The authors introduce a conceptual model and novel ontology to represent social concepts evoked by art images as multimodal frames, demonstrated via a proof-of-concept experiment on the Tate Gallery collection.
Concepts, control, and context: A connectionist account of normal and disordered semantic cognition
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Automatic Modeling of Social Concepts Evoked by Art Images as Multimodal Frames
The authors introduce a conceptual model and novel ontology to represent social concepts evoked by art images as multimodal frames, demonstrated via a proof-of-concept experiment on the Tate Gallery collection.