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Source Separation by Flow Matching
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Source Separation by Flow Matching
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We consider the problem of single-channel audio source separation with the goal of reconstructing $K$ sources from their mixture. We address this ill-posed problem with FLOSS (FLOw matching for Source Separation), a constrained generation method based on flow matching, ensuring strict mixture consistency. Flow matching is a general methodology that, when given samples from two probability distributions defined on the same space, learns an ordinary differential equation to output a sample from one of the distributions when provided with a sample from the other. In our context, we have access to samples from the joint distribution of $K$ sources and so the corresponding samples from the lower-dimensional distribution of their mixture. To apply flow matching, we augment these mixture samples with artificial noise components to match the dimensionality of the $K$ source distribution. Additionally, as any permutation of the sources yields the same mixture, we adopt an equivariant formulation of flow matching which relies on a neural network architecture that is equivariant by design. We demonstrate the performance of the method for the separation of overlapping speech.
Forward citations
Cited by 3 Pith papers
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MAGE: Modality-Agnostic Music Generation and Target-Source Extraction
MAGE unifies text, visual, and audio-conditioned music generation and editing in one flow-based latent model with dynamic modality masking and cross-gated control.
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Conditional Flow Matching for Visually-Guided Acoustic Highlighting
Conditional flow matching with a rollout loss and early audio-visual fusion achieves state-of-the-art results on visually-guided acoustic highlighting.
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MAGE: Modality-Agnostic Music Generation and Target-Source Extraction
A shared continuous-latent flow model generates music from text/vision or extracts a target source from a mixture via visual-audio alignment, gated modulation, and dynamic modality masking.
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