Pith. sign in

REVIEW 1 cited by

Poses of People in Art: A Data Set for Human Pose Estimation in Digital Art History

Not yet reviewed by Pith; the record is open.

This paper has not been read by Pith yet. Machine review is queued; the pith claim, tier, and objections will appear here once it completes.

SPECIMEN: schema-true, not a live event

T0 review · schema-true

One-sentence machine reading of the paper's core claim.

pith:XXXXXXXX · record.json · timestamp

arxiv 2301.05124 v1 pith:I7Q4QKJO submitted 2023-01-12 cs.CV

classification cs.CV
keywords datahumanposesart-historicalbodyhistoryposeestimation
verification ladder T0 review T1 audit T2 compute T3 formal
0 comments
read the original abstract

Throughout the history of art, the pose, as the holistic abstraction of the human body's expression, has proven to be a constant in numerous studies. However, due to the enormous amount of data that so far had to be processed by hand, its crucial role to the formulaic recapitulation of art-historical motifs since antiquity could only be highlighted selectively. This is true even for the now automated estimation of human poses, as domain-specific, sufficiently large data sets required for training computational models are either not publicly available or not indexed at a fine enough granularity. With the Poses of People in Art data set, we introduce the first openly licensed data set for estimating human poses in art and validating human pose estimators. It consists of 2,454 images from 22 art-historical depiction styles, including those that have increasingly turned away from lifelike representations of the body since the 19th century. A total of 10,749 human figures are precisely enclosed by rectangular bounding boxes, with a maximum of four per image labeled by up to 17 keypoints; among these are mainly joints such as elbows and knees. For machine learning purposes, the data set is divided into three subsets, training, validation, and testing, that follow the established JSON-based Microsoft COCO format, respectively. Each image annotation, in addition to mandatory fields, provides metadata from the art-historical online encyclopedia WikiArt. With this paper, we elaborate on the acquisition and constitution of the data set, address various application scenarios, and discuss prospects for a digitally supported art history. We show that the data set enables the investigation of body phenomena in art, whether at the level of individual figures, which can be captured in their subtleties, or entire figure constellations, whose position, distance, or proximity to one another is considered.

Discussion (0). Sign in to comment.

Forward citations

Cited by 1 Pith paper

Reviewed papers in the Pith corpus that reference this work. Sorted by Pith novelty score. Full citation record

  1. Smelly, dense, and spreaded: The Object Detection for Olfactory References (ODOR) dataset

    cs.CV 2025-07 conditional novelty 5.0 of 10

    The ODOR dataset contributes 38,116 fine-grained object annotations over 4,712 artworks, benchmarked with five detector families, to stress-test object detection on dense, occluded, and off-centre objects in historica...

Pith tools