Pith. sign in

REVIEW 1 cited by

ImprovNet -- Generating Controllable Musical Improvisations with Iterative Corruption Refinement

Not yet reviewed by Pith; the record is open.

This paper has not been read by Pith yet. Machine review is queued; the pith claim, tier, and objections will appear here once it completes.

SPECIMEN: schema-true, not a live event

T0 review · schema-true

One-sentence machine reading of the paper's core claim.

pith:XXXXXXXX · record.json · timestamp

arxiv 2502.04522 v4 pith:FCMB3YLO submitted 2025-02-06 cs.SD cs.AIeess.AS

classification cs.SDcs.AIeess.AS
keywords improvisationsimprovnetmusicalstyletransfercontrollablegeneratingmodel
verification ladder T0 review T1 audit T2 compute T3 formal
0 comments
read the original abstract

Despite deep learning's remarkable advances in style transfer across various domains, generating controllable performance-level musical style transfer for complete symbolically represented musical works remains a challenging area of research. Much of this is owed to limited datasets, especially for genres such as jazz, and the lack of unified models that can handle multiple music generation tasks. This paper presents ImprovNet, a transformer-based architecture that generates expressive and controllable musical improvisations through a self-supervised corruption-refinement training strategy. The improvisational style transfer is aimed at making meaningful modifications to one or more musical elements - melody, harmony or rhythm of the original composition with respect to the target genre. ImprovNet unifies multiple capabilities within a single model: it can perform cross-genre and intra-genre improvisations, harmonize melodies with genre-specific styles, and execute short prompt continuation and infilling tasks. The model's iterative generation framework allows users to control the degree of style transfer and structural similarity to the original composition. Objective and subjective evaluations demonstrate ImprovNet's effectiveness in generating musically coherent improvisations while maintaining structural relationships with the original pieces. The model outperforms Anticipatory Music Transformer in short continuation and infilling tasks and successfully achieves recognizable genre conversion, with 79\% of participants correctly identifying jazz-style improvisations of classical pieces. Our code and demo page can be found at https://github.com/keshavbhandari/improvnet.

Discussion (0). Continue with ORCID to comment.

Forward citations

Cited by 1 Pith paper

Reviewed papers in the Pith corpus that reference this work. Sorted by Pith novelty score. Full citation record

  1. RUMAA: Repeat-Aware Unified Music Audio Analysis for Score-Performance Alignment, Transcription, and Mistake Detection

    cs.SD 2025-07 conditional novelty 6.0 of 10

    A single transformer model aligns scores to performances, transcribes piano audio, and detects mistakes, including faithful handling of repeat sections without pre-unfolded scores.

Pith tools