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MERGE -- A Bimodal Audio-Lyrics Dataset for Static Music Emotion Recognition

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arxiv 2407.06060 v3 pith:YQO7KJZ2 submitted 2024-07-08 cs.SD cs.IRcs.LGcs.MMeess.AS

classification cs.SDcs.IRcs.LGcs.MMeess.AS
keywords bimodallearningdatasetsaudioaudio-lyricsdeepemotionengineering
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The Music Emotion Recognition (MER) field has seen steady developments in recent years, with contributions from feature engineering, machine learning, and deep learning. The landscape has also shifted from audio-centric systems to bimodal ensembles that combine audio and lyrics. However, a lack of public, sizable and quality-controlled bimodal databases has hampered the development and improvement of bimodal audio-lyrics systems. This article proposes three new audio, lyrics, and bimodal MER research datasets, collectively referred to as MERGE, which were created using a semi-automatic approach. To comprehensively assess the proposed datasets and establish a baseline for benchmarking, we conducted several experiments for each modality, using feature engineering, machine learning, and deep learning methodologies. Additionally, we propose and validate fixed train-validation-test splits. The obtained results confirm the viability of the proposed datasets, achieving the best overall result of 81.74\% F1-score for bimodal classification.

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Cited by 2 Pith papers

Reviewed papers in the Pith corpus that reference this work. Sorted by Pith novelty score. Full citation record

  1. Exploring the Feasibility of LLMs for Automated Music Emotion Annotation

    cs.SD 2025-08 unverdicted novelty 5.0 of 10

    GPT-4o can annotate music emotion in a four-quadrant valence-arousal framework with accuracy below human experts but variability within the range of human disagreement.

  2. A Survey on Multimodal Music Emotion Recognition

    cs.MM 2025-04 conditional novelty 3.0 of 10

    A survey of multimodal music emotion recognition that organizes roughly two dozen papers into a four-stage framework and finds audio-plus-lyrics deep learning fusion to be the dominant approach.

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