Pith. sign in

REVIEW

From Audio Encoders to Piano Judges: Benchmarking Performance Understanding for Solo Piano

Not yet reviewed by Pith; the record is open.

This paper has not been read by Pith yet. Machine review is queued; the pith claim, tier, and objections will appear here once it completes.

SPECIMEN: schema-true, not a live event

T0 review · schema-true

One-sentence machine reading of the paper's core claim.

pith:XXXXXXXX · record.json · timestamp

arxiv 2407.04518 v2 pith:HNJCMKRC submitted 2024-07-05 eess.AS

classification eess.AS
keywords pianounderstandingaudioexpertiserankingapproachaudio-maedetection
verification ladder T0 review T1 audit T2 compute T3 formal

Signed reviews

No signed human review yet.

0 comments
read the original abstract

Our study investigates an approach for understanding musical performances through the lens of audio encoding models, focusing on the domain of solo Western classical piano music. Compared to composition-level attribute understanding such as key or genre, we identify a knowledge gap in performance-level music understanding, and address three critical tasks: expertise ranking, difficulty estimation, and piano technique detection, introducing a comprehensive Pianism-Labelling Dataset (PLD) for this purpose. We leverage pre-trained audio encoders, specifically Jukebox, Audio-MAE, MERT, and DAC, demonstrating varied capabilities in tackling downstream tasks, to explore whether domain-specific fine-tuning enhances capability in capturing performance nuances. Our best approach achieved 93.6\% accuracy in expertise ranking, 33.7\% in difficulty estimation, and 46.7\% in technique detection, with Audio-MAE as the overall most effective encoder. Finally, we conducted a case study on Chopin Piano Competition data using trained models for expertise ranking, which highlights the challenge of accurately assessing top-tier performances.

Discussion (0). Continue with ORCID to comment.

Pith tools