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Learning and generalization of compositional representations of visual scenes

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arxiv 2303.13691 v1 pith:R7M2MIOB submitted 2023-03-23 cs.NE cs.CV

classification cs.NEcs.CV
keywords scenelearningobjectvectorattributescompositionaldeepdescription
verification ladder T0 review T1 audit T2 compute T3 formal
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Complex visual scenes that are composed of multiple objects, each with attributes, such as object name, location, pose, color, etc., are challenging to describe in order to train neural networks. Usually,deep learning networks are trained supervised by categorical scene descriptions. The common categorical description of a scene contains the names of individual objects but lacks information about other attributes. Here, we use distributed representations of object attributes and vector operations in a vector symbolic architecture to create a full compositional description of a scene in a high-dimensional vector. To control the scene composition, we use artificial images composed of multiple, translated and colored MNIST digits. In contrast to learning category labels, here we train deep neural networks to output the full compositional vector description of an input image. The output of the deep network can then be interpreted by a VSA resonator network, to extract object identity or other properties of indiviual objects. We evaluate the performance and generalization properties of the system on randomly generated scenes. Specifically, we show that the network is able to learn the task and generalize to unseen seen digit shapes and scene configurations. Further, the generalisation ability of the trained model is limited. For example, with a gap in the training data, like an object not shown in a particular image location during training, the learning does not automatically fill this gap.

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  1. Successes and Limitations of Object-centric Models at Compositional Generalisation

    cs.CV 2024-12 conditional novelty 6.0 of 10

    Object-centric models handle novel combinations of object properties when all local features are present, and can even extrapolate to unseen shapes on the Pentomino dataset.

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