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Automatic music mixing with deep learning and out-of-domain data

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arxiv 2208.11428 v2 pith:YDTZ7C4I submitted 2022-08-24 eess.AS cs.LGcs.SDeess.SP

classification eess.AScs.LGcs.SDeess.SP
keywords mixingmusicautomaticdatalearningmodelscleandeep
verification ladder T0 review T1 audit T2 compute T3 formal

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Music mixing traditionally involves recording instruments in the form of clean, individual tracks and blending them into a final mixture using audio effects and expert knowledge (e.g., a mixing engineer). The automation of music production tasks has become an emerging field in recent years, where rule-based methods and machine learning approaches have been explored. Nevertheless, the lack of dry or clean instrument recordings limits the performance of such models, which is still far from professional human-made mixes. We explore whether we can use out-of-domain data such as wet or processed multitrack music recordings and repurpose it to train supervised deep learning models that can bridge the current gap in automatic mixing quality. To achieve this we propose a novel data preprocessing method that allows the models to perform automatic music mixing. We also redesigned a listening test method for evaluating music mixing systems. We validate our results through such subjective tests using highly experienced mixing engineers as participants.

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Cited by 1 Pith paper

Reviewed papers in the Pith corpus that reference this work. Sorted by Pith novelty score. Full citation record

  1. StemFX: Learning Mixing Style Representations via Autoregressive FX Chain Prediction on Source-Separated Stems

    cs.SD 2026-07 conditional novelty 6.0 of 10

    StemFX predicts tokenized per-stem audio-effect chains with a jointly-trained Transformer encoder-decoder, beating contrastive and prior FX-encoding methods on effect-chain retrieval and real-mix style transfer.

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