329e9f41f708054596cd0e5d9ff1b19f3","observation_id":"88243cc5-5b77-478d-a464-f5d410af3ced","resolution":{"observed_at":"2026-08-07T00:23:55.261246Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"1910.11664","last_updated":"2020-09-04T10:40:39Z","snapshot_observed_at":"2026-07-06T08:32:15.011487Z","submitted_at":"2019-10-25T12:45:20Z","title":"SPICE: Self-supervised Pitch Estimation","version":2},"cited_work":{"arxiv_id":"1910.11664","doi":null,"metadata_source":"pith","pith_arxiv_id":"1910.11664","snapshot_observed_at":"2026-08-07T00:23:58.050552Z","title":"SPICE: Self-supervised Pitch Estimation","venue":"eess.AS","work_id":"05c2a8bb-b4c7-499e-a5d4-7cbd86a4545b","year":2019},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":27,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:40.805026Z"},"links":{"cited_paper":"/paper/1910.11664","citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:f0b64852a7a2692da6cd8c4e2a3131862e50f28fb30d81a1d0c0cd030d4ec9ad","observation_id":"e2ba1172-f906-4335-a368-816ee6dacab0","resolution":{"observed_at":"2026-08-07T00:24:09.820869Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.153592Z","title":null,"venue":null,"work_id":"0175c3c2-a115-4ed1-b8f6-db35c2bc51f0","year":2004},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":28,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:40.914698Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:6914af9623d4cffb42d2f6139264ed50dd916f7a259e1a12a284ac6a9df7fcca","observation_id":"f3d59b04-d365-4e40-9ad6-01cdd2ead699","resolution":{"observed_at":"2026-08-07T00:24:13.157818Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.137520Z","title":null,"venue":null,"work_id":"b7e6c027-f803-438a-88f3-0795ded9d174","year":null},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":29,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:41.026921Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:0a1402e41458cfcc10bc015b03b6fe82b6738cb26899ef9dd55f8bc2188732b4","observation_id":"9ed335a9-2640-47ab-a0a2-e16a6ac2c829","resolution":{"observed_at":"2026-08-07T00:24:13.143106Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1525/mp.2001.19.1.1.pdf","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:54.804226Z","title":null,"venue":null,"work_id":"ce048f43-8336-4ff8-898e-ef7ca01e7dc1","year":2001},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":30,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:41.114575Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:e350b2deed3336000b369f618e5f1913159cc0cdc40a3782267c656a6f671a2e","observation_id":"6cf9cd1d-46ba-42e4-97b9-48e56d6bb4f7","resolution":{"observed_at":"2026-08-07T00:23:54.966345Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.18061/1811/44531","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:54.582105Z","title":"and Berec, J","venue":null,"work_id":"f259a459-3f50-42de-b211-8c902383a589","year":2009},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":31,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:41.192513Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:f19281be0a9a71d1602ccd9e94b788134418c01bd9f67457251ab68c08932d0b","observation_id":"7353f2e2-8bcb-4ac2-8016-dde610f680fd","resolution":{"observed_at":"2026-08-07T00:23:54.697233Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.125293Z","title":"a nomenologischen Philosophie. Erstes Buch: Allgemeine Einf\\","venue":null,"work_id":"8ebe39eb-9cdf-41fb-abf0-fd7329ee57da","year":1913},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":32,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:41.260574Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:cf73e0a85b5e0f472bc20a5f620d9f1886ac1b7787b222ecc05f5841a6706ce2","observation_id":"6a8578b4-4bc5-4583-889c-35d742e43c94","resolution":{"observed_at":"2026-08-07T00:24:13.129938Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.112858Z","title":null,"venue":null,"work_id":"0121f19c-5eae-4a93-81d7-6b15aedaddc8","year":1983},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":33,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:41.393677Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:d3c758e089ef5bd4ed885ba6a1cc16d6e433eae9edb6521d70e96e8c8f133d49","observation_id":"c1314284-ea24-4358-9858-09c438c2a547","resolution":{"observed_at":"2026-08-07T00:24:13.118102Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.099461Z","title":null,"venue":null,"work_id":"31d94d45-9344-4110-9fa1-0389c44a97a5","year":2005},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":34,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:41.469447Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:719b5b5455bc3b8dc9254efc6eb401cd1a422e2d6e933d6e9f2ebd5ebed23d35","observation_id":"ef1576fa-3a43-4290-9d8d-2c0e6614ea05","resolution":{"observed_at":"2026-08-07T00:24:13.103663Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:41.600795Z","title":"W., Salamon, J., Li, P., and Bello, J","venue":null,"work_id":null,"year":2018},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":35,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:41.600795Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:23007d3de7c8f21ed997da9619d528d81e2f7b495f2ed3b2c157478e8fa153ed","observation_id":"d93bfebd-f353-4030-b0fc-14eb29ed733f","resolution":{"observed_at":"2026-08-07T00:23:41.600795Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"stable/2710808","doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:57.715251Z","title":null,"venue":null,"work_id":"14d8a13a-32a9-40f6-869c-cbde9b4f50f0","year":2020},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":36,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:41.719998Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:9f2c6d60964d8c3ee78b3c2579c6c07242f739b3ac7e216513a596bc72863a00","observation_id":"f99a8f77-cfe4-4e19-976f-c3f2bff3fd01","resolution":{"observed_at":"2026-08-07T00:23:57.843115Z","resolver_source":"raw_fallback","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1037/0096-1523.18.3.739","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:54.334778Z","title":null,"venue":null,"work_id":"e612e2e6-981b-42a7-bff3-747ffec7aa33","year":1992},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":37,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:41.825165Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:a158e7c4b48413d4c885111c4895d80648839856843a28a945aa52efee36f5ba","observation_id":"38aef03b-b84e-40d0-8668-36908b76e99e","resolution":{"observed_at":"2026-08-07T00:23:54.463973Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"gmo/9781561","doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:12.354644Z","title":null,"venue":null,"work_id":"83592e90-8664-40bd-8b11-0ccd2a35d7ea","year":2001},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":39,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:42.040959Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:d9b18cfcaf0982e57743fff0789706038a58a8dffae0cf11f34884ca55c83c09","observation_id":"f1da7a73-ebc4-4578-8de0-8c78780f30fd","resolution":{"observed_at":"2026-08-07T00:24:12.390969Z","resolver_source":"raw_fallback","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"2017.00147","doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:57.347221Z","title":"and Schi \\\"o lde, G","venue":null,"work_id":"230f39c7-cb47-48bf-b217-7a5e5e25d75d","year":2017},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":40,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:42.157909Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:16d8e4966c6b1628363810daa95d254902f5a6f7e5d99b40a44ccca22380b561","observation_id":"e29011dd-9771-486e-a715-84b672ec33aa","resolution":{"observed_at":"2026-08-07T00:23:57.450042Z","resolver_source":"raw_fallback","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:42.347856Z","title":null,"venue":null,"work_id":null,"year":1967},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":41,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:42.347856Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:4555119c7b1129c13e37688f15626b239c90214fdd378336522332cebb316185","observation_id":"9e99d65d-1708-43fb-8d11-015454f1d703","resolution":{"observed_at":"2026-08-07T00:23:42.347856Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.087557Z","title":null,"venue":null,"work_id":"9b78fb03-9832-485c-aa06-073dc9c76dde","year":1983},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":42,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:42.523140Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:856ab7558d46b78a20b72a4fa6e11d99a4a701777d50065b1bc787c318c64c46","observation_id":"3a94dc69-6071-4b34-98b4-b8f90d5aa116","resolution":{"observed_at":"2026-08-07T00:24:13.091466Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1007/978-3-031-22448-5_4","metadata_source":"openalex","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T00:03:56.115653Z","title":null,"venue":"Springer series in measurement science and technology","work_id":"2ba97962-bf21-42ca-b94a-41f634019cfe","year":2023},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":43,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:42.686737Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:00364a7817ae924d3c03525f3fba6f2f4f86927bff3a4c1aef56a2f863548138","observation_id":"dbd8be08-965a-4ea8-8cc7-18849427a94d","resolution":{"observed_at":"2026-08-07T00:23:54.203229Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1121/1.1618239","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:53.778046Z","title":null,"venue":null,"work_id":"d948ec9a-d314-49c5-9aa9-d0a5e76daf30","year":2003},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":44,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:42.939807Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:a39e7eb7ff876b18d453586cde68989fd59c6ac9f08a2cfa6c9b58ade8e7fb89","observation_id":"8c539b70-ffbc-4872-96ee-9a25fb4f95be","resolution":{"observed_at":"2026-08-07T00:23:53.918953Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[{"edge_observation":{"observed_at":"2026-08-07T06:19:15.028184+00:00","source":"paper_reference_links","state":"open"},"event_date":"2004-02-03","event_type":"correction","notice_doi":"10.1121/1.1642764","provenance":{"observed_at":"2026-07-11T03:01:39.733455+00:00","source":"crossref","source_record_id":"10.1121/1.1642764->10.1121/1.1618239:correction"}}],"reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.5281/zenodo.1416598","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:53.527389Z","title":"and Dixon, S","venue":null,"work_id":"a9f3d007-1cae-409f-b283-1dcb196422f6","year":2010},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":45,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:43.072980Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:ec5affcce18402878e65f3fa2d64f2f158783da6cddd604f95dc1c863fd66ce8","observation_id":"1951d1c3-00c9-425f-a3ce-0052a1bd0708","resolution":{"observed_at":"2026-08-07T00:23:53.636347Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1017/s1355771819000463","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:53.209680Z","title":"and Tah ro g lu, K","venue":null,"work_id":"02a2aaa7-86fe-4839-ae39-2fcf9de7e28a","year":2020},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":46,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:43.255708Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:881763533f2753ae67db86969c04b33594d876117b8a93ab72da38117c365983","observation_id":"ec310f57-0b6b-47f9-b8cd-f117eaea14bc","resolution":{"observed_at":"2026-08-07T00:23:53.368534Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.3758/bf03207084","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:52.924611Z","title":null,"venue":null,"work_id":"b45f0ea3-fe6f-481d-8e70-16494f7f4d81","year":1990},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":47,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:43.463444Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:5f4f63af19f31c68ca432a46cda5ebf544c3c136e9c73d81766fc63d3de7788d","observation_id":"536b1ca1-0dda-43f6-b54b-85a4c1571584","resolution":{"observed_at":"2026-08-07T00:23:53.097776Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.073823Z","title":null,"venue":null,"work_id":"e9006ef7-b8d6-4995-b65f-a115d3def01c","year":null},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":48,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:43.653226Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:8d8fc1b617b197b85c3100f79e99cb3c6456eaf2b79d403a3f0597816543c66e","observation_id":"6391c55f-8751-443f-bc46-0a75f1478c9a","resolution":{"observed_at":"2026-08-07T00:24:13.078675Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1121/1.394043","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:52.681767Z","title":"C., Glasberg, B","venue":null,"work_id":"10d5dec9-9810-4fed-beb3-1d60496cf199","year":1986},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":49,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:43.849735Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:53477af5f5c80f0419d81fb5e3cac3dc9d726843fe219dc6ae5b94e149250dfe","observation_id":"b9411955-733a-4b32-b5f3-e72ab2974f64","resolution":{"observed_at":"2026-08-07T00:23:52.751155Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:44.040807Z","title":null,"venue":null,"work_id":null,"year":2012},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":50,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:44.040807Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:91a8b801d1ef8dd0154b234bc9c1580c4a759bcc28c142b8b78e8f6b4b49e059","observation_id":"befbee5b-06e0-4569-adac-de18a5bcc0d7","resolution":{"observed_at":"2026-08-07T00:23:44.040807Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.059908Z","title":"and Duriyanga, C","venue":null,"work_id":"7cb4103d-0547-4053-986e-3e2651176c2e","year":1976},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":51,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:44.192521Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:f9e491a3fc07c57adf94927b9aef1f51991b08176e93035c1c42a6ba5870f324","observation_id":"824d495a-30c8-42bd-bc59-966768f93c94","resolution":{"observed_at":"2026-08-07T00:24:13.064129Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.045860Z","title":"Vitalic In The Studio With Future Music","venue":null,"work_id":"1de96f30-11ff-4ace-bd22-c8ee04c362ee","year":2014},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":52,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:44.355938Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:c6bbfecbe4e62803ae48329b9cfb846f09614b9edf36f75e57728dfbfb1c0ced","observation_id":"756e9472-3f8d-4ce2-a543-5d419e15cfeb","resolution":{"observed_at":"2026-08-07T00:24:13.051268Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1080/14786443208647909","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:52.324449Z","title":null,"venue":null,"work_id":"112c6baf-c446-4c6f-bdd0-2e2146b833fc","year":null},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":53,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:44.505157Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:55ea490ef0a2a3c1b0b967961c628ff0d879948ae5c99b7913b796ae693b06b9","observation_id":"537ca4ca-2567-4f51-bc4b-90362ebaeabd","resolution":{"observed_at":"2026-08-07T00:23:52.519200Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.033198Z","title":null,"venue":null,"work_id":"3104bff2-37b6-4ed4-83ba-06f04a0b7e0f","year":1999},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":54,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:44.808395Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:6092bbd1cd261d8faf4b913b57308a3a16e8795c9dbf32beb1cf69d6c5627bfc","observation_id":"04617d76-d043-4143-aeca-6cf30a817965","resolution":{"observed_at":"2026-08-07T00:24:13.037988Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1002/andp.18431350802","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:52.024222Z","title":"U ber die D efinition des T ones, nebst daran gekn \\","venue":null,"work_id":"2433648a-6cb2-4bfe-b8fc-7b0d992c82ec","year":null},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":55,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:44.972169Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:85c1887fc483ef47bb2777732fff9a648d7a61ac7306f2ce4219fcbd296e42d4","observation_id":"80183fa2-dfb5-44c2-bfda-09bd2422e9d0","resolution":{"observed_at":"2026-08-07T00:23:52.197833Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.2466/pms.1963.17.2.439","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:51.767658Z","title":null,"venue":null,"work_id":"ca7d6145-09b7-4558-9453-94bf1b6acc0e","year":1963},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":56,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:45.098983Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:7475811f5e0eb0c043a42dc189e7e31ca9830b5fc2a33b0b20135c7d71e06a6c","observation_id":"e29ac555-5729-4aff-b176-30d4ba29cf09","resolution":{"observed_at":"2026-08-07T00:23:51.904506Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1523/jneurosci.3815-12.2012","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:51.096611Z","title":null,"venue":null,"work_id":"5608dbb9-5db8-4d32-a51f-937b92407b8d","year":2012},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":57,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:45.275912Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:5b6c5cabe6759a506b0f6c48615f30dea8421a9ef2ad942d6efa3fd564f8a6e7","observation_id":"52b2be70-1473-4941-9fba-9114883ef369","resolution":{"observed_at":"2026-08-07T00:23:51.634618Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1121/1.1919256","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:50.798655Z","title":null,"venue":null,"work_id":"56217f30-2933-43cb-9a55-daccb51dafdb","year":1964},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":58,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:45.438579Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:7984cb8f52d6db1674f5dcdb11dd5d9581d5cddc19b43bd8998a10f23ea6dcd1","observation_id":"66168e86-8775-4db6-9b1f-ab3cd60869da","resolution":{"observed_at":"2026-08-07T00:23:50.931594Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.4324/9781410604255","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:50.459807Z","title":null,"venue":null,"work_id":"c33f0f6a-8a5d-4183-90a9-a8cf89a389ef","year":2001},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":59,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:45.618245Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:5025612cfea9e796a0c541281bfdd6f9ec865a2e247130163ec290b5cc9f5d8e","observation_id":"d458c993-472e-4cd9-848d-c2fdcf06ebd6","resolution":{"observed_at":"2026-08-07T00:23:50.626713Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.020098Z","title":null,"venue":null,"work_id":"a2cacb3a-beb2-4e3f-badb-cb730664e232","year":1902},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":60,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:45.791146Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:6eb9b2a7f2e95f3b058fcab295bcc320b6ac3950926d4c34e1ab791865f982dc","observation_id":"b70d4a9d-2184-4a26-a8e4-a38d5287ff71","resolution":{"observed_at":"2026-08-07T00:24:13.024564Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1016/j.cub.2006.05.054","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:50.144343Z","title":"and Hup \\'e , J.-M","venue":null,"work_id":"6ea4616d-7066-45a1-a2fa-ba8df801864d","year":2006},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":61,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:45.991133Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:dc1c8a18ab806fb85b4aba1d63ffb085906618cf63f7f6bbd8c39435b901019f","observation_id":"6f51bff7-b251-467e-aa6c-0ac52290a394","resolution":{"observed_at":"2026-08-07T00:23:50.317877Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:13.008417Z","title":null,"venue":null,"work_id":"48556536-2123-430e-b599-09ac9a04d518","year":null},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":62,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:46.156347Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:adedbcb2a2ce67ad42a5fb09740c2992c9065ac44032aa532397271dfca3f39e","observation_id":"e3abb5e6-c84e-4e2a-81fa-32c06389bb59","resolution":{"observed_at":"2026-08-07T00:24:13.011960Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:12.992665Z","title":null,"venue":null,"work_id":"b86b18f5-cccc-49c4-95e8-0bef26f85364","year":null},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":63,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:46.339483Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:7a9c85463df65a7262b995cd8c058c0c81035495f50d23a3b4e2d407b15ee08c","observation_id":"913eaaa0-ec39-4acb-913c-5cca18ee8b49","resolution":{"observed_at":"2026-08-07T00:24:13.001411Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:12.981953Z","title":null,"venue":null,"work_id":"a303d256-3161-46cd-b252-1cd1cb89ba41","year":1961},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":64,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:46.580431Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:0f1489a6530376ffdbfa8fd334c467c9660873abc04ded5d2507698c0e05adb1","observation_id":"979c9a0f-8939-4a98-91ad-9059d0277cca","resolution":{"observed_at":"2026-08-07T00:24:12.985399Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:12.970826Z","title":null,"venue":null,"work_id":"a72dd0c6-1504-49bb-90b0-e33733616890","year":2023},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":65,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:46.722998Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:2e9313bc0f56995beaf65a7ea3743691d2e4ecca5e144b10c18803d4263612a1","observation_id":"7f43f1fd-db99-40c0-930d-f041a62c2d4c","resolution":{"observed_at":"2026-08-07T00:24:12.974239Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"2012.21885","doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:56.847425Z","title":"and G \\'o mez, E","venue":null,"work_id":"58f4854b-c619-44c0-ae53-cd914bb68c9c","year":2012},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":66,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:46.915682Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:afdc612caa15e7086919117c4cd863854fba4d4e7fbf74713865f7252dc91785","observation_id":"02a3c5c6-27c9-4895-a0b6-6952475353c5","resolution":{"observed_at":"2026-08-07T00:23:56.984351Z","resolver_source":"raw_fallback","status":"metadata_mismatch"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"2011.0254","doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:56.585339Z","title":"C., and Pressnitzer, D","venue":null,"work_id":"f981466b-c701-47ac-8c64-f7949d2dfb54","year":2012},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":67,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:47.144792Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:ad00750b78d0f6b8a54ff152558f9734681004f0407bc442556c8cf6a2ed7825","observation_id":"e96802ee-6f04-43d3-b365-4bb0f39f3f53","resolution":{"observed_at":"2026-08-07T00:23:56.680918Z","resolver_source":"raw_fallback","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1002/andp.18441391102","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:49.827225Z","title":null,"venue":null,"work_id":"6d33390b-3a7d-4df4-a879-d7ceae5c5cb3","year":null},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":68,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:47.304239Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:7b71163a638297cdd1aca84f25229da40de7055149bc20b5149d1bc8704b2f97","observation_id":"4c2a6d16-ab89-4950-9303-49fd561e9273","resolution":{"observed_at":"2026-08-07T00:23:49.933961Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1121/1.1919362","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:49.453887Z","title":null,"venue":null,"work_id":"df14a022-75e5-4360-90e0-3414b97daac3","year":1964},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":69,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:47.394482Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:b10b5367e1055bb133f4ac0722ce9552169467895df047dca14e41434801c070","observation_id":"a7ff8d34-215e-4ec6-8109-ebb4fec9f38a","resolution":{"observed_at":"2026-08-07T00:23:49.609447Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:12.957637Z","title":null,"venue":null,"work_id":"cea9e762-2b1f-410c-b302-f71888e7c821","year":1954},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":70,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:47.610369Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:f24eee2038ccf897dee435d9ab4ce3e858ca082b2a1a809e1dfba1e4b65f8a8e","observation_id":"694d56fd-7cea-48bf-b466-c9575f026e04","resolution":{"observed_at":"2026-08-07T00:24:12.963249Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:12.944693Z","title":null,"venue":null,"work_id":"ca127843-a5ab-402c-8e6e-cc94e206be8c","year":null},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":71,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:47.761345Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:803ea8c8a87f7e7eb14c4bb576966052cd732ae20d67b329ccec0c1d20f64715","observation_id":"a8b1aca8-9a27-40a7-b46f-d78a4c4ad9cb","resolution":{"observed_at":"2026-08-07T00:24:12.948943Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"pdf/4025578","doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:56.373255Z","title":null,"venue":null,"work_id":"f351d2d6-6a43-4c4d-9d2a-326e9aac0655","year":1977},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":72,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:47.900084Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:c761369024374017fcf84a77d10eda6f882a79b7d364ef362725e6c440035c32","observation_id":"831c98c0-7ca5-4579-b275-d3eef636afa7","resolution":{"observed_at":"2026-08-07T00:23:56.418864Z","resolver_source":"raw_fallback","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:12.920616Z","title":null,"venue":null,"work_id":"fd10a978-f70d-47b1-8483-cb3240d48753","year":1975},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":73,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:48.051041Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:bccedd4b234c285cfd1c84e531b04487103bc79570204c47dbcf568ac1e0b258","observation_id":"950fe0c7-8277-48e2-88fa-117ee8f22e7f","resolution":{"observed_at":"2026-08-07T00:24:12.930101Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:12.908901Z","title":"and Sethares, W","venue":null,"work_id":"d6999a46-7418-4ad6-94aa-f5970c425024","year":2021},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":74,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:48.256702Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:c56f52585de80e28c0e7a19c1b740a08a6673a6b859575557fdd8d9d3f0fd6c5","observation_id":"eeb52570-3c57-4040-bd30-5cf2627a287e","resolution":{"observed_at":"2026-08-07T00:24:12.912549Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:12.898334Z","title":"Stamina [song]","venue":null,"work_id":"a347583f-216b-46d7-b366-c0ef15b62ae0","year":2012},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":75,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:48.407138Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:01eef76927b0ff5352f8005afe0685f3ed4ba6fdcfac0e0918b4cd70fb941a76","observation_id":"06f22223-ba50-4900-825b-efd958cfec60","resolution":{"observed_at":"2026-08-07T00:24:12.901454Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"2022.86947","doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:56.129504Z","title":null,"venue":null,"work_id":"9df72512-2dc4-4823-8eea-98a03a3c54a3","year":2022},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":76,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:48.557598Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:79cdc95f42a59496a7d88233973a117075d88453e66de621820b42789a5bc511","observation_id":"0e1f15e6-955e-4cbf-8ace-7fa1ec642763","resolution":{"observed_at":"2026-08-07T00:23:56.212844Z","resolver_source":"raw_fallback","status":"metadata_mismatch"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:12.887859Z","title":null,"venue":null,"work_id":"4f45794a-580d-4e89-8331-37d988d95135","year":2025},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":77,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:48.750578Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:aea295188f64a189567ad7878befc198d2020ee11910a769881668adc316e615","observation_id":"35ed15e2-5ade-49f3-9558-20051aada32e","resolution":{"observed_at":"2026-08-07T00:24:12.890928Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.3758/app.71.8.1701","metadata_source":"doi_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:23:49.128718Z","title":null,"venue":null,"work_id":"08e93627-9a23-46c0-8495-7ddc03aa6131","year":2009},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":78,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:48.886834Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:427092fb0764b1e097f1037b0d10b0383d6b70efb6b05358f4c1731f04de4490","observation_id":"f5115c1b-35dd-4f72-875c-7595bbdfdb84","resolution":{"observed_at":"2026-08-07T00:23:49.266955Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-07T00:24:12.875050Z","title":null,"venue":null,"work_id":"56033398-642a-4e14-9bc6-31d93723fd4b","year":null},"citing_paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages","version":2},"reference_index":79,"source":"arxiv_source","source_observed_at":"2026-08-07T00:23:48.988327Z"},"links":{"citing_paper":"/paper/2506.14504"},"observation_digest":"sha256:fa3acefead057a3cad8b155c6030f85b965c747d75fee9078fe6cbe35a97ecc7","observation_id":"86e79a9b-3129-4791-934c-4941bb1a06b2","resolution":{"observed_at":"2026-08-07T00:24:12.878745Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-07T06:34:17.273281+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"state":"measured"}}],"paper":{"arxiv_id":"2506.14504","last_updated":"2025-07-07T08:58:11Z","latest_version":2,"primary_category":"cs.SD","snapshot_observed_at":"2026-08-07T00:15:21.414759Z","submitted_at":"2025-06-17T13:29:07Z","title":"Evolving music theory for emerging musical languages"},"reference_resolution":{"displayed":77,"state_counts":{"malformed_identifier":0,"metadata_mismatch":4,"parse_uncertain":0,"unresolved":32,"verified_exact":35,"verified_fuzzy":6},"total_outbound_references":77},"refusal":"A citation records a reference. It does not transfer a finding from one paper to another.","schema":"pith.paper-citation-record.v1","standing_sources":[{"observed_at":"2026-08-07T06:34:17.273281+00:00","source":"crossref"},{"observed_at":"2026-08-07T06:34:11.927384+00:00","source":"retraction_watch"}],"thesis":"As of 8 August 2026, this Paper Citation Record lists 77 of 77 outbound references and 0 inbound Pith citation observations for arXiv:2506.14504."}