Pith. sign in

REVIEW 1 cited by

Multi-Source Contrastive Learning from Musical Audio

Not yet reviewed by Pith; the record is open.

This paper has not been read by Pith yet. Machine review is queued; the pith claim, tier, and objections will appear here once it completes.

SPECIMEN: schema-true, not a live event

T0 review · schema-true

One-sentence machine reading of the paper's core claim.

pith:XXXXXXXX · record.json · timestamp

arxiv 2302.07077 v2 pith:ZFQVOQ3B submitted 2023-02-14 eess.AS cs.SD

classification eess.AScs.SD
keywords learningcontrastivesourcemusicmusicalaudioclassificationdifferent
verification ladder T0 review T1 audit T2 compute T3 formal
0 comments
read the original abstract

Contrastive learning constitutes an emerging branch of self-supervised learning that leverages large amounts of unlabeled data, by learning a latent space, where pairs of different views of the same sample are associated. In this paper, we propose musical source association as a pair generation strategy in the context of contrastive music representation learning. To this end, we modify COLA, a widely used contrastive learning audio framework, to learn to associate a song excerpt with a stochastically selected and automatically extracted vocal or instrumental source. We further introduce a novel modification to the contrastive loss to incorporate information about the existence or absence of specific sources. Our experimental evaluation in three different downstream tasks (music auto-tagging, instrument classification and music genre classification) using the publicly available Magna-Tag-A-Tune (MTAT) as a source dataset yields competitive results to existing literature methods, as well as faster network convergence. The results also show that this pre-training method can be steered towards specific features, according to the selected musical source, while also being dependent on the quality of the separated sources.

Discussion (0). Continue with ORCID to comment.

Forward citations

Cited by 1 Pith paper

Reviewed papers in the Pith corpus that reference this work. Sorted by Pith novelty score. Full citation record

  1. Leave-One-EquiVariant: Alleviating invariance-related information loss in contrastive music representations

    cs.SD 2024-12 conditional novelty 6.0 of 10

    A contrastive music representation method, Leave-One-EquiVariant, keeps pitch and tempo information in separate embedding subspaces, improving key and tempo tasks without hurting tagging.

Pith tools