{"as_of":"2026-08-05T20:45:00Z","caps":{"database_statements":6,"inbound":100,"outbound":100},"context_digest":"sha256:ae17a1ef29d4be30873c5007140b316f1d1c313ee0e2bcc924cf0a0f887c9ca1","coverage":[{"denominator":28,"lane":"reference_resolution","note":"Typed states for the displayed outbound observations.","records_observed":28,"source":"paper_references, paper_reference_links","source_observed_at":"2026-05-10T12:11:52.239116Z","state":"measured"},{"denominator":28,"lane":"standing_notices","note":"One-hop event checks from named stored sources.","records_observed":28,"source":"scholarly_work_events, retraction_status_cache","source_observed_at":"2026-08-05T06:32:48.257954+00:00","state":"measured"},{"denominator":0,"lane":"inbound_itemization","note":"Pith citing papers itemized under the disclosed page cap.","records_observed":0,"source":"paper_references, paper_reference_links","source_observed_at":null,"state":"measured"},{"denominator":1,"lane":"external_citation_measurements","note":"A source-named dated measurement, never combined with another source.","records_observed":0,"source":"cited_works","source_observed_at":null,"state":"measured"}],"external_citation_measurements":[],"inbound":[],"links":{"evidence":"/evidence","html":"/paper/2604.14648/citation-record","integrity":"/paper/2604.14648/integrity","json":"/paper/2604.14648/citation-record.json","paper":"/paper/2604.14648"},"outbound":[{"citation":{"cited_paper":{"arxiv_id":"2311.15127","last_updated":"2023-11-25T22:28:38Z","snapshot_observed_at":"2026-07-06T02:11:23.670680Z","submitted_at":"2023-11-25T22:28:38Z","title":"Stable Video Diffusion: Scaling Latent Video Diffusion Models to Large Datasets","version":1},"cited_work":{"arxiv_id":"2311.15127","doi":"10.48550/arxiv.2311.15127","metadata_source":"pith","pith_arxiv_id":"2311.15127","snapshot_observed_at":"2026-08-05T02:28:24.338817Z","title":"Stable Video Diffusion: Scaling Latent Video Diffusion Models to Large Datasets","venue":"cs.CV","work_id":"4f68eada-27e3-437a-a2fe-6e4ca524d0d3","year":2023},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":1,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"cited_paper":"/paper/2311.15127","citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:0dd37514b5fef6425bd945abbbeafff42345fe3fc46efadf85c3fe0d36c364c8","observation_id":"aa92e1ab-780c-4b3c-95fa-78f2e0c22514","resolution":{"observed_at":"2026-05-10T22:58:52.491420Z","resolver_source":"arxiv_id","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-07-11T15:53:24.472993+00:00","source":"crossref_status_cache"},{"observed_at":"2026-07-11T15:53:24.472993+00:00","source":"openalex_status_cache"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2409.01055","last_updated":"2024-09-02T08:28:57Z","snapshot_observed_at":"2026-07-06T19:09:10.244642Z","submitted_at":"2024-09-02T08:28:57Z","title":"Follow-Your-Canvas: Higher-Resolution Video Outpainting with Extensive Content Generation","version":1},"cited_work":{"arxiv_id":"2409.01055","doi":null,"metadata_source":"arxiv_reference","pith_arxiv_id":"2409.01055","snapshot_observed_at":"2026-07-02T02:36:26.428928Z","title":"Follow-your-canvas: Higher-resolution video outpainting with extensive content generation","venue":null,"work_id":"15e9dc54-68f3-4bc7-ae5e-83d7170f6d50","year":2024},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":2,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"cited_paper":"/paper/2409.01055","citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:f50de56a0af2d94d7372a1e28da213ee610b62060ef0732c9739151748e1f9bd","observation_id":"fbefcaa4-2436-48d8-93a2-a034703a784b","resolution":{"observed_at":"2026-05-10T12:15:22.114930Z","resolver_source":"arxiv_id","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Panda-70m: Captioning 70m videos with multiple cross-modality teachers","venue":null,"work_id":"24e7d014-ee9f-4662-87ea-7351edd27ff6","year":2024},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":3,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:0d3c7c8fc2e27399929c75c6b15de7591d0ca4af3e85b20d2a442cecb49b850e","observation_id":"d64d77c0-8169-4f76-aca6-9a5352a449f5","resolution":{"observed_at":"2026-05-19T12:07:22.133534Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Elevating flow-guided video inpainting with ref- erence generation","venue":null,"work_id":"6473f3f5-820c-44a0-a5b4-c9503cf054cb","year":2025},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":4,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:1e033c7f9b909753945648cde6c4ba72bee4cbc9c8ba4b53317af7f7db713a39","observation_id":"a442a735-c0c3-4586-b4fa-f460869176be","resolution":{"observed_at":"2026-05-19T12:07:22.135525Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Complete and temporally consistent video out- painting","venue":null,"work_id":"d10af637-f09e-467a-b4f9-f8133197af3d","year":null},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":5,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:dcb97be8ce1c1c2c5d54ec51dd598ed41f23edd97640a5ff72ca671e16c0001a","observation_id":"cdfd119a-fee2-44ad-b3ef-119895656ff7","resolution":{"observed_at":"2026-05-19T12:07:22.142000Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Hierar- chical masked 3d diffusion model for video outpainting","venue":null,"work_id":"3743d04d-bb44-4b25-95bf-86517d5a5ed3","year":2023},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":6,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:bcf3c45e132c54e1c217ef783970d2baf7b9be0a9f5825d5609ee12e38dfc083","observation_id":"a33825e8-322c-4d19-be3e-07a609313587","resolution":{"observed_at":"2026-05-19T12:07:22.106991Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-05T06:40:46.077319Z","title":"Denoising dif- fusion probabilistic models.Advances in neural information processing systems, 33:6840–6851","venue":null,"work_id":"dc33f537-ecd6-42b5-a2ea-20dc21570779","year":2020},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":7,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:c906bafd9c43e526dfb568c8cbea3fe594f64735356878b9aee26466a2927534","observation_id":"81f43f0e-f345-40c6-969e-552fe9cc0609","resolution":{"observed_at":"2026-05-19T12:07:22.104888Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"1412.6980","last_updated":"2017-01-30T01:27:54Z","snapshot_observed_at":"2026-07-06T02:11:23.670680Z","submitted_at":"2014-12-22T13:54:29Z","title":"Adam: A Method for Stochastic Optimization","version":9},"cited_work":{"arxiv_id":"1412.6980","doi":"10.1002/mrm.28086","metadata_source":"pith","pith_arxiv_id":"1412.6980","snapshot_observed_at":"2026-08-05T02:28:24.338817Z","title":"Adam: A Method for Stochastic Optimization","venue":"cs.LG","work_id":"1910796d-9b52-4683-bf5c-de9632c1028b","year":2014},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":8,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"cited_paper":"/paper/1412.6980","citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:85ced5844eece54aa3646d95b22d03394ea28fecdb1ed3dbd621b2efb4bb243b","observation_id":"a89a55e3-7209-42d1-bbf5-ee80577620ae","resolution":{"observed_at":"2026-05-10T12:15:22.095151Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"1312.6114","last_updated":"2022-12-10T21:04:00Z","snapshot_observed_at":"2026-07-06T02:11:23.670680Z","submitted_at":"2013-12-20T20:58:10Z","title":"Auto-Encoding Variational Bayes","version":11},"cited_work":{"arxiv_id":"1312.6114","doi":"10.2139/ssrn.4269703","metadata_source":"pith","pith_arxiv_id":"1312.6114","snapshot_observed_at":"2026-08-05T02:28:24.338817Z","title":"Auto-Encoding Variational Bayes","venue":"stat.ML","work_id":"97d95295-30e1-42b4-bbf6-85f0fa4edb44","year":2013},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":9,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"cited_paper":"/paper/1312.6114","citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:30341679b5e51ac82520d9756c796ebf6611fc62aa09b6e1c4a5080e50a52c7d","observation_id":"c2443b5c-a3c7-483f-a06a-54a11452aec5","resolution":{"observed_at":"2026-05-10T12:15:22.107056Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Video diffusion models are strong video inpainter","venue":null,"work_id":"f189ac42-9436-4495-b293-aaa347e73650","year":2025},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":10,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:8847dc3026c4d0fb92889d2855cacc6889fa2a7078b438fedf4478898a8feb24","observation_id":"d00a422e-69e9-47ef-add9-c55870412e3a","resolution":{"observed_at":"2026-05-19T12:07:22.086627Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Dynamic shadow un- veils invisible semantics for video outpainting","venue":null,"work_id":"fba6def3-e6d0-4a34-8137-cd5f11c0c5a9","year":null},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":11,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:568215c761779c82d71d2bbf69bb68401be2c4cf3fba8de5ba28b98db4c36eee","observation_id":"a1fbbdb1-83e2-4e58-8256-4e87737683a8","resolution":{"observed_at":"2026-05-19T12:07:22.097119Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Towards an end-to-end framework for flow-guided video inpainting","venue":null,"work_id":"b840b6f9-370a-414e-bdd2-57bc6eeae96a","year":2022},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":12,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:e6e0bbd22951f896d3a868f17f75651765835d7b424d7415884bad82d59e975f","observation_id":"a4d7d848-e128-4df3-9fb8-56def8db5c26","resolution":{"observed_at":"2026-05-19T12:07:22.099478Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"2601.11048","doi":null,"metadata_source":"arxiv_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"M3ddm+: An improved video outpaint- ing by a modified masking strategy","venue":null,"work_id":"8c09ca57-7463-493f-89f5-eba2de3bc299","year":2026},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":13,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:63543e43b8a0108190386207e069ec55ac83bf06677b80e32aa64bc07e699ca4","observation_id":"00cbb1b9-a343-4a9b-bddc-940cdfb375bb","resolution":{"observed_at":"2026-05-10T12:15:22.111202Z","resolver_source":"arxiv_id","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"2601.06413","doi":null,"metadata_source":"arxiv_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Globalpaint: Spatiotemporal coherent video outpainting with global feature guidance","venue":null,"work_id":"04726249-3407-4494-8b3e-4da9d1f5bdff","year":2026},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":14,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:f7fb3bfaca3f4e089bbfd8a10299427d8b24d0535f6414beae33935b7e08ed3d","observation_id":"df83b8ab-090f-4289-ab73-c2056f11eb51","resolution":{"observed_at":"2026-05-10T12:15:22.092175Z","resolver_source":"arxiv_id","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"A benchmark dataset and evaluation methodology for video object segmentation","venue":null,"work_id":"e91290d1-3a35-4274-b8d8-7ec1b08ad89e","year":null},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":15,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:397133393a7fb188dec4e74f402317a981854d0351d348360de83d2ef26398fb","observation_id":"182bc412-391c-435a-8f88-d01d500559a4","resolution":{"observed_at":"2026-05-19T12:07:22.102348Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"High-resolution image synthesis with latent diffusion models","venue":null,"work_id":"1ba5776b-59bf-4836-bea3-56037a03e929","year":2022},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":16,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:827ad262df24edb5e7ec45192f0ed6253cebbe5b1a9d16b8d2f52c754ed5ae91","observation_id":"10b2614a-616c-41af-9f53-c74ce5b9b814","resolution":{"observed_at":"2026-05-19T12:07:22.125419Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Raft: Recurrent all-pairs field transforms for optical flow","venue":null,"work_id":"472d5de2-b7b4-4182-9f1d-ae962a500d16","year":2020},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":17,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:14205688e6b2f48b339ce3ac2c406a19e24423331b9b8aa9745633f0240cfac3","observation_id":"446b439f-0f63-44e2-9995-2c6ccd845e91","resolution":{"observed_at":"2026-05-19T12:07:22.131529Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"1812.01717","last_updated":"2019-03-27T16:43:17Z","snapshot_observed_at":"2026-07-06T07:19:11.957225Z","submitted_at":"2018-12-03T03:57:42Z","title":"Towards Accurate Generative Models of Video: A New Metric & Challenges","version":2},"cited_work":{"arxiv_id":"1812.01717","doi":"10.48550/arxiv.1812.01717","metadata_source":"pith","pith_arxiv_id":"1812.01717","snapshot_observed_at":"2026-08-05T02:28:24.338817Z","title":"Towards Accurate Generative Models of Video: A New Metric & Challenges","venue":"cs.CV","work_id":"72f42543-17d5-49aa-ba5a-25d67ffbb88a","year":2018},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":18,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"cited_paper":"/paper/1812.01717","citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:ce6a1307065bec3f2393a20dc382c9daf67e100e188f81e9bb64603073bd1dc9","observation_id":"b245b2f3-d08f-42bd-b924-0f1481f52d32","resolution":{"observed_at":"2026-05-11T07:21:21.605786Z","resolver_source":"arxiv_id","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Be-your-outpainter: Mastering video outpainting through input-specific adaptation","venue":null,"work_id":"b85e2ad2-aee4-4677-8b0e-7b5549f32f3d","year":2024},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":19,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:9298445c0194c446f213125914c217f2fa10543913925d4a6a3c27c72c8be9f8","observation_id":"7125eab9-7f0c-4a00-af11-82672bc376da","resolution":{"observed_at":"2026-05-19T12:07:22.095022Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Image quality assessment: from error visibility to structural similarity.IEEE transactions on image processing, 13(4):600–612","venue":null,"work_id":"5ee97c2f-2983-4608-aedf-34f6c59aa7c5","year":2004},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":20,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:54519359fcb458c02634708e9f2ae56b0acb8c87512fbebfaddf943142542b54","observation_id":"9535f5df-7853-41c1-bc13-ebb90ec7b1f2","resolution":{"observed_at":"2026-05-19T12:07:22.088869Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Youtube-vos: Sequence-to-sequence video object segmentation","venue":null,"work_id":"576b6148-d11d-4885-85ac-492c44b20721","year":2018},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":21,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:15947fb632db9ee38a7254c24319a3aef336cd21e32130fa6cdc2b48a0764e20","observation_id":"dc3c6d3d-bf9c-439c-9d80-df90cd2f828b","resolution":{"observed_at":"2026-05-19T12:07:22.091184Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Deep flow-guided video inpainting","venue":null,"work_id":"aa5f4ada-8e49-446a-a9e7-e32ab6d1b002","year":2019},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":22,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:fbc2207a4eb8156c00494afd706b2b559a0057ea11f570fcf55aa69724abd675","observation_id":"b9874d75-43a9-45cf-bfd6-8b0e388328b6","resolution":{"observed_at":"2026-05-19T12:07:22.093030Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Unboxed: Geometrically and tem- porally consistent video outpainting","venue":null,"work_id":"e5d57927-4b98-40b3-a93d-11b546fa38a5","year":2025},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":23,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:b9f5cac5835aa315c8c3442a3103c372a295847bd446515df65ba3800436fae5","observation_id":"b92f387d-3f6e-45c8-9c8f-4018c69f4814","resolution":{"observed_at":"2026-05-19T12:07:22.127540Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Flow-guided transformer for video inpainting","venue":null,"work_id":"b5488434-1cff-4fff-b045-985960520ef9","year":2022},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":24,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:abadfc7d20113d25c4a7403dca9b70475cdd5d6da34eeedd48644f67a158ae5f","observation_id":"a1691bfc-72ba-492d-8080-c308af1a61f7","resolution":{"observed_at":"2026-05-19T12:07:22.084496Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Inertia-guided flow completion and style fusion for video inpainting","venue":null,"work_id":"7e97d8b3-aacc-4822-a813-1e5a20cb1cc8","year":2022},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":25,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:305c23eb0171c542970d67ffd34c7608d0d760dd6be4d12b91dadbdc63c94554","observation_id":"7060c26b-6eb7-46e8-abb1-f8204756e9e7","resolution":{"observed_at":"2026-05-19T12:07:22.129543Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-09T03:15:58.030192Z","title":"The unreasonable effectiveness of deep features as a perceptual metric","venue":null,"work_id":"a1b1bbd9-f486-4890-97fd-9338b7f32312","year":2018},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":26,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:ed72c6e484f06760304d1f46341879db412f166f727c5800fe9f575fd737c70a","observation_id":"8fd78004-c41a-400f-b60d-df31c429f16b","resolution":{"observed_at":"2026-05-19T12:07:22.138141Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2506.22298","last_updated":"2025-06-27T15:08:54Z","snapshot_observed_at":"2026-07-06T21:48:40.344916Z","submitted_at":"2025-06-27T15:08:54Z","title":"OutDreamer: Video Outpainting with a Diffusion Transformer","version":1},"cited_work":{"arxiv_id":"2506.22298","doi":null,"metadata_source":"arxiv_reference","pith_arxiv_id":"2506.22298","snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Outdreamer: Video out- painting with a diffusion transformer","venue":null,"work_id":"10f6d60c-bbdf-45a3-b173-eb254c88922b","year":2025},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":27,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"cited_paper":"/paper/2506.22298","citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:7754db753122b3a47bb3e39a7961e09f89176a656ed914eb3073853142732d33","observation_id":"c96a9d5c-b83b-44ad-9967-a0380e10879c","resolution":{"observed_at":"2026-05-10T12:15:22.103322Z","resolver_source":"arxiv_id","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-06-05T21:23:00.469572Z","title":"Propainter: Improving propagation and transformer for video inpainting","venue":null,"work_id":"fbfea25d-5dae-467c-a253-9e35495d8062","year":2023},"citing_paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting","version":1},"reference_index":28,"source":"pdf_text","source_observed_at":"2026-05-10T12:11:52.239116Z"},"links":{"citing_paper":"/paper/2604.14648"},"observation_digest":"sha256:823dd82bd587e53efcd6f18e56df12904772603624aa5c86e39773677546b89a","observation_id":"0b6265b4-35df-4668-939f-3a49c31511f7","resolution":{"observed_at":"2026-05-19T12:07:22.140112Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-05T06:32:48.257954+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"state":"measured"}}],"paper":{"arxiv_id":"2604.14648","last_updated":"2026-04-16T05:55:11Z","latest_version":1,"primary_category":"cs.CV","snapshot_observed_at":"2026-08-04T20:10:50.215954Z","submitted_at":"2026-04-16T05:55:11Z","title":"Seen-to-Scene: Keep the Seen, Generate the Unseen for Video Outpainting"},"reference_resolution":{"displayed":28,"state_counts":{"malformed_identifier":0,"metadata_mismatch":0,"parse_uncertain":0,"unresolved":0,"verified_exact":8,"verified_fuzzy":20},"total_outbound_references":28},"refusal":"A citation records a reference. It does not transfer a finding from one paper to another.","schema":"pith.paper-citation-record.v1","standing_sources":[{"observed_at":"2026-08-05T06:32:48.257954+00:00","source":"crossref"},{"observed_at":"2026-08-05T06:32:44.755628+00:00","source":"retraction_watch"}],"thesis":"As of 5 August 2026, this Paper Citation Record lists 28 of 28 outbound references and 0 inbound Pith citation observations for arXiv:2604.14648."}