{"as_of":"2026-08-17T18:03:00Z","caps":{"database_statements":6,"inbound":100,"outbound":100},"context_digest":"sha256:56166bc90c20203c77fe85e8a37c969b8a52a340f18c52105b3c84e135aa40cd","coverage":[{"denominator":42,"lane":"reference_resolution","note":"Typed states for the displayed outbound observations.","records_observed":42,"source":"paper_references, paper_reference_links","source_observed_at":"2026-07-08T19:28:58.523932Z","state":"measured"},{"denominator":43,"lane":"standing_notices","note":"One-hop event checks from named stored sources.","records_observed":43,"source":"scholarly_work_events, retraction_status_cache","source_observed_at":"2026-08-17T06:30:58.91139+00:00","state":"measured"},{"denominator":1,"lane":"inbound_itemization","note":"Pith citing papers itemized under the disclosed page cap.","records_observed":1,"source":"paper_references, paper_reference_links","source_observed_at":"2026-07-08T19:28:58.523932Z","state":"measured"},{"denominator":1,"lane":"external_citation_measurements","note":"A source-named dated measurement, never combined with another source.","records_observed":0,"source":"pith","source_observed_at":"2026-07-08T19:35:32.927749Z","state":"measured"}],"external_citation_measurements":[],"inbound":[{"citation":{"cited_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"cited_work":{"arxiv_id":"2607.06015","doi":null,"metadata_source":"pith","pith_arxiv_id":"2607.06015","snapshot_observed_at":"2026-07-08T19:35:32.927749Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","venue":"cs.SD","work_id":"724081e1-1efe-4757-8d33-20fcb86e6007","year":2026},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":1,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"cited_paper":"/paper/2607.06015","citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:9b3072262392c3bd5c0446ed3395f9bbed8b8c36011513acbbb132785d562ed6","observation_id":"6fed6e87-76a7-46d4-bf4a-41967e43c45b","resolution":{"observed_at":"2026-07-08T19:35:32.929277Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}}],"links":{"evidence":"/evidence","html":"/paper/2607.06015/citation-record","integrity":"/paper/2607.06015/integrity","json":"/paper/2607.06015/citation-record.json","paper":"/paper/2607.06015"},"outbound":[{"citation":{"cited_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"cited_work":{"arxiv_id":"2607.06015","doi":null,"metadata_source":"pith","pith_arxiv_id":"2607.06015","snapshot_observed_at":"2026-07-08T19:35:32.927749Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","venue":"cs.SD","work_id":"724081e1-1efe-4757-8d33-20fcb86e6007","year":2026},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":1,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"cited_paper":"/paper/2607.06015","citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:9b3072262392c3bd5c0446ed3395f9bbed8b8c36011513acbbb132785d562ed6","observation_id":"6fed6e87-76a7-46d4-bf4a-41967e43c45b","resolution":{"observed_at":"2026-07-08T19:35:32.929277Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.294064Z","title":"A known weakness of closed QA is that some bench- marks can be partially solved without perceiving any musical content, through reasoning over answer options alone [5,6]","venue":null,"work_id":"baf13e2b-fe7f-4876-a8d9-5a704bdc0a0e","year":2024},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":2,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:1371691cf5b27ebe437db651c2dc46d168e845cd9d8726917f58f293e70f1e2a","observation_id":"db6b754b-9afe-4220-8d3d-db8dfe41af8f","resolution":{"observed_at":"2026-07-08T21:05:36.295396Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.292492Z","title":"analysis","venue":null,"work_id":"32162c53-0c07-4ad1-b65f-e3d3150a15db","year":2026},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":3,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:ddbd550defc2ebf7d3b9fe731b2be649decf8c078b5852bf75147606c7070b13","observation_id":"6082ed6d-858a-45de-b224-e8757fc31acd","resolution":{"observed_at":"2026-07-08T21:05:36.293511Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.325910Z","title":null,"venue":null,"work_id":"2d59277d-2ff6-45f3-93f8-5b953aa2ac50","year":null},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":4,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:24a470a506569703f193c5fd0b8e5d1cb865059fd332921edfd15516dbc5e1f1","observation_id":"f6ae5193-edf2-45fa-8fe7-16a5b1da33f8","resolution":{"observed_at":"2026-07-08T21:05:36.327188Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.323416Z","title":"Select- ing an appropriate benchmark size requires balancing sta- tistical power against evaluation cost","venue":null,"work_id":"7252e538-ac0e-4d79-b312-d632510cb6fc","year":2025},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":5,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:a685d1f3ca58964a3b5a18d8c4df3086d51c3b6369437de43f345ee81a4712cf","observation_id":"ddd85bc2-935c-4650-baf7-9fc54ce24c59","resolution":{"observed_at":"2026-07-08T21:05:36.325286Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.321525Z","title":"not really listening","venue":null,"work_id":"21453274-967c-45f7-b7ab-97122babc6c2","year":null},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":6,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:4f1c59ea0593ace1a01f7dd28d89827703fd04002b26c3b714af167066e31360","observation_id":"59b5255d-e9c5-43c2-b485-2d591f64dc0f","resolution":{"observed_at":"2026-07-08T21:05:36.322817Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.319015Z","title":"Bassus Ch1-F4","venue":null,"work_id":"c83333d6-ddb4-4108-8c7c-c6263bc06e3c","year":2026},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":7,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:9d49b8257db1249e149de098704228b92d42fb1d34ff635c5ac005608a535ccf","observation_id":"e65abb09-cb42-4128-b5c0-b426c4939733","resolution":{"observed_at":"2026-07-08T21:05:36.320269Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.317189Z","title":"try to guess the correct answer","venue":null,"work_id":"7b0a0cdc-0bc3-4e74-ab5c-981b5f858877","year":2026},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":8,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:aa6e6c668e125b55f9293d1a309506518d931366dbf3c29f5eb99fb1b20235ac","observation_id":"b93748a1-fa9c-41d6-9df5-7c36127f3a79","resolution":{"observed_at":"2026-07-08T21:05:36.318383Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.315449Z","title":"Human-centred AI for a Sustainable and Adaptive Society","venue":null,"work_id":"57b45f7c-1484-4496-8db5-1418795a9713","year":null},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":9,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:31a2c4d812c2158fb8e56db21cceae40389301252484bc2da8346eafe584725e","observation_id":"1ffba81c-e81c-4e98-92c7-8433ca74a0d7","resolution":{"observed_at":"2026-07-08T21:05:36.316721Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.313323Z","title":"First, as coding assistants during development of the MusICA-MetaBench pipeline, including code drafting, de- bugging, and refactoring","venue":null,"work_id":"f94a3e5c-042b-4b40-8d7b-c7aa4e3e0dba","year":null},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":10,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:076fbc125e996c285ca3047f664245b28a13135140ba680da42b7670727b7a0a","observation_id":"eefa0148-53f9-4de1-8ffd-14e6823d3a54","resolution":{"observed_at":"2026-07-08T21:05:36.314545Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.309366Z","title":null,"venue":null,"work_id":"9334c0a1-7b86-47e7-b307-0faaff3cc59f","year":null},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":11,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:b178a2f89bff5970071679d0ce19d5c1bf42a7a4ddcbba36e0d37c5b2ba48702","observation_id":"d599cf9d-1d14-4813-a550-e59d5e739e54","resolution":{"observed_at":"2026-07-08T21:05:36.310769Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2410.21276","last_updated":"2024-10-25T17:43:01Z","snapshot_observed_at":"2026-08-15T14:02:47.366139Z","submitted_at":"2024-10-25T17:43:01Z","title":"GPT-4o System Card","version":1},"cited_work":{"arxiv_id":"2410.21276","doi":"10.1177/15248380231178756","metadata_source":"pith","pith_arxiv_id":"2410.21276","snapshot_observed_at":"2026-08-05T02:28:24.338817Z","title":"GPT-4o System Card","venue":"cs.CL","work_id":"f37bf1c7-4964-4e56-9762-d20da8d9009f","year":2024},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":12,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"cited_paper":"/paper/2410.21276","citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:d6c96611364f2465a4d35b44e095d97e3e958153b3554f9ade55856355518d9a","observation_id":"01e16306-40dc-4b0f-bcac-bcb4f2b716d2","resolution":{"observed_at":"2026-07-08T19:35:32.914650Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2507.06261","last_updated":"2025-12-19T14:25:46Z","snapshot_observed_at":"2026-07-06T02:11:23.670680Z","submitted_at":"2025-07-07T17:36:04Z","title":"Gemini 2.5: Pushing the Frontier with Advanced Reasoning, Multimodality, Long Context, and Next Generation Agentic Capabilities","version":6},"cited_work":{"arxiv_id":"2507.06261","doi":"10.48550/arxiv.2503.19","metadata_source":"pith","pith_arxiv_id":"2507.06261","snapshot_observed_at":"2026-07-11T03:17:51.364436Z","title":"Gemini 2.5: Pushing the Frontier with Advanced Reasoning, Multimodality, Long Context, and Next Generation Agentic Capabilities","venue":"cs.CL","work_id":"008df105-2fdd-45d8-857a-8e35868aecb6","year":2025},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":13,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"cited_paper":"/paper/2507.06261","citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:4959c014eb97206ea717fc730920322579e8769e0e3bab72c1c5b430b40b3ef9","observation_id":"0440c422-acfb-4349-b315-49fc6e5d8de0","resolution":{"observed_at":"2026-07-08T19:35:32.911105Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2509.17765","last_updated":"2025-09-22T13:26:24Z","snapshot_observed_at":"2026-08-11T00:14:34.061687Z","submitted_at":"2025-09-22T13:26:24Z","title":"Qwen3-Omni Technical Report","version":1},"cited_work":{"arxiv_id":"2509.17765","doi":"10.48550/arxiv.2509.17765","metadata_source":"pith","pith_arxiv_id":"2509.17765","snapshot_observed_at":"2026-08-05T02:28:24.338817Z","title":"Qwen3-Omni Technical Report","venue":"cs.CL","work_id":"ae43e594-8bab-4471-b6af-92a300f6a048","year":2025},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":14,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"cited_paper":"/paper/2509.17765","citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:8b8fb087d37e76eb4519b4358f50a338f91619d0e975e1a0289b05ef5b11fad8","observation_id":"8a1ff001-4fe8-434b-a5ae-8b291da48299","resolution":{"observed_at":"2026-07-08T19:35:32.951102Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T16:38:12.229447+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T16:38:12.229447+00:00","source":"crossref_status_cache"},{"observed_at":"2026-08-17T16:38:12.229447+00:00","source":"openalex_status_cache"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.5281/zenodo.17811400","metadata_source":"openalex","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-05T02:28:24.338817Z","title":"Cmi- bench: A comprehensive benchmark for evaluating music instruction following,","venue":"Zenodo (CERN European Organization for Nuclear Research)","work_id":"fa37f55c-dffd-4e06-b64b-c4b1c0156238","year":2025},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":15,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:8ba4e1ebe20e38ccdcf5279b66a1d64d1bbb38761be8a6df35722d90ca7356a7","observation_id":"6a606085-7b78-4a3b-a084-2e460ddbed39","resolution":{"observed_at":"2026-07-08T19:35:32.810084Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-07-11T04:49:29.198384+00:00","source":"crossref_status_cache"},{"observed_at":"2026-07-11T04:49:29.198384+00:00","source":"openalex_status_cache"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.307346Z","title":"Are you really listening? Boost- ing Perceptual Awareness in Music-QA Bench- marks,","venue":null,"work_id":"50bd5a27-1afb-4150-88f6-4b7be63d0d68","year":2026},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":16,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:33084238058cf4dcd74f6535fc7eb7515dfe9a3e8f60574720a5980d9c3e0173","observation_id":"38d35f04-bf14-46e3-bc2d-48d8b1efdc8a","resolution":{"observed_at":"2026-07-08T21:05:36.308725Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2409.02813","last_updated":"2025-05-22T08:22:02Z","snapshot_observed_at":"2026-07-06T02:11:23.670680Z","submitted_at":"2024-09-04T15:31:26Z","title":"MMMU-Pro: A More Robust Multi-discipline Multimodal Understanding Benchmark","version":3},"cited_work":{"arxiv_id":"2409.02813","doi":null,"metadata_source":"pith","pith_arxiv_id":"2409.02813","snapshot_observed_at":"2026-07-08T19:35:32.916072Z","title":"MMMU-Pro: A More Robust Multi-discipline Multimodal Understanding Benchmark","venue":"cs.CL","work_id":"19883673-604e-4b58-b036-5a04ec11a6f9","year":2024},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":17,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"cited_paper":"/paper/2409.02813","citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:fb531965816f31ddc9c40fc934a3650ec08d5c5f7668a9011c772e3177d157b5","observation_id":"5fe9659e-b4aa-42ae-b464-f339e244d96d","resolution":{"observed_at":"2026-07-08T19:35:32.917695Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2408.01337","last_updated":"2024-08-02T15:34:05Z","snapshot_observed_at":"2026-08-16T13:28:56.012301Z","submitted_at":"2024-08-02T15:34:05Z","title":"MuChoMusic: Evaluating Music Understanding in Multimodal Audio-Language Models","version":1},"cited_work":{"arxiv_id":"2408.01337","doi":null,"metadata_source":"pith","pith_arxiv_id":"2408.01337","snapshot_observed_at":"2026-07-08T19:35:32.952259Z","title":"Yake Wei, Di Hu, Henghui Du, and Ji-Rong Wen","venue":"cs.SD","work_id":"c02d1740-6008-4174-b547-daed5cb0a69e","year":2024},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":18,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"cited_paper":"/paper/2408.01337","citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:da1b101642cc92496abe8b76fe66322d630e0f1cc2754811ff90c3d639548d68","observation_id":"147d1cc8-2bf6-49f5-89c7-fe0bd61e0003","resolution":{"observed_at":"2026-07-08T19:35:32.954819Z","resolver_source":"local_arxiv","status":"metadata_mismatch"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.305341Z","title":"HumMusQA: A Human-written Music Understanding QA Benchmark Dataset,","venue":null,"work_id":"57ba8deb-851a-4b22-bcf8-ff910b12540d","year":2026},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":19,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:7e8f05e06f44bd7d2b38f6ed68183a2ae16dd909e5e2fa5876f9b76d7ff90617","observation_id":"393dc9fb-1660-4119-9857-3af6caf5e1f2","resolution":{"observed_at":"2026-07-08T21:05:36.306763Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"2509.04744","doi":null,"metadata_source":"arxiv_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T19:35:32.899556Z","title":"WildScore: Benchmarking MLLMs in-the-Wild Symbolic Music Reasoning,","venue":null,"work_id":"7d937c34-fd85-4ec2-b993-13f120ca9415","year":2025},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":20,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:5c94f017101c4c44ef2cc40fc841d9eb53005caffe45b2b47367f378ab44ee77","observation_id":"d999e55b-6a0f-401d-ac89-0f305e36ad31","resolution":{"observed_at":"2026-07-08T19:35:32.901138Z","resolver_source":"arxiv_id","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2506.23009","last_updated":"2025-08-14T01:29:48Z","snapshot_observed_at":"2026-08-13T02:11:32.989886Z","submitted_at":"2025-06-28T20:46:47Z","title":"MusiXQA: Advancing Visual Music Understanding in Multimodal Large Language Models","version":3},"cited_work":{"arxiv_id":"2506.23009","doi":null,"metadata_source":"pith","pith_arxiv_id":"2506.23009","snapshot_observed_at":"2026-07-11T02:17:46.305033Z","title":"arXiv preprint arXiv:2506.23009 (2025)","venue":"cs.CV","work_id":"5de567d0-d759-4229-8585-c008c17da27a","year":2025},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":21,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"cited_paper":"/paper/2506.23009","citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:9788c2a30cf4060859c63a2ba6a98be51e16b3586369acccaaa60ad6bff0d593","observation_id":"297aee09-8d2f-435a-a6c9-577e60120dae","resolution":{"observed_at":"2026-07-08T19:35:32.938812Z","resolver_source":"local_arxiv","status":"metadata_mismatch"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"2509.23350","doi":null,"metadata_source":"arxiv_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T19:35:32.946064Z","title":"ABC-Eval: Benchmarking Large Language Models on Symbolic Music Understanding and Instruction Following,","venue":null,"work_id":"14054be1-a861-4b07-b6d1-c5324aabbe6d","year":2025},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":22,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:8b2eb4fafa3f1aa45e687e33e865b7ca7e332641c59d30e4670b87d63359f684","observation_id":"c876d3c4-5f95-47e1-a259-b40c80954e9a","resolution":{"observed_at":"2026-07-08T19:35:32.948049Z","resolver_source":"arxiv_id","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2402.16153","last_updated":"2024-02-25T17:19:41Z","snapshot_observed_at":"2026-08-16T14:15:31.491085Z","submitted_at":"2024-02-25T17:19:41Z","title":"ChatMusician: Understanding and Generating Music Intrinsically with LLM","version":1},"cited_work":{"arxiv_id":"2402.16153","doi":null,"metadata_source":"pith","pith_arxiv_id":"2402.16153","snapshot_observed_at":"2026-07-08T19:35:32.902426Z","title":"InConference on Computer Vision and Pattern Recognition","venue":"cs.SD","work_id":"7d40ac36-4bd7-4794-882f-80c85589fd2c","year":2024},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":23,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"cited_paper":"/paper/2402.16153","citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:6f39fb0bba1b01c4d5a9ab706fc686bd37195f72903b477c5d7adc98295a76ce","observation_id":"046857a5-1a0e-4944-916c-55638dceaa2b","resolution":{"observed_at":"2026-07-08T19:35:32.905107Z","resolver_source":"local_arxiv","status":"metadata_mismatch"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"2509.04059","doi":null,"metadata_source":"arxiv_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-11T02:17:46.446329Z","title":"Wong, Jizhe Zhou, and Yu Cheng","venue":null,"work_id":"fcd34d8a-cbc9-4721-a06a-884242a5a1af","year":2025},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":24,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:aca77e0f6ff524ac9041c425aaf2e23ca6f500ecac3956283fb96d64d5c4aa3d","observation_id":"8fcfa85d-8b66-4739-8e3c-59ba0c75fbc5","resolution":{"observed_at":"2026-07-08T19:35:32.907695Z","resolver_source":"arxiv_id","status":"metadata_mismatch"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2511.20697","last_updated":"2026-04-23T11:52:26Z","snapshot_observed_at":"2026-08-11T17:13:33.148886Z","submitted_at":"2025-11-24T06:40:38Z","title":"Musical Score Understanding Benchmark: Evaluating Large Language Models' Comprehension of Complete Musical Scores","version":4},"cited_work":{"arxiv_id":"2511.20697","doi":null,"metadata_source":"pith","pith_arxiv_id":"2511.20697","snapshot_observed_at":"2026-07-08T19:35:32.896747Z","title":"Musical Score Understanding Benchmark: Evaluating Large Language Models' Comprehension of Complete Musical Scores","venue":"cs.SD","work_id":"8988e114-43c5-470f-87ee-4a3086f2fa39","year":2025},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":25,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"cited_paper":"/paper/2511.20697","citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:082066b608d7b2b7bf719c3f4de6c3ff3b19f763901e139c7f6e3edd59d8e3f8","observation_id":"3f63dbd3-1641-458b-bfd5-fb76594a2155","resolution":{"observed_at":"2026-07-08T19:35:32.898656Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"2601.11968","doi":null,"metadata_source":"arxiv_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T19:35:32.955735Z","title":"MuseAgent-1: Interactive Grounded Multimodal Understanding of Music Scores and Performance Audio,","venue":null,"work_id":"0be78fb9-bb2b-421f-87a2-dc347d38900c","year":2026},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":26,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:e69f990de3022ae80faf17d0614c8ec75899b19f4bf3a6d8b801785624c99563","observation_id":"e8895d54-76d6-495b-8e16-1110e3992649","resolution":{"observed_at":"2026-07-08T19:35:32.957693Z","resolver_source":"arxiv_id","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.303521Z","title":"Music21: A toolkit for computer-aided musicology and symbolic music data,","venue":null,"work_id":"91dc348d-b145-4da1-8e50-6889cb37c455","year":2010},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":27,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:c787bf13728a0e728eb8dd2b7e8663d3d117810d5cd51e1fec8c15065b8e66ca","observation_id":"f457c353-46bc-4d1f-8494-8c0bbabcd6f7","resolution":{"observed_at":"2026-07-08T21:05:36.304691Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1073/pnas.1414495112","metadata_source":"openalex","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-05T02:28:24.338817Z","title":"Statistical universals reveal the structures and functions of human music,","venue":"Proceedings of the National Academy of Sciences","work_id":"a86bac5d-f5a9-48b7-9b4d-de15be50b8c2","year":2015},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":28,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:9a29f826a9d7eb6e91e62bb1d4d1e8d700d5491e057b84896f058d0840c6951c","observation_id":"10f81d95-5ef4-423d-a027-514382d34f6d","resolution":{"observed_at":"2026-07-08T19:35:32.806340Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-07-11T04:49:29.51296+00:00","source":"crossref_status_cache"},{"observed_at":"2026-07-11T04:49:29.51296+00:00","source":"openalex_status_cache"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.1371/journal.pone.0284851","metadata_source":"openalex","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-05T02:28:24.338817Z","title":"Conver- gent evolution in a large cross-cultural database of mu- sical scales,","venue":"PLoS ONE","work_id":"b8b3b0ce-2b53-4621-b8c6-33d70ac7bfaf","year":2023},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":29,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:b71fc6c1c82215f5593a04af36e09ef6b0a06abb5cd96a0e1058dad73945ca63","observation_id":"3361041a-4df5-4f3a-9782-abf6b51b7781","resolution":{"observed_at":"2026-07-08T19:35:32.812360Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-07-11T04:49:29.878591+00:00","source":"crossref_status_cache"},{"observed_at":"2026-07-11T04:49:29.878591+00:00","source":"openalex_status_cache"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.301745Z","title":"Integer Ratio Priors on Musical Rhythm Revealed Cross-culturally by Iterated Reproduction,","venue":null,"work_id":"6717bfca-8f87-482d-a797-595ff137633a","year":2017},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":30,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:a5fc3d88cc507033094b5ed08e857069351917c4c2d11a887bf320007ae5c470","observation_id":"3a0ed8f5-7473-4db6-8a27-c9628ff1a583","resolution":{"observed_at":"2026-07-08T21:05:36.302989Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.299873Z","title":"ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research,","venue":null,"work_id":"39a63d4a-ede4-4a8d-93ad-e202cb70600f","year":null},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":31,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:b726f2a114828b147f8da85747d3694641947a5123cbf93c8c7a8ce8b932b350","observation_id":"15c72cb8-fa18-4bee-9194-6882b676186d","resolution":{"observed_at":"2026-07-08T21:05:36.301119Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":"10.5334/tismir.252","metadata_source":"openalex","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-05T02:28:24.338817Z","title":"Available: https://transactions.ismir","venue":"Transactions of the International Society for Music Information Retrieval","work_id":"f834b984-c82c-4ae5-9e72-9e3bfbd91640","year":null},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":32,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:73f1161bd5b7ac37e8bc242a261bca1513f7379d9f627d9a27e43393039c5c69","observation_id":"523ea42d-dac5-4d8c-b2d3-9f77a446eb1f","resolution":{"observed_at":"2026-07-08T19:35:32.808290Z","resolver_source":"doi","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-07-11T04:49:30.172698+00:00","source":"crossref_status_cache"},{"observed_at":"2026-07-11T04:49:30.172698+00:00","source":"openalex_status_cache"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2311.08350","last_updated":"2023-11-21T22:09:27Z","snapshot_observed_at":"2026-08-16T14:43:20.545090Z","submitted_at":"2023-11-14T17:48:27Z","title":"ChoralSynth: Synthetic Dataset of Choral Singing","version":2},"cited_work":{"arxiv_id":"2311.08350","doi":null,"metadata_source":"pith","pith_arxiv_id":"2311.08350","snapshot_observed_at":"2026-07-08T19:35:32.918552Z","title":"ChoralSynth: Synthetic Dataset of Choral Singing","venue":"cs.SD","work_id":"7cddea48-eae5-46a0-bdf2-6759863fe0fa","year":2023},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":33,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"cited_paper":"/paper/2311.08350","citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:7e35219874e5bd2be077985055e5e06edb89b554d31c883614b8377740d4e2ae","observation_id":"279d1a8a-5f01-4139-8667-5109f783293f","resolution":{"observed_at":"2026-07-08T19:35:32.919897Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"2509.15662","doi":null,"metadata_source":"arxiv_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T19:35:32.924373Z","title":"arXiv preprint arXiv:2509.15662 , year=","venue":null,"work_id":"0e7e4ea5-caae-4f30-8126-d75110554b0a","year":2025},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":34,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:da68bf2295ebc2c1ca9a5b53b454cd6f90bb1c107e3ee424d3154e661c6d16da","observation_id":"111c6a1c-ff2e-4999-9754-bfb145f36684","resolution":{"observed_at":"2026-07-08T19:35:32.926942Z","resolver_source":"arxiv_id","status":"metadata_mismatch"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2511.05550","last_updated":"2026-08-07T18:02:27Z","snapshot_observed_at":"2026-08-15T10:17:45.006855Z","submitted_at":"2025-11-02T18:08:26Z","title":"Assessing Factual Music Comprehension in Large Audio Language Models","version":3},"cited_work":{"arxiv_id":"2511.05550","doi":null,"metadata_source":"pith","pith_arxiv_id":"2511.05550","snapshot_observed_at":"2026-07-08T19:35:32.930343Z","title":"Assessing Factual Music Comprehension in Large Audio Language Models","venue":"cs.SD","work_id":"b2317023-a592-4df2-91a2-a9dfcae87b6b","year":2025},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":35,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"cited_paper":"/paper/2511.05550","citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:918afc036a1c8fa8351e7085115c47786f773f9a3e68b6273c51ea46ef5a34c2","observation_id":"4f3c4719-4a0a-496d-99d7-3f489a8cafc9","resolution":{"observed_at":"2026-07-08T19:35:32.932076Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2311.16502","last_updated":"2024-06-13T15:02:39Z","snapshot_observed_at":"2026-08-17T13:10:52.611064Z","submitted_at":"2023-11-27T17:33:21Z","title":"MMMU: A Massive Multi-discipline Multimodal Understanding and Reasoning Benchmark for Expert AGI","version":4},"cited_work":{"arxiv_id":"2311.16502","doi":"10.48550/arxiv.2311.16502","metadata_source":"pith","pith_arxiv_id":"2311.16502","snapshot_observed_at":"2026-08-05T02:28:24.338817Z","title":"MMMU: A Massive Multi-discipline Multimodal Understanding and Reasoning Benchmark for Expert AGI","venue":"cs.CL","work_id":"da087b16-ea05-4064-980e-ce1d6e281d49","year":2023},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":36,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"cited_paper":"/paper/2311.16502","citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:5993b6271e3d12a1531b0b2df89d4aeefb52d5e7c9e92e686a40c1cce2cddac3","observation_id":"eb990a54-7711-4b96-9e2e-9d8b82a2ef5d","resolution":{"observed_at":"2026-07-08T19:35:32.935382Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-10T17:38:12.261029+00:00","source":"crossref_status_cache"},{"observed_at":"2026-08-10T17:38:12.261029+00:00","source":"openalex_status_cache"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2503.22853","last_updated":"2025-03-28T20:15:24Z","snapshot_observed_at":"2026-08-16T12:45:50.331342Z","submitted_at":"2025-03-28T20:15:24Z","title":"Teaching LLMs Music Theory with In-Context Learning and Chain-of-Thought Prompting: Pedagogical Strategies for Machines","version":1},"cited_work":{"arxiv_id":"2503.22853","doi":null,"metadata_source":"pith","pith_arxiv_id":"2503.22853","snapshot_observed_at":"2026-07-08T19:35:32.921328Z","title":"Teaching LLMs Music Theory with In-Context Learning and Chain-of-Thought Prompting: Pedagogical Strategies for Machines","venue":"cs.SD","work_id":"a44092a0-e090-4a4f-8292-91015f2b8199","year":2025},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":37,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"cited_paper":"/paper/2503.22853","citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:e2e8dfad2670bd0a9a68bae0f433f8aa9c0f6aa437e96ecb5ab1475689c51a26","observation_id":"9bc5450f-c056-4215-a7c3-f0df69b1ccd7","resolution":{"observed_at":"2026-07-08T19:35:32.923468Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.311293Z","title":"Sloboda,The Musical Mind: The Cognitive Psychology of Music, ser","venue":null,"work_id":"7052eba2-6b79-4437-a053-aa6220f2db78","year":1985},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":38,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:ebb825f990f5a6c922ae3f7d0074887c064ad061170033d92dd2a157aa1c93b6","observation_id":"3cdfb016-887c-4d08-ac75-36f2ff185834","resolution":{"observed_at":"2026-07-08T21:05:36.312824Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.297621Z","title":"Bloom, D","venue":null,"work_id":"31fa80e4-6314-4f28-af89-2c228b2c851e","year":1956},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":39,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:d03234e1b29605916e99581ee53914b05aac18c103ca16271a310c53e87d0b03","observation_id":"565818a4-b520-4198-a7f8-f67cfe9a4a45","resolution":{"observed_at":"2026-07-08T21:05:36.299100Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T21:05:36.296010Z","title":"The kodály method and its musical basis,","venue":null,"work_id":"880fa26c-cb88-4ddd-8652-f091a2c88afa","year":1972},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":40,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:9c0b822d2baf555f96f38c9f7016a7c91c4a5a7aaea89fca3ea3803ac7080a7b","observation_id":"8c8e195d-e918-4ce8-854c-f2ec32246717","resolution":{"observed_at":"2026-07-08T21:05:36.297067Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"2510.00628","doi":null,"metadata_source":"arxiv_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T19:35:32.940094Z","title":"Hearing the order: Investigating selection bias in large audio-language models","venue":null,"work_id":"36882ed6-d3e5-4f45-92d6-2ae32337f3e2","year":2026},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":41,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:5dc623c32254cd48a39e551251c695c51696b4d24a590c8705ea35a288a6e613","observation_id":"4103d384-0696-4885-ba36-c6081c565349","resolution":{"observed_at":"2026-07-08T19:35:32.942234Z","resolver_source":"arxiv_id","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":"stable/2333709","doi":null,"metadata_source":"arxiv_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-07-08T19:35:32.942928Z","title":"An Analysis of Variance Test for Normality (Complete Samples),","venue":null,"work_id":"22ef4694-71e1-4777-a6cb-e4eeb88025a4","year":1965},"citing_paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music","version":1},"reference_index":42,"source":"pdf_text","source_observed_at":"2026-07-08T19:28:58.523932Z"},"links":{"citing_paper":"/paper/2607.06015"},"observation_digest":"sha256:0a463644e38280ba03bf734be419b058d5941899ea52da50ee182571ae6fae2f","observation_id":"626a2ea9-5103-4559-9e30-d79065129d33","resolution":{"observed_at":"2026-07-08T19:35:32.944764Z","resolver_source":"arxiv_id","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-17T06:30:58.91139+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"state":"measured"}}],"paper":{"arxiv_id":"2607.06015","last_updated":"2026-07-07T08:57:34Z","latest_version":1,"primary_category":"cs.SD","snapshot_observed_at":"2026-08-14T09:24:30.579512Z","submitted_at":"2026-07-07T08:57:34Z","title":"Music I Care About: Automated Multimodal Benchmarking of LLM Music Perception Skills on (Almost) Any Music"},"reference_resolution":{"displayed":42,"state_counts":{"malformed_identifier":0,"metadata_mismatch":5,"parse_uncertain":0,"unresolved":2,"verified_exact":19,"verified_fuzzy":16},"total_outbound_references":42},"refusal":"A citation records a reference. It does not transfer a finding from one paper to another.","schema":"pith.paper-citation-record.v1","standing_sources":[{"observed_at":"2026-08-17T06:30:58.91139+00:00","source":"crossref"},{"observed_at":"2026-08-17T06:30:54.323127+00:00","source":"retraction_watch"}],"thesis":"As of 17 August 2026, this Paper Citation Record lists 42 of 42 outbound references and 1 inbound Pith citation observation for arXiv:2607.06015."}