{"as_of":"2026-08-14T14:05:00Z","caps":{"database_statements":6,"inbound":100,"outbound":100},"context_digest":"sha256:a2661c6d1302a2a699ee41ff6fd7e6f432cd66942865697509e2062126358a49","coverage":[{"denominator":7,"lane":"reference_resolution","note":"Typed states for the displayed outbound observations.","records_observed":7,"source":"paper_references, paper_reference_links","source_observed_at":"2026-07-13T19:25:35.270473Z","state":"measured"},{"denominator":9,"lane":"standing_notices","note":"One-hop event checks from named stored sources.","records_observed":9,"source":"scholarly_work_events, retraction_status_cache","source_observed_at":"2026-08-14T06:32:32.682623+00:00","state":"measured"},{"denominator":2,"lane":"inbound_itemization","note":"Pith citing papers itemized under the disclosed page cap.","records_observed":2,"source":"paper_references, paper_reference_links","source_observed_at":"2026-08-14T04:19:34.779101Z","state":"measured"},{"denominator":1,"lane":"external_citation_measurements","note":"A source-named dated measurement, never combined with another source.","records_observed":0,"source":"pith","source_observed_at":"2026-08-11T20:26:27.054860Z","state":"measured"}],"external_citation_measurements":[],"inbound":[{"citation":{"cited_paper":{"arxiv_id":"2606.00001","last_updated":"2026-03-24T20:12:00Z","snapshot_observed_at":"2026-08-04T02:31:37.040138Z","submitted_at":"2026-03-24T20:12:00Z","title":"Shu Dao: A Calligraphy Score Framework Linking Calligraphy, Music, and Performance","version":1},"cited_work":{"arxiv_id":"2606.00001","doi":null,"metadata_source":"pith","pith_arxiv_id":"2606.00001","snapshot_observed_at":"2026-08-11T20:26:27.054860Z","title":"Shu Dao: A Calligraphy Score Framework Linking Calligraphy, Music, and Performance","venue":"cs.HC","work_id":"e32c9bf7-a98f-44fe-8c36-f1785fd8e4e9","year":2026},"citing_paper":{"arxiv_id":"2608.09273","last_updated":"2026-08-11T07:01:28Z","snapshot_observed_at":"2026-08-14T13:09:55.027673Z","submitted_at":"2026-08-10T08:29:29Z","title":"Entropy-based Code Adversarial Translation for Real-world Repository Migration","version":1},"reference_index":28,"source":"arxiv_source","source_observed_at":"2026-08-11T20:26:26.636203Z"},"links":{"cited_paper":"/paper/2606.00001","citing_paper":"/paper/2608.09273"},"observation_digest":"sha256:389214998dda8a557321edc503a83cca7aef7973e8dd9eebdd7f28a5ce157e52","observation_id":"00da8237-319a-43f3-b642-4bd331ea7c0a","resolution":{"observed_at":"2026-08-11T20:26:27.061953Z","resolver_source":"local_arxiv","status":"metadata_mismatch"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-14T06:32:32.682623+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-14T06:32:32.682623+00:00","source":"crossref"},{"observed_at":"2026-08-14T06:32:18.44784+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2606.00001","last_updated":"2026-03-24T20:12:00Z","snapshot_observed_at":"2026-08-04T02:31:37.040138Z","submitted_at":"2026-03-24T20:12:00Z","title":"Shu Dao: A Calligraphy Score Framework Linking Calligraphy, Music, and Performance","version":1},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2606.00001","snapshot_observed_at":"2026-08-14T04:19:34.779101Z","title":"2606.00001 , archivePrefix =","venue":null,"work_id":null,"year":null},"citing_paper":{"arxiv_id":"2608.09273","last_updated":"2026-08-11T07:01:28Z","snapshot_observed_at":"2026-08-14T13:09:55.027673Z","submitted_at":"2026-08-10T08:29:29Z","title":"Entropy-based Code Adversarial Translation for Real-world Repository Migration","version":2},"reference_index":28,"source":"arxiv_source","source_observed_at":"2026-08-14T04:19:34.779101Z"},"links":{"cited_paper":"/paper/2606.00001","citing_paper":"/paper/2608.09273"},"observation_digest":"sha256:dbb3932d255172d0835b7662b5a774bc5d3dc4be2b8c9ee218d38dfe60993b40","observation_id":"d91d594f-bf00-4f06-bc5c-bd812cacbc1e","resolution":{"observed_at":"2026-08-14T04:19:34.779101Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}}],"links":{"evidence":"/evidence","html":"/paper/2606.00001/citation-record","integrity":"/paper/2606.00001/integrity","json":"/paper/2606.00001/citation-record.json","paper":"/paper/2606.00001"},"outbound":[{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-07-13T19:25:35.270473Z","title":"Chinese calligraphy: An introduction to its aesthetic and technique","venue":null,"work_id":null,"year":1974},"citing_paper":{"arxiv_id":"2606.00001","last_updated":"2026-03-24T20:12:00Z","snapshot_observed_at":"2026-08-04T02:31:37.040138Z","submitted_at":"2026-03-24T20:12:00Z","title":"Shu Dao: A Calligraphy Score Framework Linking Calligraphy, Music, and Performance","version":1},"reference_index":1,"source":"pdf_text","source_observed_at":"2026-07-13T19:25:35.270473Z"},"links":{"citing_paper":"/paper/2606.00001"},"observation_digest":"sha256:6eab9449f71f92b07a4dd51ec27e100edb1581c4792503e5c5aaf7c46124a890","observation_id":"81aa2756-0eca-476e-a871-d31ae1543f83","resolution":{"observed_at":"2026-07-13T19:25:35.270473Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-07-13T19:25:35.270473Z","title":"Beyond the score: Music as perfor- mance","venue":null,"work_id":null,"year":2013},"citing_paper":{"arxiv_id":"2606.00001","last_updated":"2026-03-24T20:12:00Z","snapshot_observed_at":"2026-08-04T02:31:37.040138Z","submitted_at":"2026-03-24T20:12:00Z","title":"Shu Dao: A Calligraphy Score Framework Linking Calligraphy, Music, and Performance","version":1},"reference_index":2,"source":"pdf_text","source_observed_at":"2026-07-13T19:25:35.270473Z"},"links":{"citing_paper":"/paper/2606.00001"},"observation_digest":"sha256:cadc2cc1d7dea1adb64ef50167ffb987029d35ca9752faa688b7435c08c52356","observation_id":"fb6c763e-c3cf-4e06-b7fd-18dddc5f33c2","resolution":{"observed_at":"2026-07-13T19:25:35.270473Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-07-13T19:25:35.270473Z","title":"Plamondon and S.N","venue":null,"work_id":null,"year":2000},"citing_paper":{"arxiv_id":"2606.00001","last_updated":"2026-03-24T20:12:00Z","snapshot_observed_at":"2026-08-04T02:31:37.040138Z","submitted_at":"2026-03-24T20:12:00Z","title":"Shu Dao: A Calligraphy Score Framework Linking Calligraphy, Music, and Performance","version":1},"reference_index":3,"source":"pdf_text","source_observed_at":"2026-07-13T19:25:35.270473Z"},"links":{"citing_paper":"/paper/2606.00001"},"observation_digest":"sha256:a82d9d80aa1964cd01c296e8c8fb6b619747960c04a6b514fde2f2f9c6e7d19e","observation_id":"91ef0f8d-8b8c-4262-94d4-1619cd7d5843","resolution":{"observed_at":"2026-07-13T19:25:35.270473Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-07-13T19:25:35.270473Z","title":"Cha dao: The way of tea, tea as a way of life","venue":null,"work_id":null,"year":2010},"citing_paper":{"arxiv_id":"2606.00001","last_updated":"2026-03-24T20:12:00Z","snapshot_observed_at":"2026-08-04T02:31:37.040138Z","submitted_at":"2026-03-24T20:12:00Z","title":"Shu Dao: A Calligraphy Score Framework Linking Calligraphy, Music, and Performance","version":1},"reference_index":4,"source":"pdf_text","source_observed_at":"2026-07-13T19:25:35.270473Z"},"links":{"citing_paper":"/paper/2606.00001"},"observation_digest":"sha256:3baf1784eb72872ed6eb25d8083d3c0fae9cb40e7bc5d881a536fb05c05a19b9","observation_id":"92b3f189-1547-4e70-a087-70baa21167b4","resolution":{"observed_at":"2026-07-13T19:25:35.270473Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-07-13T19:25:35.270473Z","title":"Stroke- based modeling and haptic skill display for chi- nese calligraphy simulation system","venue":null,"work_id":null,"year":2006},"citing_paper":{"arxiv_id":"2606.00001","last_updated":"2026-03-24T20:12:00Z","snapshot_observed_at":"2026-08-04T02:31:37.040138Z","submitted_at":"2026-03-24T20:12:00Z","title":"Shu Dao: A Calligraphy Score Framework Linking Calligraphy, Music, and Performance","version":1},"reference_index":5,"source":"pdf_text","source_observed_at":"2026-07-13T19:25:35.270473Z"},"links":{"citing_paper":"/paper/2606.00001"},"observation_digest":"sha256:93140c1ef09596d01eb89c680781619dde414a6cbdac9ce8773563b9e21a9bf6","observation_id":"0524e61b-1e2d-44f1-beb9-29ddd8d0d519","resolution":{"observed_at":"2026-07-13T19:25:35.270473Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-07-13T19:25:35.270473Z","title":"The japanese tea ceremony and pan- cultural definitions of art","venue":null,"work_id":null,"year":2018},"citing_paper":{"arxiv_id":"2606.00001","last_updated":"2026-03-24T20:12:00Z","snapshot_observed_at":"2026-08-04T02:31:37.040138Z","submitted_at":"2026-03-24T20:12:00Z","title":"Shu Dao: A Calligraphy Score Framework Linking Calligraphy, Music, and Performance","version":1},"reference_index":6,"source":"pdf_text","source_observed_at":"2026-07-13T19:25:35.270473Z"},"links":{"citing_paper":"/paper/2606.00001"},"observation_digest":"sha256:4017f744df00490072e321890d31a9b965a52699317177cfad2cdb5ab4455c82","observation_id":"b87ccefa-bc35-43b5-84df-981360ceb677","resolution":{"observed_at":"2026-07-13T19:25:35.270473Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-07-13T19:25:35.270473Z","title":"descriptive","venue":null,"work_id":null,"year":2005},"citing_paper":{"arxiv_id":"2606.00001","last_updated":"2026-03-24T20:12:00Z","snapshot_observed_at":"2026-08-04T02:31:37.040138Z","submitted_at":"2026-03-24T20:12:00Z","title":"Shu Dao: A Calligraphy Score Framework Linking Calligraphy, Music, and Performance","version":1},"reference_index":7,"source":"pdf_text","source_observed_at":"2026-07-13T19:25:35.270473Z"},"links":{"citing_paper":"/paper/2606.00001"},"observation_digest":"sha256:03bffa57fe17823b3f3d1af59bdd8958b390908c21904607fbb8eaa7caa0888c","observation_id":"4f49d67a-3a58-4b26-8b11-8fd5503a4a69","resolution":{"observed_at":"2026-07-13T19:25:35.270473Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}}],"paper":{"arxiv_id":"2606.00001","last_updated":"2026-03-24T20:12:00Z","latest_version":1,"primary_category":"cs.HC","snapshot_observed_at":"2026-08-04T02:31:37.040138Z","submitted_at":"2026-03-24T20:12:00Z","title":"Shu Dao: A Calligraphy Score Framework Linking Calligraphy, Music, and Performance"},"reference_resolution":{"displayed":7,"state_counts":{"malformed_identifier":0,"metadata_mismatch":0,"parse_uncertain":0,"unresolved":7,"verified_exact":0,"verified_fuzzy":0},"total_outbound_references":7},"refusal":"A citation records a reference. It does not transfer a finding from one paper to another.","schema":"pith.paper-citation-record.v1","standing_sources":[{"observed_at":"2026-08-14T06:32:32.682623+00:00","source":"crossref"},{"observed_at":"2026-08-14T06:32:18.44784+00:00","source":"retraction_watch"}],"thesis":"As of 14 August 2026, this Paper Citation Record lists 7 of 7 outbound references and 2 inbound Pith citation observations for arXiv:2606.00001."}