The tonnetz Levi graph is realized as a {12_3} configuration of Daublebsky von Sterneck type D222, linking music theory to combinatorial geometry.
Why both? As we said in Section I, it appears that Wagner and his contemporaries were operating within more than one harmonic system
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Configurations, Tessellations and Tone Networks
The tonnetz Levi graph is realized as a {12_3} configuration of Daublebsky von Sterneck type D222, linking music theory to combinatorial geometry.