{"as_of":"2026-08-20T18:24:00Z","caps":{"database_statements":6,"inbound":100,"outbound":100},"context_digest":"sha256:da0fff830b6b3ec0e5bad5408b586d0cffe9cb672b0a73c08773bd9e5fdd508b","coverage":[{"denominator":44,"lane":"reference_resolution","note":"Typed states for the displayed outbound observations.","records_observed":44,"source":"paper_references, paper_reference_links","source_observed_at":"2026-08-08T11:54:25.241877Z","state":"measured"},{"denominator":45,"lane":"standing_notices","note":"One-hop event checks from named stored sources.","records_observed":45,"source":"scholarly_work_events, retraction_status_cache","source_observed_at":"2026-08-20T06:33:59.587034+00:00","state":"measured"},{"denominator":1,"lane":"inbound_itemization","note":"Pith citing papers itemized under the disclosed page cap.","records_observed":1,"source":"paper_references, paper_reference_links","source_observed_at":"2026-08-08T11:54:25.020359Z","state":"measured"},{"denominator":1,"lane":"external_citation_measurements","note":"A source-named dated measurement, never combined with another source.","records_observed":0,"source":"pith","source_observed_at":"2026-08-08T11:54:25.770342Z","state":"measured"}],"external_citation_measurements":[],"inbound":[{"citation":{"cited_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"cited_work":{"arxiv_id":"2608.05506","doi":null,"metadata_source":"pith","pith_arxiv_id":"2608.05506","snapshot_observed_at":"2026-08-08T11:54:25.770342Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","venue":"eess.AS","work_id":"03dff461-79ce-451e-8624-372f3d031660","year":2026},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":1,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.020359Z"},"links":{"cited_paper":"/paper/2608.05506","citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:15e3b9260ba3628a0f1843b708b890f77977c39f78b5dce3531dce4ba7281ffb","observation_id":"2c115db5-4e80-46f5-8efb-968b40d16a5b","resolution":{"observed_at":"2026-08-08T11:54:25.777829Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}}],"links":{"evidence":"/evidence","html":"/paper/2608.05506/citation-record","integrity":"/paper/2608.05506/integrity","json":"/paper/2608.05506/citation-record.json","paper":"/paper/2608.05506"},"outbound":[{"citation":{"cited_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"cited_work":{"arxiv_id":"2608.05506","doi":null,"metadata_source":"pith","pith_arxiv_id":"2608.05506","snapshot_observed_at":"2026-08-08T11:54:25.770342Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","venue":"eess.AS","work_id":"03dff461-79ce-451e-8624-372f3d031660","year":2026},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":1,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.020359Z"},"links":{"cited_paper":"/paper/2608.05506","citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:15e3b9260ba3628a0f1843b708b890f77977c39f78b5dce3531dce4ba7281ffb","observation_id":"2c115db5-4e80-46f5-8efb-968b40d16a5b","resolution":{"observed_at":"2026-08-08T11:54:25.777829Z","resolver_source":"local_arxiv","status":"verified_exact"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.334601Z","title":null,"venue":null,"work_id":"7ca639da-3b03-4d4e-8ad4-30ff030d4bc9","year":null},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":2,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.027151Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:c95587e4450e6e756bf956b5669165f36cd3c2ec2c24d5f48845cc86ea48381e","observation_id":"4a7368bd-f091-4a4e-bde1-e8f90614189f","resolution":{"observed_at":"2026-08-08T11:54:26.339357Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.318921Z","title":null,"venue":null,"work_id":"1ae74deb-ebce-4b5c-a3e6-40059b4419e9","year":null},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":3,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.032481Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:ec873ad8a304691081277ef0704b4b8cd8a83f9d43d62ac06a6cb91591973212","observation_id":"04f11ff7-ed6f-4a53-8c7f-c5fdacdf7182","resolution":{"observed_at":"2026-08-08T11:54:26.324594Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.303808Z","title":null,"venue":null,"work_id":"079d15c3-547b-44a1-bff8-d7d7453f79ae","year":null},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":4,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.038991Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:f4aa8f88144f11dbd5cf1d05e158882f3e11de44658be33471d7b63567044987","observation_id":"64f4bc28-dcad-412b-b1a3-6b1ec91c6c6f","resolution":{"observed_at":"2026-08-08T11:54:26.308575Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.288148Z","title":"Stem Blending.Table 1 presents the stem blending re- sults","venue":null,"work_id":"08eac029-3894-4c52-852c-085bb3a85bc9","year":null},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":5,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.047465Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:e60ca9fae859bdf25e165deaa8b24bbc8b7066bd932eb36dfd761fcb8bd19903","observation_id":"f743e830-5bf9-4d1e-a083-f73810fb16c1","resolution":{"observed_at":"2026-08-08T11:54:26.293255Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.272621Z","title":"The proposed model achieves the highest score in both and the highest overall mean","venue":null,"work_id":"c998f818-d773-4c83-8e61-77c10ed1a61d","year":null},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":6,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.053410Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:6675af0426a6a564e68488bae1c138286d910a6df5e62ec4e7aecc152c0f946b","observation_id":"36242256-84b2-4119-9db8-e5cce5f7b5ad","resolution":{"observed_at":"2026-08-08T11:54:26.277686Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.256336Z","title":null,"venue":null,"work_id":"d08d35ef-a4ba-48f2-8ed3-5a5ba0f0bf51","year":null},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":7,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.058795Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:03d7396f8597d0a785346b6ac35982a8e385c70b71c69cd7f37545bd97200833","observation_id":"8de211dc-cc48-4ed0-afca-55718a6f445c","resolution":{"observed_at":"2026-08-08T11:54:26.261469Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.240494Z","title":null,"venue":null,"work_id":"574c7243-97df-4bcd-b946-507438cc5075","year":null},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":8,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.064906Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:ed6191c9f235012d1f2d3a9bf0a537c5743acfa5c26d14264f67c413ef9c36b2","observation_id":"9381cc3f-f1e9-419c-99a9-25a28818c167","resolution":{"observed_at":"2026-08-08T11:54:26.245547Z","resolver_source":"raw_fallback","status":"unresolved"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.225171Z","title":"De Man, R","venue":null,"work_id":"ccb38be0-7c77-47bf-b396-cb1ff79798b9","year":2019},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":9,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.070200Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:aefb2e2fa1760ef65fea07420dd3b33a92f9bce18799bdac1084f0eda6c3d44c","observation_id":"2aa87f79-6ea0-446f-9a64-e3e90ab91b49","resolution":{"observed_at":"2026-08-08T11:54:26.230191Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.208383Z","title":"A deep learning approach to intelligent drum mixing with the wave-u-net,","venue":null,"work_id":"2bea8d63-cc4e-4dc3-8103-ff87a9188af8","year":2021},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":10,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.075670Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:dbad90c366c018b3bde909d580501d3eac288b9e28b1ad80dc9abdbaa5343f80","observation_id":"98da2352-7569-42f1-81f2-6dadbcab53e1","resolution":{"observed_at":"2026-08-08T11:54:26.213905Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.191819Z","title":"Automatic music mixing with deep learning and out-of-domain data,","venue":null,"work_id":"badcf522-ee04-485b-815e-92e665bf8eba","year":2022},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":11,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.080741Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:0d1d93cde894979fb072bd540ec7dff083e4a8e4b41377492ec0e18fc6529e96","observation_id":"f22751ab-7547-403c-9166-da9f5675d2e0","resolution":{"observed_at":"2026-08-08T11:54:26.196791Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.176014Z","title":"Au- tomatic multitrack mixing with a differentiable mixing console of neural audio effects,","venue":null,"work_id":"490c24c3-eddd-4c0b-8dca-7393d8ece89a","year":2021},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":12,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.086343Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:94e274f49088036ecd626d4a755e90123d49cf632701df51829c56e9311ef0cc","observation_id":"cc73c28e-c067-438f-8258-210037ade15e","resolution":{"observed_at":"2026-08-08T11:54:26.181180Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.159889Z","title":"Automatic music mixing using a generative model of effect embeddings,","venue":null,"work_id":"9ceac872-8d32-4c14-b1b2-094337ebc220","year":2026},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":13,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.091462Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:dd2ab71b8271f31b9991bd949bb757a1346cdae0100fb8142eded90e1d7acda5","observation_id":"28012c44-7d5d-44ac-9b5e-c177dc565a81","resolution":{"observed_at":"2026-08-08T11:54:26.164736Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.142469Z","title":"Ddsp: Differentiable digital signal processing,","venue":null,"work_id":"2e958ff3-f101-42cd-8a9a-9d26a4fbde5e","year":2020},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":14,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.096633Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:bdfa059590eb56eb7a321ada32a32003096f17ba2a3f1395e66c34ac0e12b717","observation_id":"008337b4-9dd3-4c66-98e7-9d7fdcbbdc10","resolution":{"observed_at":"2026-08-08T11:54:26.148512Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.123913Z","title":"Diffvox: A differentiable model for capturing and analysing vocal effects distributions,","venue":null,"work_id":"6e98189f-1079-414d-81ee-a08ce432909c","year":2025},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":15,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.101486Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:c45c12e71590a2015d156c76bdbe9f71ac8518fdefe4b36aaf5d2fbce39579bd","observation_id":"b9f58b20-4007-4ffb-9b68-ff967742f0f1","resolution":{"observed_at":"2026-08-08T11:54:26.130021Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.106497Z","title":"Search- ing for music mixing graphs: A pruning approach,","venue":null,"work_id":null,"year":2024},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":16,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.106497Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:2ec94b8f18816061c8c7303772a7086c867917ba6152c3928813f5bdc21870df","observation_id":"b2da1175-0be1-455a-985d-1bfec0544173","resolution":{"observed_at":"2026-08-08T11:54:25.106497Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.095263Z","title":"Ddsp guitar amp: In- terpretable guitar amplifier modeling,","venue":null,"work_id":"591992a2-66d6-410c-96bf-2fc23523797e","year":2025},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":17,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.111538Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:0fc0af3651d663b70d5b72578ba010c3c09ff89e162395bf3c2d21871fec6cf9","observation_id":"a801a619-91fb-4e0b-bfbb-a2cdbcbe180e","resolution":{"observed_at":"2026-08-08T11:54:26.101372Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.077574Z","title":"Deep learning for black-box modeling of audio ef- fects,","venue":null,"work_id":"c40c931e-9e25-49fb-a9a1-95ae86f314d9","year":2020},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":18,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.116290Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:5facd0f9317ee250831813095dd17380c41464ea6fd903e605b616f1b3659bd2","observation_id":"d120903e-c11e-4800-bba4-528088df9b01","resolution":{"observed_at":"2026-08-08T11:54:26.083751Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.060029Z","title":"Efficient neural net- works for real-time modeling of analog dynamic range compression,","venue":null,"work_id":"6b79da7c-865f-49e1-babd-5b88e4c91cae","year":2021},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":19,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.121321Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:9c1ce2892fedb0d82daa99127232df8249975bd34a9a8fbf6e9d6c22aec99cdc","observation_id":"21dad244-212f-4af2-a18d-64437d642b07","resolution":{"observed_at":"2026-08-08T11:54:26.066265Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"1804.07145","last_updated":"2018-04-19T13:20:44Z","snapshot_observed_at":"2026-08-14T19:24:17.315409Z","submitted_at":"2018-04-19T13:20:44Z","title":"Real Time Emulation of Parametric Guitar Tube Amplifier With Long Short Term Memory Neural Network","version":1},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"1804.07145","snapshot_observed_at":"2026-08-08T11:54:25.126456Z","title":"Real time emula- tion of parametric guitar tube amplifier with long short term memory neural network,","venue":null,"work_id":null,"year":2018},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":20,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.126456Z"},"links":{"cited_paper":"/paper/1804.07145","citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:5274ca58e45ed73201b569753d15481d51d5337e1438ac9bcf74ad8da5e746b8","observation_id":"208fb7db-9a4d-4727-a43f-77ae0aaa4e3e","resolution":{"observed_at":"2026-08-08T11:54:25.126456Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.043768Z","title":"Hyper recur- rent neural network: Condition mechanisms for black- box audio effect modeling,","venue":null,"work_id":"d8f0acd8-c79a-4424-a16b-65c2c3e08207","year":2024},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":21,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.131891Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:6f94e797cee14f8f0c45f9dfab804f39662a4a986e99f9cd04e1f3347ccdb9c5","observation_id":"79f9550d-677a-432a-8dd4-a3386519ccc5","resolution":{"observed_at":"2026-08-08T11:54:26.048805Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2210.02747","last_updated":"2023-02-08T15:46:05Z","snapshot_observed_at":"2026-08-16T02:30:42.660030Z","submitted_at":"2022-10-06T08:32:20Z","title":"Flow Matching for Generative Modeling","version":2},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2210.02747","snapshot_observed_at":"2026-08-08T11:54:25.137597Z","title":"Flow matching for generative modeling,","venue":null,"work_id":null,"year":2022},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":22,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.137597Z"},"links":{"cited_paper":"/paper/2210.02747","citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:2f5e86053ac1d8fa00950ce3e2541283b70227bfbb89916851519d75c49eca1d","observation_id":"1a6f5555-e428-4507-8643-9999b5e29964","resolution":{"observed_at":"2026-08-08T11:54:25.137597Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.027657Z","title":"Flow straight and fast: Learning to generate and transfer data with rectified flow,","venue":null,"work_id":"96724371-b6cc-4dca-b84a-4ed8553069b1","year":2023},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":23,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.142778Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:9e9bc4d6e1714635af9a50576bfc7efe0f7db624d8ff844686f5bd1cdc700714","observation_id":"c1f3d25d-5635-4bf7-9f0e-a2992b85be65","resolution":{"observed_at":"2026-08-08T11:54:26.032864Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:26.011410Z","title":"Musicflow: Cascaded flow matching for text guided music generation,","venue":null,"work_id":"7302b1fa-af01-42c5-b29d-efa2f93068d0","year":2024},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":24,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.147640Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:7f93134f40c76d7507bf03e1a7039a6cf578fc83722a1dbb48fb77c03fd6a4c6","observation_id":"d6cd1cd6-2734-443f-8567-08015fd8bdeb","resolution":{"observed_at":"2026-08-08T11:54:26.016438Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.995026Z","title":"Stemphonic: All-at-once flexible multi- stem music generation,","venue":null,"work_id":"e4dcee8b-8eaa-42b6-baff-03560451f2ea","year":2026},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":25,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.152064Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:fce6277fc9d2ac246f3e3ee02611f304f95412d05786ebbd19d8f7ef30ea3f75","observation_id":"8c01f610-1b0e-4757-a9c7-30a204a4681a","resolution":{"observed_at":"2026-08-08T11:54:26.000333Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.156534Z","title":"Sam audio: Segment anything in audio,","venue":null,"work_id":null,"year":2025},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":26,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.156534Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:b033ae758c7f25dfd95597a9080d4105dddd4196b9134879fda522bb0834b909","observation_id":"3585fd1a-ed5a-4e73-b8c5-e9f1dcb17b24","resolution":{"observed_at":"2026-08-08T11:54:25.156534Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.979066Z","title":"Flowsep: Language-queried sound separation with rectified flow matching,","venue":null,"work_id":"db5b8516-f281-4d3b-a730-2da582cce181","year":2025},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":27,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.160975Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:9fcc97e8ef0c0adc11768e82d1221a0d4dcc2f9f03659f9028172ebdff3c7aea","observation_id":"0af3cb46-2cb7-4464-9c53-7df838c40996","resolution":{"observed_at":"2026-08-08T11:54:25.984183Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.961477Z","title":"Flowing from words to pixels: A noise-free frame- work for cross-modality evolution,","venue":null,"work_id":"3cb14ffd-d649-4d17-9aad-7c86810940e5","year":2025},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":28,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.165400Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:d4fcffd052cb9e008c97915167e8dec8f17f2ac93b6a9df538150d5a646a6480","observation_id":"9cbb872c-8531-45b0-9b8e-c8f4d686a393","resolution":{"observed_at":"2026-08-08T11:54:25.967491Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2508.03448","last_updated":"2025-12-27T19:25:03Z","snapshot_observed_at":"2026-08-12T17:16:55.860596Z","submitted_at":"2025-08-05T13:49:04Z","title":"SonicMaster: Towards Controllable All-in-One Music Restoration and Mastering","version":3},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2508.03448","snapshot_observed_at":"2026-08-08T11:54:25.170273Z","title":"Sonicmaster: Towards controllable all-in- one music restoration and mastering,","venue":null,"work_id":null,"year":2025},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":29,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.170273Z"},"links":{"cited_paper":"/paper/2508.03448","citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:6a992887801d711584280ab696ab5a3b4c345520e8b41bc5a9309bb6c9846f0f","observation_id":"30049c29-b344-4eee-a179-09bd44f2a61a","resolution":{"observed_at":"2026-08-08T11:54:25.170273Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.944543Z","title":"Stable audio open,","venue":null,"work_id":"517e4735-3564-452c-a2b8-6517b0ddc16c","year":2025},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":30,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.175434Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:01d2fd420aa0d136920e5747bd23e964f02bb90c316489376632a47214b2f7fb","observation_id":"b8d67e9b-3a41-4b83-95c0-e04307520b46","resolution":{"observed_at":"2026-08-08T11:54:25.949527Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.928087Z","title":"MedleyDB: A multitrack dataset for annotation-intensive mir research","venue":null,"work_id":"587f82af-583a-4e70-b90a-f407fd12365b","year":2014},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":31,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.180145Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:9f4c10a7c20b61f885cda908e89f11d0f6b41c8b2748890850e316c380c65c0d","observation_id":"871f48fe-a081-462d-b9ed-6eccf6893dec","resolution":{"observed_at":"2026-08-08T11:54:25.933250Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2307.15913","last_updated":"2023-07-29T06:59:37Z","snapshot_observed_at":"2026-08-16T15:12:20.739190Z","submitted_at":"2023-07-29T06:59:37Z","title":"Moisesdb: A dataset for source separation beyond 4-stems","version":1},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2307.15913","snapshot_observed_at":"2026-08-08T11:54:25.184595Z","title":"Moisesdb: A dataset for source separation beyond 4- stems,","venue":null,"work_id":null,"year":2023},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":32,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.184595Z"},"links":{"cited_paper":"/paper/2307.15913","citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:f12ebe7eca84ab42ca2d5d6a2b1f0ae1ef033d3035846e196f75034d205b8592","observation_id":"05040b3e-5e56-419d-9749-86d86f3b65c4","resolution":{"observed_at":"2026-08-08T11:54:25.184595Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.912163Z","title":"Pyrooma- coustics: A python package for audio room simula- tion and array processing algorithms,","venue":null,"work_id":"dd185d37-b6a5-4526-861f-5c744b8347ad","year":2018},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":33,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.189786Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:ca098593be4548b6c030982340bb12973802d062d39be69eff070a10443c842a","observation_id":"0d17728a-0922-4cba-b179-fb04a0fccb3b","resolution":{"observed_at":"2026-08-08T11:54:25.917144Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.896040Z","title":"Scaling rectified flow transformers for high-resolution image synthesis,","venue":null,"work_id":"034abcba-ca8b-4606-aa5f-cd96f09847b8","year":2024},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":34,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.194501Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:97f62774e9fcbd87f0bf6edbd1aca808bb96359136b6d6f04e711fb9a830d36d","observation_id":"89642f51-22b8-4ff4-9545-bbd62d076a06","resolution":{"observed_at":"2026-08-08T11:54:25.901427Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.880556Z","title":"Scalable diffusion models with transformers,","venue":null,"work_id":"5f919856-7718-46b2-85eb-ee4643633ef8","year":2023},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":35,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.199151Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:225fc33baef209e729febe3c8e704f278f214ba911e588ecc95e3bb5f8699a46","observation_id":"6a104a55-bdb0-4a72-997a-713ea092de52","resolution":{"observed_at":"2026-08-08T11:54:25.885433Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2207.12598","last_updated":"2022-07-26T01:42:07Z","snapshot_observed_at":"2026-08-14T06:37:15.299690Z","submitted_at":"2022-07-26T01:42:07Z","title":"Classifier-Free Diffusion Guidance","version":1},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2207.12598","snapshot_observed_at":"2026-08-08T11:54:25.203741Z","title":"Classifier-free diffusion guid- ance,","venue":null,"work_id":null,"year":2022},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":36,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.203741Z"},"links":{"cited_paper":"/paper/2207.12598","citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:4538a2ab96e78fdb32eb07f5e0b72650a8d9dd4f274653f152864085b32597ec","observation_id":"38e3aaac-df2a-4bf4-9541-86fe5057cff1","resolution":{"observed_at":"2026-08-08T11:54:25.203741Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.208852Z","title":"dasp-pytorch,","venue":null,"work_id":null,"year":null},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":37,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.208852Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:2e39ab41bbfd2212f3b9c861828fb969cac6b1e9a4dfecbbe757a6183b88c9a4","observation_id":"1da6c0b2-35f6-4aa0-813d-ee09a9d6dc57","resolution":{"observed_at":"2026-08-08T11:54:25.208852Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.853409Z","title":"Diff-MST: Differentiable mixing style transfer,","venue":null,"work_id":"9c55d815-2fa0-4e13-8948-d27f89560e70","year":2024},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":38,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.213445Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:d5189d4e176da31800683344de7fd0756974269edaa4723e969bba9d765e1e0f","observation_id":"55012abd-b9fe-4873-8fd4-0ea65c2ef9cb","resolution":{"observed_at":"2026-08-08T11:54:25.858729Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.837414Z","title":"Kad: No more fad! an effective and efficient evaluation metric for audio generation,","venue":null,"work_id":"221038ed-bfc0-4077-b061-83b0eb08ae89","year":2025},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":39,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.217864Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:815217bd4cb7a0cc9cbfc2d39b3e2c2390cc316c522b33b899a1a547a07ef64a","observation_id":"e0451fbd-adf1-4a7b-8b4f-f61927f24036","resolution":{"observed_at":"2026-08-08T11:54:25.842522Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"1812.08466","last_updated":"2019-01-17T16:12:43Z","snapshot_observed_at":"2026-08-15T08:25:11.276003Z","submitted_at":"2018-12-20T10:28:00Z","title":"Fr\\'echet Audio Distance: A Metric for Evaluating Music Enhancement Algorithms","version":4},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"1812.08466","snapshot_observed_at":"2026-08-08T11:54:25.222476Z","title":"Fr\\’echet audio distance: A metric for evalu- ating music enhancement algorithms,","venue":null,"work_id":null,"year":2018},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":40,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.222476Z"},"links":{"cited_paper":"/paper/1812.08466","citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:38840ad90f22ffe54a4b39e99b64833bd3710688d562526e7bec25b0567314aa","observation_id":"75eab62b-b53a-41f4-825b-9c8bbbaf4911","resolution":{"observed_at":"2026-08-08T11:54:25.222476Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.821761Z","title":"Large-scale contrastive language- audio pretraining with feature fusion and keyword- to-caption augmentation,","venue":null,"work_id":"ba300fd8-58ec-4a67-b2de-bbbd723a43fa","year":2023},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":41,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.227687Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:427368b19eca3c29aae444e3a798228b2d15b395e2983e580688229af1b28a02","observation_id":"50406d5f-a4c2-4cfe-a135-998dd7f24208","resolution":{"observed_at":"2026-08-08T11:54:25.826561Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.805319Z","title":"Fx-encoder++: Extracting instrument-wise audio effects representa- tions from mixtures,","venue":null,"work_id":"104eb41f-2f89-49d2-a13a-488994058de9","year":2025},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":42,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.232401Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:3dfdb8020de2d2fe5c026dd3bf3c971903b02e0624e7c351c631499f199741f8","observation_id":"bfc9ad5c-a146-440b-b78a-c9ee4a51ca26","resolution":{"observed_at":"2026-08-08T11:54:25.810309Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":null,"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":"raw_reference","pith_arxiv_id":null,"snapshot_observed_at":"2026-08-08T11:54:25.789296Z","title":"webmushra—a comprehensive framework for web-based listening tests,","venue":null,"work_id":"98a2f05d-b272-42ba-98ac-794e4430c1b5","year":2018},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":43,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.237069Z"},"links":{"citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:e32322cd01037411ac6a5d61c50d1691c0c422e98330cc8aab76a85d857a999b","observation_id":"05ca6c24-9082-4a93-9e0b-e779d3d6392f","resolution":{"observed_at":"2026-08-08T11:54:25.794157Z","resolver_source":"raw_fallback","status":"verified_fuzzy"},"standing_notice":{"events":[],"observation":"No event found in the named queried sources as of 2026-08-20T06:33:59.587034+00:00.","reason":null,"source_receipts":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"state":"measured"}},{"citation":{"cited_paper":{"arxiv_id":"2502.05139","last_updated":"2025-02-07T18:15:57Z","snapshot_observed_at":"2026-08-20T12:00:11.254046Z","submitted_at":"2025-02-07T18:15:57Z","title":"Meta Audiobox Aesthetics: Unified Automatic Quality Assessment for Speech, Music, and Sound","version":1},"cited_work":{"arxiv_id":null,"doi":null,"metadata_source":null,"pith_arxiv_id":"2502.05139","snapshot_observed_at":"2026-08-08T11:54:25.241877Z","title":"Meta audiobox aesthetics: Unified automatic qual- ity assessment for speech, music, and sound,","venue":null,"work_id":null,"year":2025},"citing_paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending","version":1},"reference_index":44,"source":"pdf_text","source_observed_at":"2026-08-08T11:54:25.241877Z"},"links":{"cited_paper":"/paper/2502.05139","citing_paper":"/paper/2608.05506"},"observation_digest":"sha256:8f6b2e0b7167f0785d4561d56355bb3896feeb7328c59784ce48e7e406022eb6","observation_id":"b4f1240f-57e1-427c-bee4-c16ef4afee07","resolution":{"observed_at":"2026-08-08T11:54:25.241877Z","resolver_source":null,"status":"unresolved"},"standing_notice":{"events":[],"reason":"canonical_work_link_unavailable","source_receipts":[],"state":"unavailable"}}],"paper":{"arxiv_id":"2608.05506","last_updated":"2026-08-06T01:16:18Z","latest_version":1,"primary_category":"eess.AS","snapshot_observed_at":"2026-08-18T17:49:47.673237Z","submitted_at":"2026-08-06T01:16:18Z","title":"Rethinking Automatic Music Mixing as Sequential Stem Blending"},"reference_resolution":{"displayed":44,"state_counts":{"malformed_identifier":0,"metadata_mismatch":0,"parse_uncertain":0,"unresolved":15,"verified_exact":1,"verified_fuzzy":28},"total_outbound_references":44},"refusal":"A citation records a reference. It does not transfer a finding from one paper to another.","schema":"pith.paper-citation-record.v1","standing_sources":[{"observed_at":"2026-08-20T06:33:59.587034+00:00","source":"crossref"},{"observed_at":"2026-08-20T06:33:54.927442+00:00","source":"retraction_watch"}],"thesis":"As of 20 August 2026, this Paper Citation Record lists 44 of 44 outbound references and 1 inbound Pith citation observation for arXiv:2608.05506."}