Tonal parsimony on chord sequences preserves optimal modulations while cutting mean tonalities from 3.802 to 3.206 and modulations from 16.728 to 12.141, reaching 95.6% chord-scale agreement on annotated jazz standards.
What’s Key for Key? The Krumhansl–Schmuckler Key-Finding Algo- rithm Reconsidered
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Tonal parsimony in chord-sequence analysis: combining modulation cost and tonal vocabulary
Tonal parsimony on chord sequences preserves optimal modulations while cutting mean tonalities from 3.802 to 3.206 and modulations from 16.728 to 12.141, reaching 95.6% chord-scale agreement on annotated jazz standards.