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arxiv: 1709.06298 · v2 · pith:GJX2S2DQnew · submitted 2017-09-19 · 📡 eess.AS · cs.AI· cs.LG· cs.SD· stat.ML

MuseGAN: Multi-track Sequential Generative Adversarial Networks for Symbolic Music Generation and Accompaniment

classification 📡 eess.AS cs.AIcs.LGcs.SDstat.ML
keywords musicmodelsmodelgenerategenerationgenerativetracksadversarial
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Generating music has a few notable differences from generating images and videos. First, music is an art of time, necessitating a temporal model. Second, music is usually composed of multiple instruments/tracks with their own temporal dynamics, but collectively they unfold over time interdependently. Lastly, musical notes are often grouped into chords, arpeggios or melodies in polyphonic music, and thereby introducing a chronological ordering of notes is not naturally suitable. In this paper, we propose three models for symbolic multi-track music generation under the framework of generative adversarial networks (GANs). The three models, which differ in the underlying assumptions and accordingly the network architectures, are referred to as the jamming model, the composer model and the hybrid model. We trained the proposed models on a dataset of over one hundred thousand bars of rock music and applied them to generate piano-rolls of five tracks: bass, drums, guitar, piano and strings. A few intra-track and inter-track objective metrics are also proposed to evaluate the generative results, in addition to a subjective user study. We show that our models can generate coherent music of four bars right from scratch (i.e. without human inputs). We also extend our models to human-AI cooperative music generation: given a specific track composed by human, we can generate four additional tracks to accompany it. All code, the dataset and the rendered audio samples are available at https://salu133445.github.io/musegan/ .

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Cited by 2 Pith papers

Reviewed papers in the Pith corpus that reference this work. Sorted by Pith novelty score.

  1. Musical Attention Transformer: Music Generation Using a Music-Specific Attention Model

    cs.SD 2026-05 unverdicted novelty 4.0

    The paper introduces Musical Attention, an attention variant that incorporates eight musical features including metadata to generate more coherent and varied music than standard or strided attention baselines.

  2. Classical Music Prediction and Composition by means of Variational Autoencoders

    cs.SD 2019-06 unverdicted novelty 3.0

    VAEs are trained on classical music to encode pieces into latent space and predict continuations, enabling composition of new music from existing pieces or random starts even with small training sets.