REVIEW 3 cited by
Zero-Shot Unsupervised and Text-Based Audio Editing Using DDPM Inversion
Not yet reviewed by Pith; the record is open.
This paper has not been read by Pith yet. Machine review is queued; the pith claim, tier, and objections will appear here once it completes.
SPECIMEN: schema-true, not a live event
T0 review · schema-true
One-sentence machine reading of the paper's core claim.
pith:XXXXXXXX · record.json · timestamp
read the original abstract
Editing signals using large pre-trained models, in a zero-shot manner, has recently seen rapid advancements in the image domain. However, this wave has yet to reach the audio domain. In this paper, we explore two zero-shot editing techniques for audio signals, which use DDPM inversion with pre-trained diffusion models. The first, which we coin ZEro-shot Text-based Audio (ZETA) editing, is adopted from the image domain. The second, named ZEro-shot UnSupervized (ZEUS) editing, is a novel approach for discovering semantically meaningful editing directions without supervision. When applied to music signals, this method exposes a range of musically interesting modifications, from controlling the participation of specific instruments to improvisations on the melody. Samples and code can be found in https://hilamanor.github.io/AudioEditing/ .
Forward citations
Cited by 3 Pith papers
-
Audio-Guided Visual Editing with Complex Multi-Modal Prompts
A training-free framework that maps audio embeddings into Stable Diffusion's text space and fuses multiple audio/text prompts via per-patch residual noise selection, outperforming text-only editors on new audio-visual...
-
EditGen: Harnessing Cross-Attention Control for Instruction-Based Auto-Regressive Audio Editing
Prompt-to-Prompt cross-attention control is adapted to autoregressive audio generation, enabling training-free music editing that outperforms a diffusion baseline.
-
FlowSonic: Stable Zero-Shot Music Editing via High-Order Trajectory Integration
FlowSonic combines deterministic rectified-flow inversion, cached cross-attention injection, and a 'seeded' third-order Adams-Bashforth solver to report better timbre and genre edits on small datasets.
Discussion (0). Sign in to comment.