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Audio Prompt Adapter: Unleashing Music Editing Abilities for Text-to-Music with Lightweight Finetuning
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Text-to-music models allow users to generate nearly realistic musical audio with textual commands. However, editing music audios remains challenging due to the conflicting desiderata of performing fine-grained alterations on the audio while maintaining a simple user interface. To address this challenge, we propose Audio Prompt Adapter (or AP-Adapter), a lightweight addition to pretrained text-to-music models. We utilize AudioMAE to extract features from the input audio, and construct attention-based adapters to feedthese features into the internal layers of AudioLDM2, a diffusion-based text-to-music model. With 22M trainable parameters, AP-Adapter empowers users to harness both global (e.g., genre and timbre) and local (e.g., melody) aspects of music, using the original audio and a short text as inputs. Through objective and subjective studies, we evaluate AP-Adapter on three tasks: timbre transfer, genre transfer, and accompaniment generation. Additionally, we demonstrate its effectiveness on out-of-domain audios containing unseen instruments during training.
Forward citations
Cited by 3 Pith papers
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MuseControlLite: Multifunctional Music Generation with Lightweight Conditioners
A lightweight adapter that adds rotary position embeddings to decoupled cross-attention enables efficient time-varying style control and audio inpainting/outpainting for text-to-music diffusion Transformers.
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OSSL is the first self-hosted, mood-annotated video-music dataset, and a video adapter on MusicGen-Medium improves film music generation over text-only baselines.
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FlowSonic: Stable Zero-Shot Music Editing via High-Order Trajectory Integration
FlowSonic combines deterministic rectified-flow inversion, cached cross-attention injection, and a 'seeded' third-order Adams-Bashforth solver to report better timbre and genre edits on small datasets.
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