Style embeddings computed from CLAP and a sound matching model align with human timbre similarity ratings better than plain embeddings, MFCC, and other pre-trained representations.
Assessing the Alignment of Audio Representations with Timbre Similarity Ratings
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abstract
Psychoacoustical so-called "timbre spaces" map perceptual similarity ratings of instrument sounds onto low-dimensional embeddings via multidimensional scaling, but suffer from scalability issues and are incapable of generalization. Recent results from audio (music and speech) quality assessment as well as image similarity have shown that deep learning is able to produce embeddings that align well with human perception while being largely free from these constraints. Although the existing human-rated timbre similarity data is not large enough to train deep neural networks (2,614 pairwise ratings on 334 audio samples), it can serve as test-only data for audio models. In this paper, we introduce metrics to assess the alignment of diverse audio representations with human judgments of timbre similarity by comparing both the absolute values and the rankings of embedding distances to human similarity ratings. Our evaluation involves three signal-processing-based representations, twelve representations extracted from pre-trained models, and three representations extracted from a novel sound matching model. Among them, the style embeddings inspired by image style transfer, extracted from the CLAP model and the sound matching model, remarkably outperform the others, showing their potential in modeling timbre similarity.
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Assessing the Alignment of Audio Representations with Timbre Similarity Ratings
Style embeddings computed from CLAP and a sound matching model align with human timbre similarity ratings better than plain embeddings, MFCC, and other pre-trained representations.