Korean chart songs from the 1960s through the 1980s are classified by Billboard-trained audio models as four to five years older than their chart date, with the gap halving after the 1990s.
Are Expressions for Music Emotions the Same Across Cultures?
1 Pith paper cite this work. Polarity classification is still indexing.
abstract
Music evokes profound emotions, yet the universality of emotional descriptors across languages remains debated. A key challenge in cross-cultural research on music emotion is biased stimulus selection and manual curation of taxonomies, predominantly relying on Western music and languages. To address this, we propose a balanced experimental design with nine online experiments in Brazil, the US, and South Korea, involving N=672 participants. First, we sample a balanced set of popular music from these countries. Using an open-ended tagging pipeline, we then gather emotion terms to create culture-specific taxonomies. Finally, using these bottom-up taxonomies, participants rate emotions of each song. This allows us to map emotional similarities within and across cultures. Results show consistency in high arousal, high valence emotions but greater variability in others. Notably, machine translations were often inadequate to capture music-specific meanings. These findings together highlight the need for a domain-sensitive, open-ended, bottom-up emotion elicitation approach to reduce cultural biases in emotion research.
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Measuring Cross-Cultural Style Diffusion Through Era Classification: US and Korean Popular Music
Korean chart songs from the 1960s through the 1980s are classified by Billboard-trained audio models as four to five years older than their chart date, with the gap halving after the 1990s.