Pith. sign in

REVIEW

Perceptual Quality Enhancement of Sound Field Synthesis Based on Combination of Pressure and Amplitude Matching

Not yet reviewed by Pith; the record is open.

This paper has not been read by Pith yet. Machine review is queued; the pith claim, tier, and objections will appear here once it completes.

SPECIMEN: schema-true, not a live event

T0 review · schema-true

One-sentence machine reading of the paper's core claim.

pith:XXXXXXXX · record.json · timestamp

arxiv 2307.13941 v1 pith:BE7Y56LM submitted 2023-07-26 eess.AS cs.SD

classification eess.AScs.SD
keywords amplitudematchingsoundfieldmethodpressuresynthesisdistribution
verification ladder T0 review T1 audit T2 compute T3 formal

Signed reviews

No signed human review yet.

0 comments
read the original abstract

A sound field synthesis method enhancing perceptual quality is proposed. Sound field synthesis using multiple loudspeakers enables spatial audio reproduction with a broad listening area; however, synthesis errors at high frequencies called spatial aliasing artifacts are unavoidable. To minimize these artifacts, we propose a method based on the combination of pressure and amplitude matching. On the basis of the human's auditory properties, synthesizing the amplitude distribution will be sufficient for horizontal sound localization. Furthermore, a flat amplitude response should be synthesized as much as possible to avoid coloration. Therefore, we apply amplitude matching, which is a method to synthesize the desired amplitude distribution with arbitrary phase distribution, for high frequencies and conventional pressure matching for low frequencies. Experimental results of numerical simulations and listening tests using a practical system indicated that the perceptual quality of the sound field synthesized by the proposed method was improved from that synthesized by pressure matching.

Discussion (0). Continue with ORCID to comment.

Pith tools