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InstructME: An Instruction Guided Music Edit And Remix Framework with Latent Diffusion Models

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arxiv 2308.14360 v3 pith:AQWDAZW6 submitted 2023-08-28 cs.SD cs.AIeess.AS

classification cs.SDcs.AIeess.AS
keywords musiceditinginstructmeframeworkharmonyremixingdiffusionguided
verification ladder T0 review T1 audit T2 compute T3 formal
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Music editing primarily entails the modification of instrument tracks or remixing in the whole, which offers a novel reinterpretation of the original piece through a series of operations. These music processing methods hold immense potential across various applications but demand substantial expertise. Prior methodologies, although effective for image and audio modifications, falter when directly applied to music. This is attributed to music's distinctive data nature, where such methods can inadvertently compromise the intrinsic harmony and coherence of music. In this paper, we develop InstructME, an Instruction guided Music Editing and remixing framework based on latent diffusion models. Our framework fortifies the U-Net with multi-scale aggregation in order to maintain consistency before and after editing. In addition, we introduce chord progression matrix as condition information and incorporate it in the semantic space to improve melodic harmony while editing. For accommodating extended musical pieces, InstructME employs a chunk transformer, enabling it to discern long-term temporal dependencies within music sequences. We tested InstructME in instrument-editing, remixing, and multi-round editing. Both subjective and objective evaluations indicate that our proposed method significantly surpasses preceding systems in music quality, text relevance and harmony. Demo samples are available at https://musicedit.github.io/

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Cited by 3 Pith papers

Reviewed papers in the Pith corpus that reference this work. Sorted by Pith novelty score. Full citation record

  1. EditGen: Harnessing Cross-Attention Control for Instruction-Based Auto-Regressive Audio Editing

    cs.SD 2025-07 conditional novelty 6.0 of 10

    Prompt-to-Prompt cross-attention control is adapted to autoregressive audio generation, enabling training-free music editing that outperforms a diffusion baseline.

  2. Workflow-Based Evaluation of Music Generation Systems

    eess.AS 2025-06 conditional novelty 5.0 of 10

    A single-producer workflow evaluation of eight music AI tools finds they work as idea and sound generators but not as complete composers, and proposes a reusable framework.

  3. FlowSonic: Stable Zero-Shot Music Editing via High-Order Trajectory Integration

    cs.SD 2026-07 reject novelty 4.0 of 10

    FlowSonic combines deterministic rectified-flow inversion, cached cross-attention injection, and a 'seeded' third-order Adams-Bashforth solver to report better timbre and genre edits on small datasets.

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