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A Diffusion-Based Generative Equalizer for Music Restoration

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arxiv 2403.18636 v2 pith:6MKOKZLD submitted 2024-03-27 eess.AS cs.SD

classification eess.AScs.SD
keywords musicalgorithmaudiohistoricalrestorationbabe-2bandwidthenhancement
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This paper presents a novel approach to audio restoration, focusing on the enhancement of low-quality music recordings, and in particular historical ones. Building upon a previous algorithm called BABE, or Blind Audio Bandwidth Extension, we introduce BABE-2, which presents a series of improvements. This research broadens the concept of bandwidth extension to \emph{generative equalization}, a novel task that, to the best of our knowledge, has not been explicitly addressed in previous studies. BABE-2 is built around an optimization algorithm utilizing priors from diffusion models, which are trained or fine-tuned using a curated set of high-quality music tracks. The algorithm simultaneously performs two critical tasks: estimation of the filter degradation magnitude response and hallucination of the restored audio. The proposed method is objectively evaluated on historical piano recordings, showing an enhancement over the prior version. The method yields similarly impressive results in rejuvenating the works of renowned vocalists Enrico Caruso and Nellie Melba. This research represents an advancement in the practical restoration of historical music.

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Cited by 1 Pith paper

Reviewed papers in the Pith corpus that reference this work. Sorted by Pith novelty score. Full citation record

  1. FlowSonic: Stable Zero-Shot Music Editing via High-Order Trajectory Integration

    cs.SD 2026-07 reject novelty 4.0 of 10

    FlowSonic combines deterministic rectified-flow inversion, cached cross-attention injection, and a 'seeded' third-order Adams-Bashforth solver to report better timbre and genre edits on small datasets.

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