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GiantMIDI-Piano: A large-scale MIDI dataset for classical piano music

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arxiv 2010.07061 v3 pith:MNANUCHS submitted 2020-10-11 cs.IR cs.SDeess.AS

classification cs.IRcs.SDeess.AS
keywords giantmidi-pianopianomusiccomposersmidisoloworkscontaining
verification ladder T0 review T1 audit T2 compute T3 formal
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Symbolic music datasets are important for music information retrieval and musical analysis. However, there is a lack of large-scale symbolic datasets for classical piano music. In this article, we create a GiantMIDI-Piano (GP) dataset containing 38,700,838 transcribed notes and 10,855 unique solo piano works composed by 2,786 composers. We extract the names of music works and the names of composers from the International Music Score Library Project (IMSLP). We search and download their corresponding audio recordings from the internet. We further create a curated subset containing 7,236 works composed by 1,787 composers by constraining the titles of downloaded audio recordings containing the surnames of composers. We apply a convolutional neural network to detect solo piano works. Then, we transcribe those solo piano recordings into Musical Instrument Digital Interface (MIDI) files using a high-resolution piano transcription system. Each transcribed MIDI file contains the onset, offset, pitch, and velocity attributes of piano notes and pedals. GiantMIDI-Piano includes 90% live performance MIDI files and 10\% sequence input MIDI files. We analyse the statistics of GiantMIDI-Piano and show pitch class, interval, trichord, and tetrachord frequencies of six composers from different eras to show that GiantMIDI-Piano can be used for musical analysis. We evaluate the quality of GiantMIDI-Piano in terms of solo piano detection F1 scores, metadata accuracy, and transcription error rates. We release the source code for acquiring the GiantMIDI-Piano dataset at https://github.com/bytedance/GiantMIDI-Piano

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Cited by 1 Pith paper

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  1. Scaling Self-Supervised Representation Learning for Symbolic Piano Performance

    cs.SD 2025-06 conditional novelty 6.0 of 10

    Self-supervised pretraining on 60,000 hours of symbolic piano music produces a generative model and contrastive embeddings that beat leading baselines on continuation quality and several MIR classification benchmarks.

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