Deep recurrent autoencoders convert images to shortened audio signals that incorporate hearing models, enabling above-chance hand posture discrimination and object reaching after a few hours of training instead of months.
Neural Audio Synthesis of Musical Notes with WaveNet Autoencoders
2 Pith papers cite this work. Polarity classification is still indexing.
abstract
Generative models in vision have seen rapid progress due to algorithmic improvements and the availability of high-quality image datasets. In this paper, we offer contributions in both these areas to enable similar progress in audio modeling. First, we detail a powerful new WaveNet-style autoencoder model that conditions an autoregressive decoder on temporal codes learned from the raw audio waveform. Second, we introduce NSynth, a large-scale and high-quality dataset of musical notes that is an order of magnitude larger than comparable public datasets. Using NSynth, we demonstrate improved qualitative and quantitative performance of the WaveNet autoencoder over a well-tuned spectral autoencoder baseline. Finally, we show that the model learns a manifold of embeddings that allows for morphing between instruments, meaningfully interpolating in timbre to create new types of sounds that are realistic and expressive.
years
2019 2verdicts
UNVERDICTED 2representative citing papers
VAEs are trained on classical music to encode pieces into latent space and predict continuations, enabling composition of new music from existing pieces or random starts even with small training sets.
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Deep recurrent autoencoders convert images to shortened audio signals that incorporate hearing models, enabling above-chance hand posture discrimination and object reaching after a few hours of training instead of months.
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VAEs are trained on classical music to encode pieces into latent space and predict continuations, enabling composition of new music from existing pieces or random starts even with small training sets.