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DisMix: Disentangling Mixtures of Musical Instruments for Source-level Pitch and Timbre Manipulation

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arxiv 2408.10807 v1 pith:5AD6H3F4 submitted 2024-08-20 cs.SD cs.AIcs.LGeess.AS

DisMix: Disentangling Mixtures of Musical Instruments for Source-level Pitch and Timbre Manipulation

classification cs.SD cs.AIcs.LGeess.AS
keywords representationspitchtimbreinstrumentsmixturesource-leveldisentanglementdismix
verification ladder T0 review T1 audit T2 compute T3 formal T4 reserved
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Existing work on pitch and timbre disentanglement has been mostly focused on single-instrument music audio, excluding the cases where multiple instruments are presented. To fill the gap, we propose DisMix, a generative framework in which the pitch and timbre representations act as modular building blocks for constructing the melody and instrument of a source, and the collection of which forms a set of per-instrument latent representations underlying the observed mixture. By manipulating the representations, our model samples mixtures with novel combinations of pitch and timbre of the constituent instruments. We can jointly learn the disentangled pitch-timbre representations and a latent diffusion transformer that reconstructs the mixture conditioned on the set of source-level representations. We evaluate the model using both a simple dataset of isolated chords and a realistic four-part chorales in the style of J.S. Bach, identify the key components for the success of disentanglement, and demonstrate the application of mixture transformation based on source-level attribute manipulation.

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Cited by 1 Pith paper

Reviewed papers in the Pith corpus that reference this work. Sorted by Pith novelty score.

  1. Remix the Timbre: Diffusion-Based Style Transfer Across Polyphonic Stems

    cs.SD 2026-05 unverdicted novelty 7.0

    MixtureTT performs direct per-stem timbre transfer on polyphonic mixtures via a shared diffusion transformer, outperforming single-stem baselines on SATB choral data while eliminating cascaded separation errors.