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CLaMP: Contrastive Language-Music Pre-training for Cross-Modal Symbolic Music Information Retrieval
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We introduce CLaMP: Contrastive Language-Music Pre-training, which learns cross-modal representations between natural language and symbolic music using a music encoder and a text encoder trained jointly with a contrastive loss. To pre-train CLaMP, we collected a large dataset of 1.4 million music-text pairs. It employed text dropout as a data augmentation technique and bar patching to efficiently represent music data which reduces sequence length to less than 10\%. In addition, we developed a masked music model pre-training objective to enhance the music encoder's comprehension of musical context and structure. CLaMP integrates textual information to enable semantic search and zero-shot classification for symbolic music, surpassing the capabilities of previous models. To support the evaluation of semantic search and music classification, we publicly release WikiMusicText (WikiMT), a dataset of 1010 lead sheets in ABC notation, each accompanied by a title, artist, genre, and description. In comparison to state-of-the-art models that require fine-tuning, zero-shot CLaMP demonstrated comparable or superior performance on score-oriented datasets. Our models and code are available at https://github.com/microsoft/muzic/tree/main/clamp.
Forward citations
Cited by 3 Pith papers
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Scaling Self-Supervised Representation Learning for Symbolic Piano Performance
Self-supervised pretraining on 60,000 hours of symbolic piano music produces a generative model and contrastive embeddings that beat leading baselines on continuation quality and several MIR classification benchmarks.
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PianoBind: A Multimodal Joint Embedding Model for Pop-piano Music
PianoBind, a trimodal audio-MIDI-text embedding model trained on piano data, beats general-purpose music embedding models on pop-piano text-to-music retrieval benchmarks.
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Frechet Music Distance: A Metric For Generative Symbolic Music Evaluation
FMD applies the Frechet distance to CLaMP music embeddings to quantify distributional similarity between generated and reference symbolic music.
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