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arxiv: 2604.18768 · v1 · submitted 2026-04-20 · 💻 cs.HC

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AffectCity: An Empirical Investigation of Complexity, Transparency, and Materiality in Shaping Affective Perception of Building Facades

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Pith reviewed 2026-05-10 03:27 UTC · model grok-4.3

classification 💻 cs.HC
keywords building facadesaffective perceptioncomplexitytransparencymaterialitymediation analysisurban designvalence and arousal
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The pith

Perceived complexity of building facades is the dominant driver of emotional arousal and valence, with human perception acting as the key link to measurable features.

A machine-rendered reading of the paper's core claim, the machinery that carries it, and where it could break.

The paper introduces a new dataset of facade images rated for arousal and valence to test how complexity, transparency, and materiality shape affective responses. It finds that perceived complexity strongly and positively associates with both arousal and valence, showing stronger effects at higher levels, while machine metrics have weak direct links and require human ratings as mediators. Transparency follows an inverted-U curve with valence, and artificial materials lower pleasantness in line with biophilic ideas. This matters for moving urban design toward models that predict and improve how buildings make people feel daily.

Core claim

Buildings shape how people feel, yet the mechanisms through which specific facade properties drive affective states remain empirically underspecified. Focusing on complexity, transparency, and materiality, perceived complexity emerges as the dominant affective predictor with significant positive associations for arousal and valence and curvilinear amplification at higher levels. Machine-derived metrics show limited direct predictive power; human perceptual evaluation functions as a necessary intermediate layer, with perceived materiality mediating the machine-valence relationship. Transparency exhibits an inverted-U with valence, and artificiality suppresses arousal consistent with biophilic

What carries the argument

Human perceptual evaluation as a necessary intermediate layer between machine-vision-derived surface metrics and affective outcomes, with perceived complexity as the strongest predictor.

If this is right

  • Facade design guidelines can prioritize optimal complexity levels to enhance positive affective responses in urban settings.
  • Machine vision tools for facade analysis must incorporate human perceptual ratings to accurately predict emotional impact.
  • Transparency and materiality can be adjusted based on their specific relationships to valence and arousal for better biophilic outcomes.
  • Cross-context studies can build on the moderate stability of complexity and materiality ratings while accounting for valence's context dependence.

Where Pith is reading between the lines

These are editorial extensions of the paper, not claims the author makes directly.

  • These results imply that cities could use perceptual data to design facades that reduce negative emotions or increase engagement in public spaces.
  • The approach opens paths to integrate affective modeling into architectural software for real-time design feedback.
  • Extending the dataset to more global contexts might reveal cultural differences in how complexity affects valence.

Load-bearing premise

The sample of 86 facade images and 85 participants represents typical affective responses to building facades sufficiently to support the mediation and prediction claims.

What would settle it

Finding no significant mediation effect or no association between perceived complexity and arousal in a replication study using a larger and more diverse set of participants and real-world facade observations would falsify the central claims.

Figures

Figures reproduced from arXiv: 2604.18768 by Chenxi Wang, Haining Ding, Michal Gath-Morad.

Figure 1
Figure 1. Figure 1: Pipeline linking façade features and affective responses. This diagram illustrates the dual pathway from architectural façades to affective experience via formal properties (complexity, trans￾parency, materiality: C, T, M) and human perception towards emotional outcomes (arousal and va￾lence: A, V). Two critical gaps (Gap 1, Gap 2) highlight underexplored transitions between physical form, subjective appra… view at source ↗
Figure 2
Figure 2. Figure 2: Research design of the Cambridge Façade Affect Dataset (CFAD). This schematic outlines the multi-stage construction of the CFAD, integrating machine-derived façade features (C/T/M: complexity, transparency, materiality) with human-rated perceptual and affective responses (A/V: arousal, valence). The dataset comprises an 86-façade corpus processed via computer vision (Step 1), rated by 85 participants in an… view at source ↗
Figure 3
Figure 3. Figure 3: Russell’s Circumplex Model of Affect and modified affect grid. Russell’s [9] Circumplex Model illustrates core affect along two orthogonal dimensions: valence (pleasure–displeasure) and arousal (activation–deactivation). A modified affect grid based on this model was adapted for study purposes to measure emotional responses to architectural façades. Source: https://psu.pb.unizin. org/psych425/chapter/circu… view at source ↗
Figure 4
Figure 4. Figure 4: Dataset protocol for the Cambridge Façade Affect Dataset (CFAD). Two-step protocol for constructing the CFAD image dataset (N = 86), including data collection (Step 1) and standardisation (Step 2). Photographs were taken using a fixed DSLR setup under uniform daylight and minimal urban interference. Images underwent orthographic correction and cropping to ensure consistent alignment, aspect ratio (3:1), an… view at source ↗
Figure 5
Figure 5. Figure 5: Cambridge Façade Affect Dataset (CFAD). Source: Author. 2.1. Computational Measurement of Façade Attributes Three façade attributes, complexity, transparency, and materiality, were extracted computationally from the 86 orthogonally rectified images comprising the Cambridge Façade Affect Dataset (CFAD). All metrics were normalised to a continuous range of [0, 1] to enable systematic cross-façade comparison … view at source ↗
Figure 6
Figure 6. Figure 6: Computational quantification of façade features: complexity, transparency, and materiality. Three architectural variables were quantified from façade imagery using a combination of computer vision tech￾niques. Complexity was derived via OpenCV edge density and fractal dimension (D) methods. Trans￾parency was estimated by calculating the window-to-wall ratio (WWR) using YOLO and semantic segmen￾tation (e.g.… view at source ↗
Figure 7
Figure 7. Figure 7: Sample pipeline of machine-derived façade feature extraction (CFAD ID: 11). Example showcasing automated processing of a single façade image to extract three visual metrics. Complexity is computed via edge density, transparency via window detection and area ratio, and materiality via class-based segmentation of natural versus artificial materials. Final scores (0–1) are displayed for each variable. This im… view at source ↗
Figure 8
Figure 8. Figure 8: Survey workflow for online subjective evaluation. Participants (Np = 85) completed an online survey comprising two sections: background profiling (demographics, cognitive traits) and façade evaluation. Each participant was randomly assigned 10 façade images from the CFAD dataset and asked to rate them along three perceptual dimensions(complexity, transparency, and materiality) as well as two affective dime… view at source ↗
Figure 9
Figure 9. Figure 9: Self-Assessment Manikin (SAM) for affect measurement. The Self-Assessment Manikin (SAM) is a nonverbal pictorial assessment technique that directly measures the dimensions of affec￾tive response. The top row depicts the valence scale (from unpleasant to pleasant), and the bottom row shows the arousal scale (from calm to excited). Source: Author. The SAM scale [56] is a non-verbal, pictorial instrument that… view at source ↗
Figure 10
Figure 10. Figure 10: Four emotional categories are defined by the combination of valence and arousal dimensions: high valence and high arousal (pleasant and activating); high valence but low arousal (pleasant and calm); low valence and low arousal (unpleasant and calm); low valence but high arousal (unpleasant and activating). Colour coding corresponds to affective tone used throughout the figures. Source: Author. https://doi… view at source ↗
Figure 11
Figure 11. Figure 11: Mapping of architectural façades in a two-dimensional affective space. Each circle represents one CFAD façade image (N = 86), positioned by its mean valence (x-axis) and arousal (y-axis) ratings collected from 85 participants on a 5-point Likert scale (1 = low, 5 = high). The space is divided into four quadrants reflecting classic emotional categories. Circle colour indicates the quadrant’s affective tone… view at source ↗
Figure 12
Figure 12. Figure 12: Mixed-effects regression models and non-linear effects linking perceived façade features to affective responses. Scatterplots show the relationship between three human-rated façade attributes—complexity (blue), transparency (green), and materiality (red)— and affective responses: valence (top row) and arousal (bottom row). Data are drawn from the CFAD (N = 86 façades), each rated by ≥12 participants (Np =… view at source ↗
Figure 13
Figure 13. Figure 13: Standardised regression coefficients for the effects of perceived façade features on arousal and valence. Complexity emerged as the strongest positive predictor for both affective dimensions; transparency showed weaker yet significant positive effects; materiality had negative coefficients for both arousal and valence, indicating that more natural materials (lower materiality score) were associated with g… view at source ↗
Figure 14
Figure 14. Figure 14: Boxplots showing the effects of perceived complexity, transparency, and materiality on participants’ affective responses: (a) arousal (excitement) and (b) valence (pleasantness). Each dot represents an individual Likert rating (1–5), jittered for clarity. Boxes indicate interquartile ranges (IQR) with medians. Only groups with significantly higher median scores compared to others (via Kruskal–Wallis test … view at source ↗
Figure 15
Figure 15. Figure 15: Scatter plots showing the relationship between machine-derived façade features and affective responses. Each subplot il￾lustrates the predictive relationship between a machine-derived façade feature—complexity, transparency, or materiality—and one of two affective dimensions: valence (top row) or arousal (bottom row). Machine ratings were computed via computer vision pipelines and normalised between 0 and… view at source ↗
Figure 16
Figure 16. Figure 16: Machine–human agreement across three façade dimensions. Scatter plots show the cor￾relation between machine-derived and human-perceived scores for (a) complexity, (b) transparency, and (c) materiality, all normalised to a 0–1 scale. Red lines represent linear fits; grey dashed lines indicate identity lines. R 2 and Spearman’s ρ are shown for each dimension. Source: Author [PITH_FULL_IMAGE:figures/full_fi… view at source ↗
Figure 17
Figure 17. Figure 17: Correlation between online and on-site affective ratings. Scatter plots with regression lines and identity lines (dashed) illustrate consistency levels. Valence scores show significant corre￾lation (ρ = 0.58, p = 0.015), while arousal scores exhibit weaker alignment (ρ = 0.41, p = 0.107). Source: Author. Computational–perceptual alignment. Among the three façade attributes, material￾ity showed the stronge… view at source ↗
Figure 18
Figure 18. Figure 18: Comparison between online and on-site affective ratings. Paired plots for valence and arousal showing individual changes across 15 façades, with corresponding boxplots displaying cen￾tral tendency and dispersion of scores. Valence ratings were significantly higher in the on-site con￾dition relative to online evaluations, while arousal ratings showed no significant difference between conditions. Source: Au… view at source ↗
read the original abstract

Buildings shape how people feel, yet the mechanisms through which specific facade properties drive affective states remain empirically underspecified. Here we introduce the Cambridge Facade Affect Dataset (CFAD), 86 orthogonally rectified facade images annotated with continuous arousal and valence ratings from 85 participants, and establish a validated pipeline linking machine-vision-derived surface metrics to human affective responses. Focusing on three quantifiable attributes, complexity, transparency (window-to-wall ratio), and materiality (proportion of natural versus artificial surface composition), we show that perceived complexity is the dominant affective predictor, with significant positive associations for both arousal (beta = 0.507, p < 0.001) and valence (beta = 0.376, p < 0.001) and a curvilinear amplification at higher complexity levels. Transparency exhibits an inverted-U relationship with valence, while increasing surface artificiality suppresses arousal and reduces pleasantness consistent with biophilic response theory. Critically, machine-derived metrics show limited direct predictive power over affective outcomes; mediation analyses reveal that human perceptual evaluation functions as a necessary intermediate layer, with perceived materiality significantly mediating the machine-valence relationship (indirect effect = -0.205, p = 0.003). Cross-context validation demonstrates moderate stability of complexity and materiality ratings across image-based and in-situ conditions, while affective responses, particularly valence, exhibit significant context-dependence (ICC = 0.332). These findings advance facade research from descriptive morphological analysis toward predictive, perception-grounded modelling, and provide an empirically validated basis for affect-informed design of the urban environment.

Editorial analysis

A structured set of objections, weighed in public.

Desk editor's note, referee report, simulated authors' rebuttal, and a circularity audit. Tearing a paper down is the easy half of reading it; the pith above is the substance, this is the friction.

Referee Report

2 major / 3 minor

Summary. The paper introduces the Cambridge Facade Affect Dataset (CFAD) with 86 orthogonally rectified facade images and continuous arousal/valence ratings from 85 participants. It tests three facade attributes—complexity, transparency (window-to-wall ratio), and materiality (natural vs. artificial surface proportion)—and reports that perceived complexity is the dominant predictor (arousal beta=0.507, p<0.001; valence beta=0.376, p<0.001) with curvilinear amplification at high levels. Transparency shows an inverted-U with valence, artificiality suppresses arousal, machine metrics have weak direct effects, and human perceptual ratings mediate the machine-to-affect link (e.g., perceived materiality indirect effect=-0.205, p=0.003). Cross-context validation shows moderate stability for complexity/materiality but context-dependence for valence (ICC=0.332).

Significance. If the statistical results and mediation models hold, the work supplies a reusable dataset and validated pipeline that moves facade research from purely morphological description to perception-grounded, predictive modeling. The explicit mediation tests, quadratic terms, and in-situ vs. image comparison provide falsifiable links between machine-vision metrics and affective outcomes, with direct relevance to biophilic design and urban HCI.

major comments (2)
  1. [§4.3] §4.3 (Mediation models): the reported indirect effect for perceived materiality on machine-valence is load-bearing for the central claim that human perception is a necessary intermediate layer, yet the manuscript does not report the full set of path coefficients, standard errors for the indirect effect, or bootstrap confidence intervals; without these the mediation conclusion cannot be fully evaluated.
  2. [§3.2] §3.2 (Image selection): the claim that the 86 CFAD images support general inferences about facade affect rests on the orthogonal rectification and diversity criteria, but the exact stratification by complexity/transparency/materiality bins and any exclusion rules for atypical facades are not quantified, weakening the representativeness argument for the mediation and cross-context results.
minor comments (3)
  1. [Table 2] Table 2: the quadratic term for complexity-arousal is significant but the manuscript does not state whether the model includes all lower-order terms and interactions; add the full regression table with all predictors.
  2. [Figure 4] Figure 4: the curvilinear plots lack participant-level scatter or 95% confidence bands around the fitted lines, reducing visual assessment of effect size and outlier influence.
  3. [§5.1] §5.1: the ICC=0.332 for valence context-dependence is reported without the corresponding ICCs for arousal or the exact formula (one-way vs. two-way random effects); clarify the ICC type and interpretation.

Simulated Author's Rebuttal

2 responses · 0 unresolved

We thank the referee for the constructive and detailed feedback. The comments highlight opportunities to increase transparency in our statistical reporting and dataset documentation, which we will address in the revision.

read point-by-point responses
  1. Referee: [§4.3] §4.3 (Mediation models): the reported indirect effect for perceived materiality on machine-valence is load-bearing for the central claim that human perception is a necessary intermediate layer, yet the manuscript does not report the full set of path coefficients, standard errors for the indirect effect, or bootstrap confidence intervals; without these the mediation conclusion cannot be fully evaluated.

    Authors: We agree that the full mediation statistics are required to allow readers to evaluate the central claim. The manuscript currently reports only the indirect effect and its p-value. In the revised version we will expand §4.3 to include the complete path coefficients (a, b, c′), their standard errors, and 95% bootstrap confidence intervals for the indirect effects, presented in a new table. revision: yes

  2. Referee: [§3.2] §3.2 (Image selection): the claim that the 86 CFAD images support general inferences about facade affect rests on the orthogonal rectification and diversity criteria, but the exact stratification by complexity/transparency/materiality bins and any exclusion rules for atypical facades are not quantified, weakening the representativeness argument for the mediation and cross-context results.

    Authors: Section 3.2 describes the orthogonal rectification procedure and the intent to sample across the three attributes, but does not provide numerical bin counts or explicit exclusion criteria. We will revise §3.2 to add a quantitative summary of the stratification (number of images per complexity, transparency, and materiality bin) together with the precise exclusion rules, either in the main text or as a supplementary table. revision: yes

Circularity Check

0 steps flagged

No significant circularity in empirical derivation chain

full rationale

The manuscript reports an empirical investigation based on a new dataset (CFAD: 86 images rated by 85 participants), machine-vision surface metrics, and standard statistical procedures (linear and quadratic regressions yielding reported betas, plus mediation models with indirect effects). No equations or derivations are present that reduce any claimed result to its inputs by construction. Self-citations of prior facade work, if present, are not load-bearing for the central claims, which rest on the fresh data collection, within-subjects ratings, ICC values, and mediation estimates. The work is self-contained against external benchmarks and does not exhibit any of the enumerated circularity patterns.

Axiom & Free-Parameter Ledger

0 free parameters · 2 axioms · 0 invented entities

Central claims rest on standard statistical assumptions for linear and mediation models applied to survey ratings; no free parameters are introduced beyond those estimated from the 85-participant data, and no new entities are postulated.

axioms (2)
  • domain assumption Participant arousal and valence ratings are reliable and valid measures of affective response to static facade images.
    Invoked throughout the results section when interpreting beta coefficients and mediation effects.
  • domain assumption The 86 selected images adequately sample the range of complexity, transparency, and materiality in real building facades.
    Required for generalizing the dominance of complexity and the mediation findings.

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discussion (0)

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